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A

MAZE

IN

ZAZAZA ENTER AZAZAZ

AZAZAZAZAZAZAZZAZAZAZAZAZAZA

ZAZAZAZAZAZAZAZAZAAZAZAZAZAZAZAZAZAZ

THE

MAGICALALPHABET

ABCDEFGHIJKLMNOPQRSTUVWXYZZYXWVUTSRQPONMLKJIHGFEDCBA

12345678910111213141516171819202122232425262625242322212019181716151413121110987654321

 

 

A

HISTORY OF GOD

Karen Armstrong 1993

The God of the Mystics

Page 250

"Perhaps the most famous of the early Jewish mystical texts is the fifth century Sefer Yezirah (The Book of Creation). There is no attempt to describe the creative process realistically; the account is unashamedly symbolic and shows God creating the world by means of language as though he were writing a book. But language has been entirely transformed and the message of creation is no longer clear. Each letter of the Hebrew alphabet is given a numerical value; by combining the letters with the sacred numbers, rearranging them in endless configurations, the mystic weaned his mind away from the normal connotations of words."

 

 

THERE IS NO ATTEMPT MADE TO DESCRIBE THE CREATIVE PROCESS REALISTICALLY

THE ACCOUNT IS SYMBOLIC AND SHOWS GOD CREATING THE WORLD BY MEANS OF LANGUAGE

AS THOUGH WRITING A BOOK BUT LANGUAGE ENTIRELY TRANSFORMED

THE MESSAGE OF CREATION IS CLEAR EACH LETTER OF

THE

ALPHABET

IS

GIVEN

A

NUMERICAL

VALUE BY COMBINING THE LETTERS WITH THE SACRED NUMBERS

REARRANGING THEM IN ENDLESS CONFIGURATIONS

THE MYSTIC WEANED THE MIND AWAY FROM THE NORMAL CONNOTATIONS OF WORDS

 

 

THE LIGHT IS RISING RISING IS THE LIGHT

 

 

2
IS
28
10
1
9
UNIVERSAL
121
40
4
4
MIND
40
22
4
3
THE
33
15
6
4
MIND
40
22
4
2
OF
21
12
3
9
HUMANKIND
95
41
5
33
First Total
378
162
27
3+3
Add to Reduce
3+7+8
1+6+2
2+7
6
Second Total
18
9
9
-
Reduce to Deduce
1+8
-
-
6
Essence of Number
9
9
9

 

 

9
UNIVERSAL
121
40
4
4
MIND
40
22
4
2
IS
28
10
1
3
THE
33
15
6
4
MIND
40
22
4
2
OF
21
12
3
9
HUMANKIND
95
41
5
33
First Total
378
162
27
3+3
Add to Reduce
3+7+8
1+6+2
2+7
6
Second Total
18
9
9
-
Reduce to Deduce
1+8
-
-
6
Essence of Number
9
9
9

 

 

E
=
5
-
2
EX
11
2
2
U
=
3
-
6
UMBRIS
82
28
1
E
=
5
-
2
ET
25
7
7
I
=
9
-
10
IMAGINIBUS
104
50
5
I
=
9
-
2
IN
23
14
5
V
=
4
-
9
VERITATEM
113
41
5
-
-
35
-
31
First Total
358
142
25
-
-
3+5
-
3+1
Add to Reduce
3+5+8
1+4+2
2+5
-
-
8
-
4
Second Total
16
7
7
-
-
-
-
-
Reduce to Deduce
1+6
-
-
-
-
8
-
4
Essence of Number
7
7
7

 

 

O
=
6
-
3
OUT
56
11
2
O
=
6
-
2
OF
21
12
3
S
=
1
-
7
SHADOWS
89
26
8
A
=
1
-
3
AND
82
28
1
P
=
7
-
9
PHANTASMS
111
30
3
I
=
9
-
4
INTO
58
22
4
T
=
2
-
5
TRUTH
87
24
6
-
-
32
-
33
Add to Reduce
441
135
27
-
-
3+2
-
3+3
Reduce to Deduce
4+4+1
1+3+5
2+7
-
-
5
-
6
Essence of Number
9
9
9

 

 

THIS IS THE SCENE OF THE SCENE UNSEEN

THE UNSEEN SEEN OF THE SCENE UNSEEN THIS IS THE SCENE

 

 

3
THE
33
15
6
4
MIND
40
22
4
2
OF
21
12
3
9
HUMANKIND
95
41
5
18
First Total
189
90
18
1+8
Add to Reduce
1+8+9
9+0
1+8
9
Second Total
18
9
9
-
Reduce to Deduce
1+8
-
-
9
Essence of Number
9
9
9

 

 

THE

FAR YONDER SCRIBE

AND OFT TIMES SHADOWED SUBSTANCES WATCHED IN FINE AMAZE

THE

ZED ALIZ ZED

IN

SWIFT REPEAT SCATTER STAR DUST AMONGST THE LETTERS OF THEIR PROGRESS

 

 

NUMBER

9

THE SEARCH FOR THE SIGMA CODE

Cecil Balmond 1998

Cycles and Patterns

Page 165

Patterns

"The essence of mathematics is to look for patterns.

Our minds seem to be organised to search for relationships and sequences. We look for hidden orders.

These intuitions seem to be more important than the facts themselves, for there is always the thrill at finding something, a pattern, it is a discovery - what was unknown is now revealed. Imagine looking up at the stars and finding the zodiac!

Searching out patterns is a pure delight.

Suddenly the counters fall into place and a connection is found, not necessarily a geometric one, but a relationship between numbers, pictures of the mind, that were not obvious before. There is that excitement of finding order in something that was otherwise hidden.

And there is the knowledge that a huge unseen world lurks behind the facades we see of the numbers themselves."

 

 

FINGERPRINTS OF THE GODS

A QUEST FOR THE BEGINNING AND THE END

Graham Hancock 1995

Chapter 32

Speaking to the Unborn

Page 285

"It is understandable that a huge range of myths from all over the ancient world should describe geological catastrophes in graphic detail. Mankind survived the horror of the last Ice Age, and the most plausible source for our enduring traditions of flooding and freezing, massive volcanism and devastating earthquakes is in the tumultuous upheavals unleashed during the great meltdown of 15,000 to 8000 BC. The final retreat of the ice sheets, and the consequent 300-400 foot rise in global sea levels, took place only a few thousand years before the beginning of the historical period. It is therefore not surprising that all our early civilizations should have retained vivid memories of the vast cataclysms that had terrified their forefathers.
Much harder to explain is the peculiar but distinctive way the myths of cataclysm seem to bear the intelligent imprint of a guiding hand.l Indeed the degree of convergence between such ancient stories is frequently remarkable enough to raise the suspicion that they must all have been 'written' by the same 'author'.
Could that author have had anything to do with the wondrous deity, or superhuman, spoken of in so many of the myths we have reviewed, who appears immediately after the world has been shattered by a horrifying geological catastrophe and brings comfort and the gifts of civilization to the shocked and demoralized survivors?
White and bearded, Osiris is the Egyptian manifestation of this / Page 286 / universal figure, and it may not be an accident that one of the first acts he is remembered for in myth is the abolition of cannibalism among the primitive inhabitants of the Nile Valley.2 Viracocha, in South America, was said to have begun his civilizing mission immediately after a great flood; Quetzalcoatl, the discoverer of maize, brought the benefits of crops, mathematics, astronomy and a refined culture to Mexico after the Fourth Sun had been overwhelmed by a destroying deluge.
Could these strange myths contain a record of encounters between scattered palaeolithic tribes which survived the last Ice Age and an as yet unidentified high civilization which passed through the same epoch?
And could the myths be attempts to communicate?

A message in the bottle of time"

'Of all the other stupendous inventions,' Galileo once remarked,

what sublimity of mind must have been his who conceived how to communicate his most secret thoughts to any other person, though very distant either in time or place, speaking with those who are in the Indies, speaking to those who are not yet born, nor shall be this thousand or ten thousand years? And with no greater difficulty than the various arrangements of two dozen little signs on paper? Let this be the seal of all the admirable inventions of men.3

If the 'precessional message' identified by scholars like Santillana, von Dechend and Jane Sellers is indeed a deliberate attempt at communication by some lost civilization of antiquity, how come it wasn't just written down and left for us to find? Wouldn't that have been easier than encoding it in myths? Perhaps.
Nevertheless, suppose that whatever the message was written on got destroyed or worn away after many thousands of years? Or suppose that the language in which it was inscribed was later forgotten utterly (like the enigmatic Indus Valley script, which has been studied closely for more than half a century but has so far resisted all attempts at decoding)? It must be obvious that in such circumstances a written / Page 287 / legacy to the future would be of no value at all, because nobody would be able to make sense of it.
What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them - and the city of Teotihuacan may be the calling-card of a lost civilization written in the eternal language of mathematics.
Geodetic data, related to the exact positioning of fixed geographical points and to the shape and size of the earth, would also remain valid and recognizable for tens of thousands of years, and might be most conveniently expressed by means of cartography (or in the construction of giant geodetic monuments like the Great Pyramid of Egypt, as we shall see).
Another 'constant' in our solar system is the language of time: the great but regular intervals of time calibrated by the inch-worm creep of precessional motion. Now, or ten thousand years in the future, a message that prints out numbers like 72 or 2160 or 4320 or 25,920 should be instantly intelligible to any civilization that has evolved a modest talent for mathematics and the ability to detect and measure the almost imperceptible reverse wobble that the sun appears to make along the ecliptic against the background of the fixed stars..."

"What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them"

"WRITTEN IN THE ETERNAL LANGUAGE OF MATHEMATICS"

 

 

THE LIGHT IS RISING NOW RISING IS THE LIGHT

 

 

W
=
5
-
4
WHAT
52
16
7
O
=
6
-
3
ONE
34
16
7
W
=
5
-
5
WOULD
75
21
3
L
=
3
-
4
LOOK
53
17
8
F
=
6
-
3
FOR
30
21
3
T
=
2
-
9
THEREFORE
100
46
1
W
=
5
-
5
WOULD
75
21
3
B
=
2
-
2
BE
7
7
7
A
=
1
-
1
A
1
1
1
U
=
3
-
9
UNIVERSAL
121
40
4
L
=
3
-
8
LANGUAGE
68
32
5
-
-
41
4
53
First Total
616
238
49
-
-
4+1
-
5+3
Add to Reduce
6+1+6
2+3+8
4+9
-
-
5
-
8
Second Total
13
13
13
-
-
-
-
-
Reduce to Deduce
1+3
1+3
1+3
-
-
5
-
8
Essence of Number
4
4
4

 

 

T
=
2
-
3
THE
33
15
6
K
=
2
-
4
KIND
38
20
2
O
=
6
-
2
OF
21
12
3
L
=
3
-
8
LANGUAGE
68
32
5
T
=
2
-
4
THAT
49
13
4
W
=
5
-
5
WOULD
75
21
3
B
=
2
-
2
BE
7
7
7
C
=
3
-
14
COMPREHENSIBLE
144
72
9
T
=
2
-
2
TO
35
8
8
A
=
1
-
3
ANY
40
13
4
T
=
2
-
15
TECHNOLOGICALLY
161
71
8
A
=
1
-
2
ADVANCED
54
27
9
S
=
1
-
7
SOCIETY
96
33
6
I
=
9
-
2
IN
23
14
5
A
=
1
-
3
ANY
40
13
4
E
=
5
-
5
EPOCH
47
29
2
-
-
47
4
81
First Total
931
400
85
-
-
4+7
-
8+1
Add to Reduce
9+3+1
4+0+0
8+5
-
-
11
-
9
Second Total
13
4
13
-
-
1+5
-
-
Reduce to Deduce
1+3
-
1+3
-
-
2
-
9
Essence of Number
4
4
4

 

 

S
=
1
-
4
SUCH
51
15
6
L
=
3
-
9
LANGUAGES
87
33
6
A
=
1
-
3
ARE
24
15
6
F
=
6
-
3
FEW
34
16
7
A
=
1
-
3
AND
19
10
1
F
=
6
-
3
FAR
25
16
7
B
=
2
-
7
BETWEEN
74
29
2
B
=
2
-
3
BUT
43
7
7
M
=
4
-
11
MATHEMATICS
112
40
4
I
=
9
-
2
IS
28
10
1
O
=
6
-
3
ONE
34
16
7
O
=
6
-
2
OF
21
12
3
T
=
2
-
4
THEM
46
19
1
-
-
49
4
57
First Total
598
238
58
-
-
4+9
-
5+7
Add to Reduce
5+9+8
2+3+8
5+8
-
-
13
-
12
Second Total
22
13
13
-
-
1+3
-
1+2
Reduce to Deduce
2+2
1+3
1+3
-
-
3
-
3
Essence of Number
4
4
4

 

 

A
=
1
-
1
A
1
1
1
L
=
3
-
8
LANGUAGE
68
32
5
O
=
6
-
2
OF
21
12
3
L
=
3
-
7
LETTERS
99
27
9
A
=
1
-
3
AND
19
10
1
N
=
5
-
7
NUMBERS
73
28
1
-
-
19
4
28
First Total
299
110
20
-
-
1+9
-
2+8
Add to Reduce
2+9+9
1+1+0
2+0
-
-
10
-
10
Second Total
20
2
2
-
-
1+0
-
1+0
Reduce to Deduce
2+0
-
-
-
-
1
-
1
Essence of Number
2
2
2

 

MATHEMATICS A LANGUAGE OF LETTERS AND NUMBERS

 

W
=
5
-
4
WHAT
52
16
7
O
=
6
-
3
ONE
34
16
7
W
=
5
-
5
WOULD
75
21
3
L
=
3
-
4
LOOK
53
17
8
F
=
6
-
3
FOR
30
21
3
T
=
2
-
9
THEREFORE
100
46
1
W
=
5
-
5
WOULD
75
21
3
B
=
2
-
2
BE
7
7
7
A
=
1
-
1
A
1
1
1
U
=
3
-
9
UNIVERSAL
121
40
4
L
=
3
-
8
LANGUAGE
68
32
5
-
-
41
4
53
-
616
238
49
-
-
-
-
-
-
-
-
-
T
=
2
-
3
THE
33
15
6
K
=
2
-
4
KIND
38
20
2
O
=
6
-
2
OF
21
12
3
L
=
3
-
8
LANGUAGE
68
32
5
C
=
3
-
4
THAT
144
72
9
T
=
2
-
5
WOULD
35
8
8
A
=
1
-
2
BE
40
13
4
T
=
2
-
14
COMPREHENSIBLE
161
71
8
A
=
1
-
2
TO
54
27
9
S
=
1
-
3
ANY
96
33
6
I
=
9
-
15
TECHNOLOGICALLY
23
14
5
A
=
1
-
2
ADVANCED
40
13
4
E
=
5
-
7
SOCIETY
48
29
2
T
=
2
-
2
IN
49
13
4
W
=
5
-
3
ANY
75
21
3
B
=
2
-
5
EPOCH
7
7
7
-
-
47
4
81
-
931
400
85
-
-
-
-
-
-
-
-
-
S
=
1
-
4
SUCH
51
15
6
L
=
3
-
9
LANGUAGES
87
33
6
A
=
1
-
3
ARE
24
15
6
F
=
6
-
3
FEW
34
16
7
A
=
1
-
3
AND
19
10
1
F
=
6
-
3
FAR
25
16
7
B
=
2
-
7
BETWEEN
74
29
2
B
=
2
-
3
BUT
43
7
7
M
=
4
-
11
MATHEMATICS
112
40
4
I
=
9
-
2
IS
28
10
1
O
=
6
-
3
ONE
34
16
7
O
=
6
-
2
OF
21
12
3
T
=
2
-
4
THEM
46
19
1
-
-
49
4
57
-
598
238
58
-
-
-
-
-
-
-
-
-
A
=
1
-
1
A
1
1
1
L
=
3
-
8
LANGUAGE
68
32
5
O
=
6
-
2
OF
21
12
3
L
=
3
-
7
LETTERS
99
27
9
A
=
1
-
3
AND
19
10
1
N
=
5
-
7
NUMBERS
73
28
1
-
-
19
4
28
-
299
110
20
-
-
-
-
-
-
-
-
-
-
-
156
-
219
First Total
2444
986
212
-
-
1+5+6
-
2+1+9
Add to Reduce
2+4+4+4
9+8+6
2+1+2
-
-
12
-
12
Second Total
14
23
5
-
-
1+2
-
1+2
Reduce to Deduce
1+4
2+3
-
-
-
3
-
3
Essence of Number
5
5
5

 

MATHEMATICS A LANGUAGE OF LETTER AND NUMBER

 

A
=
1
-
1
A
1
1
1
L
=
3
-
8
LANGUAGE
68
32
5
O
=
6
-
2
OF
21
12
3
L
=
3
-
6
LETTER
80
26
8
A
=
1
-
3
AND
19
10
1
N
=
5
-
6
NUMBER
73
28
1
S
-
19
4
26
First Total
261
108
18
-
-
1+9
-
2+6
Add to Reduce
2+6+1
1+0+8
1+8
-
-
10
-
8
Second Total
9
9
9
-
-
1+0
-
-
Reduce to Deduce
-
-
-
-
-
1
-
8
Essence of Number
9
9
9

 

 

 

 

26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
9
-
-
-
-
5
6
-
-
-
1
-
-
-
-
6
-
8
+
=
43
4+3
=
7
=
7
=
7
-
-
-
-
-
-
-
-
8
9
-
-
-
-
14
15
-
-
-
19
-
-
-
-
24
-
26
+
=
115
1+1+5
=
7
=
7
=
7
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
-
-
1
2
3
4
-
-
7
8
9
-
2
3
4
5
-
7
-
+
=
83
8+3
=
11
1+1
2
=
2
-
1
2
3
4
5
6
7
-
-
10
11
12
13
-
-
16
17
18
-
20
21
22
23
-
25
-
+
=
236
2+3+6
=
11
1+1
2
=
2
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
+
=
351
3+5+1
=
9
=
9
=
9
-
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
+
=
126
1+2+6
=
9
=
9
=
9
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
+
=
1
occurs
x
3
=
3
=
3
-
-
2
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
+
=
2
occurs
x
3
=
6
=
6
-
-
-
3
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
-
3
-
-
-
-
-
+
=
3
occurs
x
3
=
9
=
9
-
-
-
-
4
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
4
-
-
-
-
+
=
4
occurs
x
3
=
12
1+2
3
-
-
-
-
-
5
-
-
-
-
-
-
-
-
5
-
-
-
-
-
-
-
-
5
-
-
-
+
=
5
occurs
x
3
=
15
1+5
6
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
6
-
-
+
=
6
occurs
x
3
=
18
1+8
9
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
7
-
+
=
7
occurs
x
3
=
21
2+1
3
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
8
+
=
8
occurs
x
3
=
24
2+4
6
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
+
=
9
occurs
x
2
=
18
1+8
9
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
45
-
-
26
-
126
-
54
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
4+5
-
-
2+6
-
1+2+6
-
5+4
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
9
-
-
8
-
9
-
9
-
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
-
-
-
-
-
-
-
-
-
-
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
9
-
-
8
-
9
-
9

 

 

0
-
Z
=
8
-
4
ZERO
64
28
1
1
-
O
=
6
-
3
ONE
34
16
7
2
-
T
=
2
-
3
TWO
58
13
4
3
-
T
=
2
-
5
THREE
56
29
2
4
-
F
=
6
-
4
FOUR
60
24
6
5
-
F
=
6
-
4
FIVE
42
24
6
6
-
S
=
1
-
3
SIX
52
16
7
7
-
S
=
1
-
5
SEVEN
65
20
2
8
-
E
=
5
-
5
EIGHT
49
31
4
9
-
N
=
5
-
4
NINE
42
24
6
45
-
-
-
42
-
40
Add
522
225
45
4+5
-
-
-
4+2
-
4+0
Reduce
5+2+2
2+2+5
4+5
9
-
-
-
6
-
4
Deduce
9
9
9

 

 

-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
0
-
Z
=
8
-
4
ZERO
64
28
1
-
1
-
-
-
-
-
-
-
-
1
-
O
=
6
-
3
ONE
34
16
7
-
-
-
-
-
-
-
7
-
-
2
-
T
=
2
-
3
TWO
58
13
4
-
-
-
-
4
-
-
-
-
-
3
-
T
=
2
-
5
THREE
56
29
2
-
-
2
-
-
-
-
-
-
-
4
-
F
=
6
-
4
FOUR
60
24
6
-
-
-
-
-
-
6
-
-
-
5
-
F
=
6
-
4
FIVE
42
24
6
-
-
-
-
-
-
6
-
-
-
6
-
S
=
1
-
3
SIX
52
16
7
-
-
-
-
-
-
-
7
-
-
7
-
S
=
1
-
5
SEVEN
65
20
2
-
-
2
-
-
-
-
-
-
-
8
-
E
=
5
-
5
EIGHT
49
31
4
-
-
-
-
4
-
-
-
-
-
9
-
N
=
5
-
4
NINE
42
24
6
-
-
-
-
-
-
6
-
-
-
45
-
-
-
42
-
40
Add
522
225
45
-
1
4
3
8
5
18
14
8
9
4+5
-
-
-
4+2
-
4+0
Reduce
5+2+2
2+2+5
4+5
-
-
-
-
-
-
1+8
1+4
-
-
9
-
-
-
6
-
4
Deduce
9
9
9
-
1
4
3
8
5
9
5
8
9

 

 

1
-
O
=
6
-
3
ONE
34
16
7
2
-
T
=
2
-
3
TWO
58
13
4
3
-
T
=
2
-
5
THREE
56
29
2
4
-
F
=
6
-
4
FOUR
60
24
6
5
-
F
=
6
-
4
FIVE
42
24
6
6
-
S
=
1
-
3
SIX
52
16
7
7
-
S
=
1
-
5
SEVEN
65
20
2
8
-
E
=
5
-
5
EIGHT
49
31
4
9
-
N
=
5
-
4
NINE
42
24
6
45
-
-
-
34
-
36
Add
458
197
44
4+5
-
-
-
3+4
-
3+6
Reduce
4+5+8
1+9+7
4+4
9
-
-
-
7
4
9
Deduce
17
17
8
-
-
-
-
-
-
-
Produce
1+7
1+7
-
9
-
-
-
7
-
9
Essence
8
8
8

 

 

-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
O
=
6
-
3
ONE
34
16
7
-
-
-
-
-
-
-
7
-
-
2
-
T
=
2
-
3
TWO
58
13
4
-
-
-
-
4
-
-
-
-
-
3
-
T
=
2
-
5
THREE
56
29
2
-
-
2
-
-
-
-
-
-
-
4
-
F
=
6
-
4
FOUR
60
24
6
-
-
-
-
-
-
6
-
-
-
5
-
F
=
6
-
4
FIVE
42
24
6
-
-
-
-
-
-
6
-
-
-
6
-
S
=
1
-
3
SIX
52
16
7
-
-
-
-
-
-
-
7
-
-
7
-
S
=
1
-
5
SEVEN
65
20
2
-
-
2
-
-
-
-
-
-
-
8
-
E
=
5
-
5
EIGHT
49
31
4
-
-
-
-
4
-
-
-
-
-
9
-
N
=
5
-
4
NINE
42
24
6
-
-
-
-
-
-
6
-
-
-
45
-
-
-
34
-
36
Add
458
197
44
-
1
4
3
8
5
18
14
8
9
4+5
-
-
-
3+4
-
3+6
Reduce
4+5+8
1+9+7
4+4
-
-
-
-
-
-
1+8
1+4
-
-
9
-
-
-
7
4
9
Deduce
17
17
8
-
1
4
3
8
5
18
14
8
9
-
-
-
-
-
-
-
Produce
1+7
1+7
-
-
-
-
-
-
-
-
-
-
-
9
-
-
-
7
-
9
Essence
8
8
8
-
1
4
3
8
5
9
5
8
9

 

 

0
-
4
ZERO
8
5
9
6
-
=
28
2+8
=
10
1+0
1
1
-
3
ONE
6
5
5
-
-
=
16
1+6
=
7
-
7
2
-
3
TWO
2
5
6
-
-
=
13
1+3
=
4
-
4
3
-
5
THREE
2
8
9
5
5
=
29
2+9
=
11
1+1
2
4
-
4
FOUR
6
6
3
9
-
=
24
2+4
=
6
-
6
5
-
4
FIVE
6
9
4
5
-
=
24
2+4
=
6
-
6
6
-
3
SIX
1
9
6
-
-
=
16
1+6
=
7
-
7
7
-
5
SEVEN
1
5
4
5
5
=
20
2+0
=
2
-
2
8
-
5
EIGHT
5
9
7
8
2
=
31
3+1
=
4
-
4
9
-
4
NINE
5
9
5
5
-
=
24
2+4
=
6
-
6
45
-
40
Add
42
70
58
43
12
-
225
-
-
63
-
45
4+5
-
4+0
-
4+2
7+0
5+8
4+3
1+2
-
2+2+5
-
-
6+3
-
4+5
9
-
4
Reduce
6
7
13
7
3
-
9
-
-
9
-
-
-
-
-
-
-
-
1+3
-
-
-
-
-
-
-
-
-
9
-
4
Deduce
6
7
4
7
3
-
9
-
-
9
-
9

 

 

 

The Upside Down of the Downside Up

 

 

THE DEATH OF GODS IN ANCIENT EGYPT

Jane B. Sellars 1992

Page 204

"The overwhelming awe that accompanies the realization, of the measurable orderliness of the universe strikes modern man as well. Admiral Weiland E. Byrd, alone In the Antarctic for five months of polar darkness, wrote these phrases of intense feeling:

Here were the imponderable processes and forces of the cosmos, harmonious and soundless. Harmony, that was it! I could feel no doubt of oneness with the universe. The conviction came that the rhythm was too orderly. too harmonious, too perfect to be a product of blind chance - that, therefore there must be purpose in the whole and that man was part of that whole and not an accidental offshoot. It was a feeling that transcended reason; that went to the heart of man's despair and found it groundless. The universe was a cosmos, not a chaos; man was as rightfully a part of that cosmos as were the day and night.10

Returning to the account of the story of Osiris, son of Cronos god of' Measurable Time, Plutarch takes, pains to remind the reader of the original Egyptian year consisting of 360 days.

Phrases are used that prompt simple mental. calculations and an attention to numbers, for example, the 360-day year is described as being '12 months of 30 days each'. Then we are told that, Osiris leaves on a long journey, during which Seth, his evil brother, plots with 72 companions to slay Osiris: He also secretly obtained the measure of Osiris and made ready a chest in which to entrap him.

The, interesting thing about this part of the-account is that nowhere in the original texts of the Egyptians are we told that Seth, has 72 companions. We have already been encouraged to equate Osiris with the concept of measured time; his father being Cronos. It is also an observable fact that Cronos-Saturn has the longest sidereal period of the known planets at that time, an orbit. of 30 years. Saturn is absent from a specific constellation for that length of time.

A simple mathematical fact has been revealed to any that are even remotely sensitive to numbers: if you multiply 72 by 30, the years of Saturn's absence (and the mention of Osiris's absence prompts one to recall this other), the resulting product is 2,160: the number of years required, for one 30° shift, or a shift: through one complete sign of the zodiac. This number multplied by the /Page205 / 12 signs also gives 25,920. (And Plutarch has reminded us of 12)

If you multiply the unusual number 72 by 360, a number that Plutarch mentions several times, the product will be 25,920, again the number of years symbolizing the ultimate rebirth.

This 'Eternal Return' is the return of, say, Taurus to the position of marking the vernal equinox by 'riding in the solar bark with. Re' after having relinquished this honoured position to Aries, and subsequently to the to other zodiacal constellations.

Such a return after 25,920 years is indeed a revisit to a Golden Age, golden not only because of a remarkable symmetry In the heavens, but golden because it existed before the Egyptians experienced heaven's changeability.

But now to inform the reader of a fact he or she may already know. Hipparaus did: not really have the exact figures: he was a trifle off in his observations and calculations. In his published work, On the Displacement of the Solstitial and Equinoctial Signs, he gave figures of 45" to 46" a year, while the truer precessional lag along the ecliptic is about 50 seconds. The exact measurement for the lag, based on the correct annual lag of 50'274" is 1° in 71.6 years, or 360° in 25,776 years, only 144 years less than the figure of 25,920.

With Hipparchus's incorrect figures a 'Great Year' takes from 28,173.9 to 28,800 years, Incorrect by a difference of from 2,397.9 years to 3,024.

Since Nicholas Copernicus (AD 1473-1543) has always been credited with giving the correct numbers (although Arabic astronomer Nasir al-Din Tusi,11 born AD 1201, is known to have fixed the Precession at 50°), we may correctly ask, and with justifiable astonishment 'Just whose information was Plutarch transmitting'

AN IMPORTANT POSTSCRIPT

Of course, using our own notational system, all the important numbers have digits that reduce to that amazing number 9 a number that has always delighted budding mathematician.

Page 206

Somewhere along the way, according to Robert Graves, 9 became the number of lunar wisdom.12

This number is found often in the mythologies of the world. the Viking god Odin hung for nine days and nights on the World Tree in order to acquire the secret of the runes, those magic symbols out of which writing and numbers grew. Only a terrible sacrifice would give away this secret, which conveyed upon its owner power and dominion over all, so Odin hung from his neck those long 9 days and nights over the 'bottomless abyss'. In the tree were 9 worlds, and another god was said to have been born of 9 mothers.

Robert Graves, in his White Goddess, Is intrigued by the seemingly recurring quality of the number 72 in early myth and ritual. Graves tells his reader that 72 is always connected with the number 5, which reflects, among other things, the five Celtic dialects that he was investigating. Of course, 5 x 72= 360, 360 x 72= 25,920. Five is also the number of the planets known to the ancient world, that is, Saturn, Jupiter, Mars, Venus Mercury.

Graves suggests a religious mystery bound up with two ancient Celtic 'Tree Alphabets' or cipher alphabets, which as genuine articles of Druidism were orally preserved and transmitted for centuries. He argues convincingly that the ancient poetry of Europe was ultimately based on what its composers believed to be magical principles, the rudiments of which formed a close religious secret for centuries. In time these were-garbled, discredited and forgotten.

Among the many signs of the transmission of special numbers he points out that the aggregate number of letter strokes for the complete 22-letter Ogham alphabet that he is studying is 72 and that this number is the multiple of 9, 'the number of lunar wisdom'. . . . he then mentions something about 'the seventy day season during which Venus moves successively from. maximum eastern elongation 'to inferior conjunction and maximum western elongation'.13

Page 207

"...Feniusa Farsa, Graves equates this hero with Dionysus Farsa has 72 assistants who helped him master the 72 languages created at the confusion of Babel, the tower of which is said to be built of 9 different materials

We are also reminded of the miraculous translation into Greek of the Five Books of Moses that was done by 72 scholars working for 72 days, Although the symbol for the Septuagint is LXX, legend, according to the fictional letter of Aristeas, records 72. The translation was done for Ptolemy Philadelphus (c.250 BC), by Hellenistic Jews, possibly from Alexandra.14

Graves did not know why this number was necessary, but he points out that he understands Frazer's Golden Bough to be a a book hinting that 'the secret involves the truth that the Christian dogma, and rituals, are the refinement of a great body of primitive beliefs, and that the only original element in Christianity- is the personality of Christ.15

Frances A. Yates, historian of Renaissance hermetisma tells, us the cabala had 72 angels through which the sephiroth (the powers of God) are believed to be approached, and further, she supplies the information that although the Cabala supplied a set of 48 conclusions purporting to confirm the Christian religion from the foundation of ancient wisdom, Pico Della Mirandola, a Renaissance magus, introduced instead 72, which were his 'own opinion' of the correct number. Yates writes, 'It is no accident there are seventy-two of Pico's Cabalist conclusions, for the conclusion shows that he knew something of the mystery of the Name of God with seventy-two letters.'16

In Hamlet's Mill de Santillarta adds the facts that 432,000 is the number of syllables in the Rig-Veda, which when multiplied by the soss (60) gives 25,920" (The reader is forgiven for a bit of laughter at this point)

Thee Bible has not escaped his pursuit. A prominent Assyriologist of the last century insisted that the total of the years recounted
mounted in Genesis for the lifetimes of patriarchs from the Flood also contained the needed secret numbers. (He showed that in the 1,656.years recounted in the Bible there are 86,400 7 day weeks, and dividing this number yields / Page 208 / 43,200.) In Indian yogic schools it is held that all living beings exhale and inhale 21,600 times a day, .multiply this by 2 and again we have.the necessary 432 digits.

Joseph Campbell discerns the secret in the date set for the coming of Patrick to Ireland. Myth-gives this date-as.- the interest-
ing number of AD.432.18

Whatever one may think-of some of these number coincidences, it becomes. difficult to escape the suspicion that many signs (number and otherwise) -indicate that early man observed the results.. of the movement of Precession . and that the-.transmission of this information was .considered of prime importance.

'With the awareness of the phenomenon, observers would certainly have tried for its measure, and such an endeavour would
have constituted the construction-of a 'Unified Field Theory' for nothing .less than Creation itself. Once determined, it would have been information worthy of secrecy and worthy of the passing on to future adepts.

But one last word about mankind's romance with number coincidences.The antagonist in John Updike's novel, Roger's Version, is a computer hacker, who, convinced.,that scientific evidence of God's existence is accumulating, endeavours to prove it by feeding -all the available scientific information. into a comuter. In his search for God 'breaking, through', he has become fascinated by certain numbers that have continually been cropping up. He explains them excitedly as 'the terms of Creation':

"...after a while I noticed that all over the sheet there seemed to hit these twenty-fours Jumping out at me. Two four; two,four.Planck time, for instance, divided by the radiation constant yields a figure near eight times ten again to the negative twenty-fourth, and the permittivity of free space, or electric constant, into the Bohr radiusekla almost exactly six times ten to the negative twenty-fourth. On positive side, the electromagnetic line-structure constant times Hubble radius - that is, the size of the universe as we now perceive it gives us something quite close to ten to the twenty-fourth, and the strong-force constant times the charge on the proton produces two point four times ten to the negative eighteenth, for another I began to circle twenty-four wherever it appeared on the Printout here' - he held it up. his piece of striped and striped wallpaper, decorated / Page 209 / with a number of scarlet circles - 'you can see it's more than random.'19
This inhabitant of the twentieth century is convinced that the striking occurrences of 2 and 4 reveal the sacred numbers by which God is speaking to us.

So much for any scorn directed to ancient man's fascination with number coincidences. That fascination is alive and well, Just a bit more incomprehensible"

 

 

All about the planets in our Solar System. The nine planets that orbit the sun are (in order from the sun): Mercury,Venus, Earth, Mars, Jupiter, Saturn, ... www.enchantedlearning.com/subjects/astronomy/planets

Our solar system consists of the sun, eight planets, moons, dwarf planets, an asteroid belt, comets, meteors, and others. The sun is the center of our solar system; the planets, their moons, the asteroids, comets, and other rocks and gas all orbit the sun.

The nine planets that orbit the sun are (in order from the sun): Mercury,Venus, Earth, Mars, Jupiter, Saturn, Uranus, Neptune, and Pluto (a dwarf planet). A belt of asteroids (minor planets made of rock and metal) lies between Mars and Jupiter. These objects all orbit the sun in roughly circular orbits that lie in the same plane, the ecliptic (Pluto is an exception; it has an elliptical orbit tilted over 17° from the ecliptic).

 

 

-
THE RAINBOW LIGHT
-
-
-
3
THE
33
15
6
7
RAINBOW
82
37
1
5
LIGHT
56
29
2
15
THE RAINBOW LIGHT
171
81
9
1+5
-
1+7+1
8+1
-
6
THE RAINBOW LIGHT
9
9
9

 

 

15
THE RAINBOW LIGHT
-
-
-
-
THE
33
15
6
-
R
18
9
9
-
A
1
1
1
-
I
9
9
9
-
N+B+O+W
54
18
9
-
L
12
3
3
-
I
9
9
9
-
G+H+T
35
17
8
15
THE RAINBOW LIGHT
171
81
54
1+5
-
1+7+1
8+1
5+4
6
THE RAINBOW LIGHT
9
9
9

 

 

THE LIGHT IS RISING NOW RISING IS THE LIGHT

 

 

ADVENT 1122 ADVENT

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
A
=
1
-
5
ADDED
18
18
9
-
-
-
-
-
-
-
-
-
9
T
=
2
-
2
TO
35
8
8
-
-
-
-
-
-
-
-
8
-
A
=
1
-
3
ALL
25
7
7
-
-
-
-
-
-
-
7
-
-
M
=
4
-
5
MINUS
76
22
4
-
-
-
-
4
-
-
-
-
-
N
=
5
-
4
NONE
48
21
3
-
-
-
3
-
-
-
-
-
-
S
=
1
-
6
SHARED
55
28
1
-
1
-
-
-
-
-
-
-
-
B
=
2
-
2
BY
27
9
9
-
-
-
-
-
-
-
-
-
9
E
=
5
-
10
EVERYTHING
133
61
7
-
-
-
-
-
-
-
7
-
-
M
=
4
-
10
MULTIPLED
121
49
4
-
-
-
-
4
-
-
-
-
-
I
=
9
-
2
IN
23
14
5
-
-
-
-
-
5
-
-
-
-
A
=
1
-
9
ABUNDANCE
65
29
2
-
-
2
-
-
-
-
-
-
-
-
-
35
-
58
First Total
995
266
59
-
1
2
3
8
5
6
14
8
18
-
-
3+5
-
5+8
Add to Reduce
9+9+5
2+6+6
5+9
-
-
-
-
-
-
-
1+4
-
1+8
-
-
8
-
13
Second Total
23
14
10
-
1
2
3
8
5
6
5
8
9
-
-
-
-
1+3
Reduce to Deduce
2+3
1+4
1+0
-
-
-
-
-
-
-
-
-
-
-
-
8
-
4
Essence of Number
5
5
5
-
1
2
3
8
5
6
5
8
9

 

 

 

O
=
6
-
3
OUT
56
11
2
O
=
6
-
2
OF
21
12
3
Z
=
8
-
4
ZERO
64
28
1
C
=
3
-
6
COMETH
64
28
1
O
=
6
-
3
ONE
34
16
7
Q
Q
29
Q
18
Q
239
95
14
-
-
2+9
-
1+8
-
2+3+9
9+5
1+4
-
-
11
-
9
-
14
14
5
-
-
1+1
-
-
-
1+4
1+4
-
-
-
2
-
9
-
5
5
5

 

 

-
18
O
U
T
-
O
F
-
Z
E
R
O
-
C
O
M
E
T
H
-
O
N
E
-
-
-
-
-
-
-
-
-
-
-
-
6
-
-
-
6
-
-
8
-
-
6
-
-
6
-
-
-
8
-
6
5
-
+
=
51
5+1
=
6
=
6
=
6
-
-
15
-
-
-
15
-
-
26
-
-
15
-
-
15
-
-
-
8
-
15
14
-
+
=
123
1+2+3
=
6
=
6
=
6
-
18
O
U
T
-
O
F
-
Z
E
R
O
-
C
O
M
E
T
H
-
O
N
E
-
-
-
-
-
-
-
-
-
-
-
-
-
3
2
-
-
6
-
-
5
9
-
-
3
-
4
5
2
-
-
-
-
5
+
=
44
4+4
=
8
=
8
=
8
-
-
-
21
20
-
-
6
-
-
5
18
-
-
3
-
13
5
20
-
-
-
-
5
+
=
116
1+1+6
=
8
=
8
=
8
-
18
O
U
T
-
O
F
-
Z
E
R
O
-
C
O
M
E
T
H
-
O
N
E
-
-
-
-
-
-
-
-
-
-
-
-
15
21
20
-
15
6
-
26
5
18
15
-
3
15
13
5
20
8
-
15
14
5
+
=
239
2+3+9
=
14
1+4
5
=
5
-
-
6
3
2
-
6
6
-
8
5
9
6
-
3
6
4
5
2
8
-
6
5
5
+
=
95
9+5
=
14
1+4
5
=
5
-
18
O
U
T
-
O
F
-
Z
E
R
O
-
C
O
M
E
T
H
-
O
N
E
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
ONE
1
-
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
-
2
occurs
x
2
=
4
=
4
-
-
-
3
-
-
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
-
-
-
-
3
occurs
x
2
=
6
=
6
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
-
4
occurs
x
1
=
4
=
4
-
-
-
-
-
-
-
-
-
-
5
-
-
-
-
-
-
5
-
-
-
-
5
5
-
-
5
occurs
x
4
=
20
2+0
2
-
-
6
-
-
-
6
6
-
-
-
-
6
-
-
6
-
-
-
-
-
6
-
-
-
-
6
occurs
x
6
=
36
3+6
9
7
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
7
SEVEN
7
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
8
occurs
x
2
=
16
1+6
7
-
-
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
occurs
x
1
=
9
=
9
8
18
O
U
T
-
O
F
-
Z
E
R
O
-
C
O
M
E
T
H
-
O
N
E
-
-
37
-
-
18
-
95
-
41
-
1+8
6
-
-
-
6
6
-
-
-
-
6
-
-
6
-
-
-
-
-
6
-
-
-
-
3+7
-
-
1+8
-
9+5
-
4+1
8
9
O
U
T
-
O
F
-
Z
E
R
O
-
C
O
M
E
T
H
-
O
N
E
-
4-
10
-
-
9
-9
14
-
5
-
-
6
3
2
-
6
6
-
8
5
9
6
-
3
6
4
5
2
8
-
6
5
5
-
-
1+0
-
-
-
-
1+4
-
-
8
9
O
U
T
-
O
F
-
Z
E
R
O
-
C
O
M
E
T
H
-
O
N
E
-
-
1
-
-
9
-
5
-
5

 

 

18
O
U
T
-
O
F
-
Z
E
R
O
-
C
O
M
E
T
H
-
O
N
E
-
-
-
-
-
-
-
-
-
-
-
6
-
-
-
6
-
-
8
-
-
6
-
-
6
-
-
-
8
-
6
5
-
+
=
51
5+1
=
6
=
6
=
6
-
15
-
-
-
15
-
-
26
-
-
15
-
-
15
-
-
-
8
-
15
14
-
+
=
123
1+2+3
=
6
=
6
=
6
18
O
U
T
-
O
F
-
Z
E
R
O
-
C
O
M
E
T
H
-
O
N
E
-
-
-
-
-
-
-
-
-
-
-
-
3
2
-
-
6
-
-
5
9
-
-
3
-
4
5
2
-
-
-
-
5
+
=
44
4+4
=
8
=
8
=
8
-
-
21
20
-
-
6
-
-
5
18
-
-
3
-
13
5
20
-
-
-
-
5
+
=
116
1+1+6
=
8
=
8
=
8
18
O
U
T
-
O
F
-
Z
E
R
O
-
C
O
M
E
T
H
-
O
N
E
-
-
-
-
-
-
-
-
-
-
-
15
21
20
-
15
6
-
26
5
18
15
-
3
15
13
5
20
8
-
15
14
5
+
=
239
2+3+9
=
14
1+4
5
=
5
-
6
3
2
-
6
6
-
8
5
9
6
-
3
6
4
5
2
8
-
6
5
5
+
=
95
9+5
=
14
1+4
5
=
5
18
O
U
T
-
O
F
-
Z
E
R
O
-
C
O
M
E
T
H
-
O
N
E
-
-
-
-
-
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
-
2
occurs
x
2
=
4
=
4
-
-
3
-
-
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
-
-
-
-
3
occurs
x
2
=
6
=
6
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
-
4
occurs
x
1
=
4
=
4
-
-
-
-
-
-
-
-
-
5
-
-
-
-
-
-
5
-
-
-
-
5
5
-
-
5
occurs
x
4
=
20
2+0
2
-
6
-
-
-
6
6
-
-
-
-
6
-
-
6
-
-
-
-
-
6
-
-
-
-
6
occurs
x
6
=
36
3+6
9
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
8
occurs
x
2
=
16
1+6
7
-
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
occurs
x
1
=
9
=
9
18
O
U
T
-
O
F
-
Z
E
R
O
-
C
O
M
E
T
H
-
O
N
E
-
-
37
-
-
18
-
95
-
41
1+8
6
-
-
-
6
6
-
-
-
-
6
-
-
6
-
-
-
-
-
6
-
-
-
-
3+7
-
-
1+8
-
9+5
-
4+1
9
O
U
T
-
O
F
-
Z
E
R
O
-
C
O
M
E
T
H
-
O
N
E
-
4-
10
-
-
9
-9
14
-
5
-
6
3
2
-
6
6
-
8
5
9
6
-
3
6
4
5
2
8
-
6
5
5
-
-
1+0
-
-
-
-
1+4
-
-
9
O
U
T
-
O
F
-
Z
E
R
O
-
C
O
M
E
T
H
-
O
N
E
-
-
1
-
-
9
-
5
-
5

 

 

-
9
Z
E
R
O
-
O
N
E
-
I
S
-
-
-
-
-
-
-
-
-
-
-
-
8
-
-
6
-
6
5
-
-
9
1
+
=
35
1+5
=
8
=
8
=
8
-
-
26
-
-
15
-
15
14
-
-
9
19
+
=
98
9+8
=
17
1+7
8
=
8
-
9
Z
E
R
O
-
O
N
E
-
I
S
-
-
-
-
-
-
-
-
-
-
-
-
-
5
9
-
-
-
-
5
-
-
-
+
=
19
1+9
=
10
1+0
1
=
1
-
-
-
5
18
-
-
-
-
5
-
-
-
+
=
28
2+8
=
10
1+0
1
=
1
-
9
Z
E
R
O
-
O
N
E
-
I
S
-
-
-
-
-
-
-
-
-
-
-
-
26
5
18
15
-
15
14
5
-
9
19
+
=
126
1+2+6
=
9
=
9
=
9
-
-
8
5
9
6
-
6
5
5
-
9
1
+
=
54
5+4
=
9
=
9
=
9
-
9
Z
E
R
O
-
O
N
E
-
I
S
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
1
occurs
x
1
=
1
=
1
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
TWO
2
-
-
-
-
-
3
-
-
-
-
-
-
-
-
-
-
-
-
-
-
3
THREE
3
-
-
-
-
-
4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
4
FOUR
4
-
-
-
-
-
-
-
-
5
-
-
-
-
5
5
-
-
-
-
-
5
occurs
x
3
=
15
1+5
6
-
-
-
-
-
6
-
6
-
-
-
-
-
-
-
6
occurs
x
2
=
12
1+2
3
7
-
-
-
-
-
-
-
-
-
-
-
-
-
-
7
SEVEN
7
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
-
-
-
-
8
occurs
x
1
=
8
=
8
-
-
-
-
9
-
-
-
-
-
-
9
-
-
-
9
occurs
x
2
=
18
1+8
9
16
9
Z
E
R
O
-
O
N
E
-
I
S
-
-
29
-
-
9
-
54
-
27
1+6
-
-
-
9
-
-
-
-
-
-
9
-
-
-
2+9
-
-
-
-
5+4
-
2+7
7
9
Z
E
R
O
-
O
N
E
-
I
S
-
4-
11
-
-
9
-9
9
-
9
-
-
8
5
9
6
-
6
5
5
-
9
1
-
-
1+1
-
-
-
-
-
-
-
7
9
Z
E
R
O
-
O
N
E
-
I
S
-
-
2
-
-
9
-
9
-
9

 

 

9
Z
E
R
O
-
O
N
E
-
I
S
-
-
-
-
-
-
-
-
-
-
-
8
-
-
6
-
6
5
-
-
9
1
+
=
35
1+5
=
8
=
8
=
8
-
26
-
-
15
-
15
14
-
-
9
19
+
=
98
9+8
=
17
1+7
8
=
8
9
Z
E
R
O
-
O
N
E
-
I
S
-
-
-
-
-
-
-
-
-
-
-
-
5
9
-
-
-
-
5
-
-
-
+
=
19
1+9
=
10
1+0
1
=
1
-
-
5
18
-
-
-
-
5
-
-
-
+
=
28
2+8
=
10
1+0
1
=
1
9
Z
E
R
O
-
O
N
E
-
I
S
-
-
-
-
-
-
-
-
-
-
-
26
5
18
15
-
15
14
5
-
9
19
+
=
126
1+2+6
=
9
=
9
=
9
-
8
5
9
6
-
6
5
5
-
9
1
+
=
54
5+4
=
9
=
9
=
9
9
Z
E
R
O
-
O
N
E
-
I
S
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
1
occurs
x
1
=
1
=
1
-
-
5
-
-
-
-
5
5
-
-
-
-
-
5
occurs
x
3
=
15
1+5
6
-
-
-
-
6
-
6
-
-
-
-
-
-
-
6
occurs
x
2
=
12
1+2
3
-
8
-
-
-
-
-
-
-
-
-
-
-
-
8
occurs
x
1
=
8
=
8
-
-
-
9
-
-
-
-
-
-
9
-
-
-
9
occurs
x
2
=
18
1+8
9
9
Z
E
R
O
-
O
N
E
-
I
S
-
-
29
-
-
9
-
54
-
27
-
-
-
9
-
-
-
-
-
-
9
-
-
-
2+9
-
-
-
-
5+4
-
2+7
9
Z
E
R
O
-
O
N
E
-
I
S
-
4-
11
-
-
9
-9
9
-
9
-
8
5
9
6
-
6
5
5
-
9
1
-
-
1+1
-
-
-
-
-
-
-
9
Z
E
R
O
-
O
N
E
-
I
S
-
-
2
-
-
9
-
9
-
9

 

1 6 3 8 1836 8 3 6 1

 

9
Z
E
R
O
O
N
E
I
S
-
-
-
-
-
-
-
-
-
-
-
8
-
-
6
6
5
-
9
1
+
=
35
1+5
=
8
=
8
=
8
-
26
-
-
15
15
14
-
9
19
+
=
98
9+8
=
17
1+7
8
=
8
9
Z
E
R
O
O
N
E
I
S
-
-
-
-
-
-
-
-
-
-
-
-
5
9
-
-
-
5
-
-
+
=
19
1+9
=
10
1+0
1
=
1
-
-
5
18
-
-
-
5
-
-
+
=
28
2+8
=
10
1+0
1
=
1
9
Z
E
R
O
O
N
E
I
S
-
-
-
-
-
-
-
-
-
-
-
26
5
18
15
15
14
5
9
19
+
=
126
1+2+6
=
9
=
9
=
9
-
8
5
9
6
6
5
5
9
1
+
=
54
5+4
=
9
=
9
=
9
9
Z
E
R
O
O
N
E
I
S
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
1
occurs
x
1
=
1
=
1
-
-
5
-
-
-
5
5
-
-
-
-
5
occurs
x
3
=
15
1+5
6
-
-
-
-
6
6
-
-
-
-
-
-
6
occurs
x
2
=
12
1+2
3
-
8
-
-
-
-
-
-
-
-
-
-
8
occurs
x
1
=
8
=
8
-
-
-
9
-
-
-
-
9
-
-
-
9
occurs
x
2
=
18
1+8
9
9
Z
E
R
O
O
N
E
I
S
-
-
29
-
-
9
-
54
-
27
-
-
-
9
-
-
-
-
9
-
-
-
2+9
-
-
-
-
5+4
-
2+7
9
Z
E
R
O
O
N
E
I
S
-
4-
11
-
-
9
-9
9
-
9
-
8
5
9
6
6
5
5
9
1
-
-
1+1
-
-
-
-
-
-
-
9
Z
E
R
O
O
N
E
I
S
-
-
2
-
-
9
-
9
-
9

 

 

G
=
7
-
3
GOD
26
17
8
I
=
9
-
2
IS
28
10
1
Z
=
8
-
4
ZERO
64
28
1
O
=
6
-
3
ONE
34
16
7
I
=
9
-
2
IS
28
10
1
-
-
39
4
14
Add to Reduce
180
81
18
-
-
12
-
1+4
Reduce to Deduce
1+8+0
8+1
1+8
-
-
3
-
5
Essence of Number
9
9
9

 

 

-
ZERO IS ONE
-
-
-
-
ZERO
-
-
-
1
Z
26
8
8
1
E
5
5
5
1
R
18
9
9
1
O
15
6
6
4
ZERO
64
28
28
-
IS
-
-
-
1
I
9
9
9
1
S
19
10
1
2
IS
28
19
10
-
ONE
-
-
-
1
O
15
6
6
1
N
14
5
5
1
E
5
5
5
3
ONE
34
16
16
9
ZERO IS ONE
126
63
54
-
-
1+2+6
6+3
5+4
9
ZERO I S ONE
9
9
9

 

 

-
4
Z
E
R
O
-
-
-
-
-
-
-
-
-
-
8
-
-
6
+
=
14
1+4
=
5
=
5
-
-
26
-
-
15
+
=
41
4+1
=
5
=
5
-
4
Z
E
R
O
-
-
-
-
-
-
-
-
-
-
-
5
9
-
+
=
14
1+4
=
5
=
5
-
-
-
5
18
-
+
=
23
2+3
=
5
=
5
-
4
Z
E
R
O
-
-
-
-
-
-
-
-
-
-
26
5
18
15
+
=
64
6+4
=
10
1+0
1
-
-
8
5
9
6
+
=
28
2+8
=
10
1+0
1
-
4
Z
E
R
O
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
1
ONE
1
-
-
-
2
-
-
-
-
-
-
-
2
TWO
2
-
-
-
3
-
-
-
-
-
-
-
3
THREE
3
-
-
-
4
-
-
-
-
-
-
-
4
FOUR
4
-
-
-
-
-
-
5
-
-
-
-
5
occurs
x
1
=
5
-
-
-
-
-
6
-
-
6
occurs
x
1
=
6
7
-
-
-
-
-
-
-
7
SEVEN
7
-
-
-
-
-
8
-
-
-
-
-
8
occurs
x
1
=
8
-
-
-
-
9
-
-
-
9
occurs
x
1
=
9
17
4
Z
E
R
O
-
-
28
-
-
4
-
28
1+7
-
-
-
9
-
-
-
2+8
-
-
-
-
2+8
8
4
Z
E
R
O
-
4-
10
-
-
4
-9
10
-
-
8
5
9
6
-
-
1+0
-
-
-
-
1+0
8
4
Z
E
R
O
-
-
1
-
-
4
-
1

 

 

4
Z
E
R
O
-
-
-
-
-
-
-
-
-
8
-
-
6
+
=
14
1+4
=
5
=
5
-
26
-
-
15
+
=
41
4+1
=
5
=
5
4
Z
E
R
O
-
-
-
-
-
-
-
-
-
-
5
9
-
+
=
14
1+4
=
5
=
5
-
-
5
18
-
+
=
23
2+3
=
5
=
5
4
Z
E
R
O
-
-
-
-
-
-
-
-
-
26
5
18
15
+
=
64
6+4
=
10
1+0
1
-
8
5
9
6
+
=
28
2+8
=
10
1+0
1
4
Z
E
R
O
-
-
-
-
-
-
-
-
-
-
5
-
-
-
-
5
occurs
x
1
=
5
-
-
-
-
6
-
-
6
occurs
x
1
=
6
-
8
-
-
-
-
-
8
occurs
x
1
=
8
-
-
-
9
-
-
-
9
occurs
x
1
=
9
4
Z
E
R
O
-
-
28
-
-
4
-
28
-
-
-
9
-
-
-
2+8
-
-
-
-
2+8
4
Z
E
R
O
-
4-
10
-
-
4
-9
10
-
8
5
9
6
-
-
1+0
-
-
-
-
1+0
4
Z
E
R
O
-
-
1
-
-
4
-
1

 

 

KEEPER OF GENESIS

A

QUEST

FOR THE HIDDEN LEGACY OF MANKIND

Robert Bauval Graham Hancock

1996

Return to the Beginning

Page 283

'I stand before the masters who witnessed the genesis, who were the authors of their own forms, who walked the dark, circuitous passages of their own becoming. . .

I stand before the masters who witnessed the transformation of the body of a man into the body in spirit, who were witnesses to resurrection when the corpse of Osiris entered the mountain and the soul of Osiris walked out shining. . . when he came forth from death, a shining thing, his face white with heat. . .

I stand before the masters who know the histories of the dead, who decide which tales to hear again, who judge the books of lives as either full or empty, who are themselves authors of truth. And they are Isis and Osiris, the divine intelligences. And when the story is written and the end is good and the soul of a man is perfected, with a shout they lift him into heaven. . .'

Ancient Egyptian Book of the Dead (Norrnandi Ellis translation)

 

 

O
=
6
-
-
OCCULTISTS
-
-
-
-
-
-
-
1
O
15
6
6
-
-
-
-
1
C
3
3
3
-
-
-
-
1
C
3
3
3
-
-
-
-
1
U
21
3
3
-
-
-
-
1
L
12
3
3
-
-
-
-
3
TIS
48
21
3
-
-
-
-
2
TS
39
12
3
O
=
6
4
10
OCCULTISTS
141
51
24
-
-
-
-
1+0
-
1+4+1
5+1
2+4
O
=
6
-
10
OCCULTISTS
6
6
6

 

 

AHCF JQLO AZUX

AHCF JQLO AZUX

 

 

A
=
1
-
4
AHCF
18
18
9
J
=
1
-
4
JQLO
54
18
9
S
=
1
-
4
SZUX
90
18
9
-
-
4
-
12
Add to Reduce
162
54
27
-
-
-
-
1+2
Reduce to Deduce
1+6+2
5+4
2+7
-
-
4
-
3
Essence of Number
9
9
9

 

 

-
12
A
H
C
F
-
J
Q
L
O
-
S
Z
U
X
-
-
-
-
-
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
6
-
1
8
-
6
+
=
29
2+9
=
11
1+1
2
=
2
-
-
-
8
-
-
-
-
-
-
15
-
19
26
-
24
+
=
92
9+2
=
11
1+1
2
=
2
-
12
A
H
C
F
-
J
Q
L
O
-
S
Z
U
X
-
-
-
-
-
-
-
-
-
-
-
-
1
-
3
6
-
1
8
3
-
-
-
-
3
-
+
=
25
2+5
=
7
=
7
=
7
-
-
1
-
3
6
-
10
17
12
-
-
-
-
21
-
+
=
70
7+0
=
7
=
7
=
7
-
12
A
H
C
F
-
J
Q
L
O
-
S
Z
U
X
-
-
-
-
-
-
-
-
-
-
-
-
1
8
3
6
-
10
17
12
15
-
19
26
21
24
+
=
162
1+6+2
=
9
=
9
=
9
-
-
1
8
3
6
-
1
8
3
6
-
1
8
3
6
+
=
54
5+4
=
9
=
9
=
9
-
12
A
H
C
F
-
J
Q
L
O
-
S
Z
U
X
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
1
-
-
-
-
1
-
-
-
-
-
1
occurs
x
3
=
3
=
3
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
NINE
9
-
-
-
-
-
-
-
-
-
3
-
-
-
-
3
-
-
-
-
3
-
-
-
3
occurs
x
3
=
9
=
9
4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
4
FOUR
4
-
-
-
-
-
5
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
5
FIVE
5
-
-
-
-
-
-
-
-
-
-
6
-
-
-
-
6
-
-
-
-
6
-
-
6
occurs
x
3
=
18
1+8
9
7
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
7
SEVEN
7
-
-
-
-
-
-
-
-
8
-
-
-
-
8
-
-
-
-
8
-
-
-
-
8
occurs
x
3
=
24
2+4
6
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
NINE
9
-
-
-
-
-
27
12
A
H
C
F
-
J
Q
L
O
-
S
Z
U
X
-
-
18
-
-
12
-
54
-
27
2+7
1+2
1
8
3
6
-
1
8
3
6
-
1
8
3
6
-
-
1+8
-
-
1+2
-
5+4
-
2+7
9
3
A
H
C
F
-
J
Q
L
O
-
S
Z
U
X
-
-
9
-
-
3
-
9
-
9
-
-
1
8
3
6
-
1
8
3
6
-
1
8
3
6
-
-
-
-
-
-
-
-
-
-
9
3
A
H
C
F
-
J
Q
L
O
-
S
Z
U
X
-
-
9
-
-
3
-
9
-
9

 

 

12
A
H
C
F
-
J
Q
L
O
-
S
Z
U
X
-
-
-
-
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
6
-
1
8
-
6
+
=
29
2+9
=
11
1+1
2
=
2
-
-
8
-
-
-
-
-
-
15
-
19
26
-
24
+
=
92
9+2
=
11
1+1
2
=
2
12
A
H
C
F
-
J
Q
L
O
-
S
Z
U
X
-
-
-
-
-
-
-
-
-
-
-
1
-
3
6
-
1
8
3
-
-
-
-
3
-
+
=
25
2+5
=
7
=
7
=
7
-
1
-
3
6
-
10
17
12
-
-
-
-
21
-
+
=
70
7+0
=
7
=
7
=
7
12
A
H
C
F
-
J
Q
L
O
-
S
Z
U
X
-
-
-
-
-
-
-
-
-
-
-
1
8
3
6
-
10
17
12
15
-
19
26
21
24
+
=
162
1+6+2
=
9
=
9
=
9
-
1
8
3
6
-
1
8
3
6
-
1
8
3
6
+
=
54
5+4
=
9
=
9
=
9
12
A
H
C
F
-
J
Q
L
O
-
S
Z
U
X
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
1
-
-
-
-
1
-
-
-
-
-
1
occurs
x
3
=
3
=
3
-
-
-
3
-
-
-
-
3
-
-
-
-
3
-
-
-
3
occurs
x
3
=
9
=
9
-
-
-
-
6
-
-
-
-
6
-
-
-
-
6
-
-
6
occurs
x
3
=
18
1+8
9
-
-
8
-
-
-
-
8
-
-
-
-
8
-
-
-
-
8
occurs
x
3
=
24
2+4
6
12
A
H
C
F
-
J
Q
L
O
-
S
Z
U
X
-
-
18
-
-
12
-
54
-
27
1+2
1
8
3
6
-
1
8
3
6
-
1
8
3
6
-
-
1+8
-
-
1+2
-
5+4
-
2+7
3
A
H
C
F
-
J
Q
L
O
-
S
Z
U
X
-
-
9
-
-
3
-
9
-
9
-
1
8
3
6
-
1
8
3
6
-
1
8
3
6
-
-
-
-
-
-
-
-
-
-
3
A
H
C
F
-
J
Q
L
O
-
S
Z
U
X
-
-
9
-
-
3
-
9
-
9

 

 

A
=
1
-
4
AHCF
18
18
9
J
=
1
-
4
JQLO
54
18
9
S
=
1
-
4
SZUX
90
18
9
-
-
4
-
12
Add to Reduce
162
54
27
-
-
-
-
1+2
Reduce to Deduce
1+6+2
5+4
2+7
-
-
4
-
3
Essence of Number
9
9
9

 

 

-
-
-
1
8
3
6
-
-
-
1
8
3
6
-
-
-
1
8
3
6
-
-
-
-
-
-
S
S
S
S
-
-
-
S
S
S
S
-
-
-
S
S
S
S
-
-
-
-
-
-
S
S
S
S
-
-
-
S
S
S
S
-
-
-
S
S
S
S
-
-
-
-
-
-
A
H
C
F
-
-
-
1
8
3
6
-
-
-
A
H
C
F
-
-
-
-
-
-
J
Q
L
O
-
-
-
1
8
3
6
-
-
-
J
Q
L
O
-
-
-
-
-
-
S
Z
U
X
-
-
-
1
8
3
6
-
-
-
S
Z
U
X
-
-
-
-
-
-
S
S
S
S
-
-
-
S
S
S
S
-
-
-
S
S
S
S
-
-
-
-
-
-
S
S
S
S
-
-
-
S
S
S
S
-
-
-
S
S
S
S
-
-
-
-
-
-
1
8
3
6
-
-
-
1
8
3
6
-
-
-
1
8
3
6
-
-
-

 

 

-
-
-
1
8
3
6
-
-
-
-
-
-
S
S
S
S
-
-
-
-
-
-
S
S
S
S
-
-
-
-
-
-
A
H
C
F
-
-
-
-
-
-
J
Q
L
O
-
-
-
-
-
-
S
Z
U
X
-
-
-
-
-
-
S
S
S
S
-
-
-
-
-
-
S
S
S
S
-
-
-
-
-
-
1
8
3
6
-
-
-

 

 

-
-
-
-
-
AHCF
-
-
-
A
=
1
-
1
A
1
1
1
H
=
8
-
1
H
8
8
8
C
=
3
-
1
C
3
3
3
F
=
6
-
1
F
6
6
6
-
-
18
-
4
AHCF
18
18
18
-
-
-
-
-
-
-
-
-
-
-
-
-
-
JQLO
-
-
-
J
=
1
-
1
J
10
1
1
Q
=
8
-
1
Q
17
8
8
L
=
3
-
1
L
12
3
3
O
=
6
-
1
O
15
6
6
-
-
18
-
4
JQLO
54
18
18
-
-
-
-
-
-
-
-
-
-
-
-
-
-
SZUX
-
-
-
S
=
1
-
1
S
19
10
1
Z
=
8
-
1
Z
26
8
8
U
=
3
-
1
U
21
3
3
X
=
6
-
1
X
24
6
6
-
-
18
-
4
SZUX
90
27
18
-
-
-
-
-
-
-
-
-
-
-
54
-
12
-
162
63
54
-
-
5+4
-
1+2
-
1+6+2
6+3
5+4
-
-
9
-
3
-
18
9
9
-
-
-
-
-
-
1+8
-
-
-
-
9
-
3
-
9
9
9

 

 

-
-
-
-
-
ARGO
-
-
-
A
=
1
-
1
A
1
1
1
R
=
9
-
1
R
18
9
9
G
=
7
-
1
G
61
7
7
O
=
6
-
1
O
32
6
6
-
-
23
-
4
ARGO
41
23
23
-
-
2+3
-
-
-
4+1
2+3
2+3
-
-
5
-
4
ARGO
5
5
5

 

 

-
4
A
R
G
O
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
6
+
=
6
-
=
6
=
6
=
6
-
-
-
-
-
15
+
=
15
1+5
=
6
=
6
=
6
-
4
A
R
G
O
-
-
-
-
-
-
-
-
-
-
-
-
1
9
7
-
+
=
17
1+7
=
8
=
8
=
8
-
-
1
18
7
-
+
=
26
2+6
=
8
=
8
=
8
-
4
A
R
G
O
-
-
-
-
-
-
-
-
-
-
-
-
1
18
7
15
+
=
41
4+1
=
5
=
5
=
5
-
-
1
9
7
6
+
=
23
2+3
=
5
=
5
=
5
-
4
A
R
G
O
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
occurs
x
1
=
1
=
1
2
-
-
-
-
-
-
-
2
TWO
2
-
-
-
-
-
3
-
-
-
-
-
-
-
3
THREE
3
-
-
-
-
-
4
-
-
-
-
-
-
-
4
FOUR
4
-
-
-
-
-
5
-
-
-
-
-
-
-
5
FIVE
5
-
-
-
-
-
-
-
-
-
-
6
-
-
6
occurs
x
1
=
6
=
6
-
-
--
-
7
--
--
--
7
occurs
x
1
=
7
=
7
7
-
--
-
-
--
--
--
8
SEVEN
8
-
-
-
-
-
-
-
-
9
-
-
-
-
9
occurs
x
1
=
9
=
9
7
4
A
R
G
O
-
-
23
-
-
4
-
23
-
23
1+3
-
-
9
-
-
-
-
2+3
-
-
-
-
2+3
-
2+3
7
4
A
R
G
O
-
-
5
-
-
4
-
5
-
5
-
-
1
9
7
6
-
-
-
-
-
-
-
-
-
-
7
4
A
R
G
O
-
-
5
-
-
4
-
5
-
5

 

 

4
A
R
G
O
-
-
-
-
-
-
-
-
-
-
-
-
-
-
6
+
=
6
-
=
6
=
6
=
6
-
-
-
-
15
+
=
15
1+5
=
6
=
6
=
6
4
A
R
G
O
-
-
-
-
-
-
-
-
-
-
-
1
9
7
-
+
=
17
1+7
=
8
=
8
=
8
-
1
18
7
-
+
=
26
2+6
=
8
=
8
=
8
4
A
R
G
O
-
-
-
-
-
-
-
-
-
-
-
1
18
7
15
+
=
41
4+1
=
5
=
5
=
5
-
1
9
7
6
+
=
23
2+3
=
5
=
5
=
5
4
A
R
G
O
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
occurs
x
1
=
1
=
1
-
-
-
-
6
-
-
6
occurs
x
1
=
6
=
6
-
--
-
7
--
--
--
7
occurs
x
1
=
7
=
7
-
-
9
-
-
-
-
9
occurs
x
1
=
9
=
9
4
A
R
G
O
-
-
23
-
-
4
-
23
-
23
-
-
9
-
-
-
-
2+3
-
-
-
-
2+3
-
2+3
4
A
R
G
O
-
-
5
-
-
4
-
5
-
5
-
1
9
7
6
-
-
-
-
-
-
-
-
-
-
4
A
R
G
O
-
-
5
-
-
4
-
5
-
5

 

 

A
=
1
-
-
ARGO
-
-
-
-
-
-
-
2
R+A
19
10
1
-
-
-
-
2
G+O
22
7
7
-
-
-
-
4
ARGO
41
23
23
-
-
-
-
-
-
4+1
2+3
2+3
-
-
-
-
4
ARGO
5
5
5

 

 

M
=
4
-
6
MAKING
55
28
1
S
=
1
-
5
SENSE
62
17
8
O
=
6
-
2
OF
21
12
3
N
=
5
-
8
NONSENSE
105
33
6
-
-
16
-
21
Add to Reduce
243
90
18
-
-
1+6
-
2+1
Reduce to Deduce
2+4+3
9+0
1+8
-
-
7
-
3
Essence of Number
9
9
9

 

 

O

WONDER! HOW MANY GOODLY CREATURES ARE THERE HERE

HOW BEAUTEOUS MANKIND IS

O

BRAVE NEW WORLD THAT HAS SUCH PEOPLE IN'T

 

—William Shakespeare, The Tempest, Act V, Scene I, ll. 203—6[3]

 

B
=
2
-
-
BRAVE NEW WORLD
-
-
-
-
-
-
-
5
BRAVE
48
21
3
N
=
5
-
1
NEW
42
15
5
W
=
5
-
5
WORLD
72
27
9
-
-
12
-
13
BRAVE NEW WORLD
162
63
27
-
-
1+2
-
1+3
-
1+6+2
6+3
2+7
-
-
3
-
4
BRAVE NEW WORLD
9
9
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
O
=
6
-
1
O
15
6
3
B
=
2
-
5
BRAVE
48
21
3
N
=
5
-
3
NEW
42
15
5
W
=
5
-
5
WORLD
72
27
9
T
=
2
-
4
THAT
49
13
4
H
=
8
-
3
HAS
28
10
1
S
=
1
-
4
SUCH
51
15
5
P
=
7
-
6
PEOPLE
69
33
6
I
=
9
-
3
IN'T
43
16
7
-
-
45
-
34
BRAVE NEW WORLD
426
165
30
-
-
4+5
-
3+4
-
4+2+6
6+3
2+7
-
-
9
-
4
BRAVE NEW WORLD
12
3
3
-
-
-
-
-
-
1+2
-
-
-
-
9
-
4
BRAVE NEW WORLD
3
3
3

 

 

B
=
2
-
-
BRAVE NEW WORLD
-
-
-
-
-
-
-
5
BRAVE
48
21
3
N
=
5
-
3
NEW
42
15
5
W
=
5
-
5
WORLD
72
27
9
-
-
12
-
13
BRAVE NEW WORLD
162
63
27
-
-
1+2
-
1+3
-
1+6+2
6+3
2+7
-
-
3
-
4
BRAVE NEW WORLD
9
9
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
O
=
6
-
1
O
15
6
3
W
=
5
-
6
WONDER
79
34
7
H
=
8
-
3
HOW
46
19
1
M
=
4
-
4
MANY
53
17
8
G
=
7
-
6
GOODLY
78
33
6
C
=
3
-
9
CREATURES
110
38
2
A
=
1
-
3
ARE
24
15
6
T
=
2
-
5
THERE
56
29
2
H
=
8
-
4
HERE
36
27
9
-
-
44
-
41
-
497
218
47
-
-
-
-
-
-
-
-
-
H
=
8
-
3
HOW
46
19
1
B
=
2
-
9
BEAUTEOUS
109
28
1
M
=
4
-
7
MANKIND
66
30
3
I
=
9
-
2
IS
28
10
1
-
-
23
-
21
-
249
87
6
-
-
-
-
-
-
-
-
-
O
=
6
-
1
O
15
6
3
B
=
2
-
5
BRAVE
48
21
3
N
=
5
-
3
NEW
42
15
5
W
=
5
-
5
WORLD
72
27
9
T
=
2
-
4
THAT
49
13
4
H
=
8
-
3
HAS
28
10
1
S
=
1
-
4
SUCH
51
15
5
P
=
7
-
6
PEOPLE
69
33
6
I
=
9
-
3
IN'T
43
16
7
-
-
45
-
34
-
417
165
48
-
-
-
-
-
-
-
-
-
-
-
112
-
96
BRAVE NEW WORLD
1163
470
101
-
-
1+1+2
-
9+6
-
1+1+6+3
4+7+0
1+0+1
-
-
4
-
15
BRAVE NEW WORLD
11
11
11
-
-
-
-
1+5
-
1+1
1+1
1+1
-
-
4
-
6
BRAVE NEW WORLD
2
2
2

 

 

O wonder!
How many goodly creatures are there here!
How beauteous mankind is! O brave new world,
That has such people in't.

—William Shakespeare, The Tempest, Act V, Scene I, ll. 203—6[3]

 

 

Brave New World - Wikipedia, the free encyclopedia

en.wikipedia.org/wiki/Brave_New_World

Brave New World is a novel written in 1931 by Aldous Huxley and published in 1932. Set in London of AD 2540 (632 A.F. in the book), the novel anticipates ...

Country United Kingdom Language English

Genre(s) Science fiction, dystopian fiction

Brave New World is a novel written in 1931 by Aldous Huxley and published in 1932. Set in London of AD 2540 (632 A.F. in the book), the novel anticipates developments in reproductive technology and sleep-learning that combine to change society. The future society is an embodiment of the ideals that form the basis of futurology. Huxley answered this book with a reassessment in an essay, Brave New World Revisited (1958) and with his final work, a novel titled Island (1962).

In 1999, the Modern Library ranked Brave New World fifth on its list of the 100 best English-language novels of the 20th century.[1]

Brave New World's ironic title derives from Miranda's speech in William Shakespeare's The Tempest, Act V, Scene I:[2]

 

O wonder!
How many goodly creatures are there here!
How beauteous mankind is! O brave new world,
That has such people in't.

—William Shakespeare, The Tempest, Act V, Scene I, ll. 203—6[3]

This line itself is ironic; Miranda was raised for most of her life on an isolated island, and the only people she ever knew were her father and his servants, an enslaved savage and spirits, namely Ariel. When she sees other people for the first time, she is understandably overcome with excitement, and utters, among other praise, the famous line above. However, what she is actually observing is not men acting in a refined or civilized manner, but rather drunken sailors staggering off the wreckage of their ship. Huxley employs the same irony when the "savage" John refers to what he sees as a "brave new world."

Translations of the title often allude to similar expressions used in domestic works of literature in an attempt to capture the same irony: the French edition of the work is entitled Le Meilleur des mondes ("The Best of All Worlds"), an allusion to an expression used by the philosopher Gottfried Leibniz[4] and satirized in Candide, Ou l'Optimisme by Voltaire (1759)

 

 

B
=
2
-
-
BRAVE NEW WORLD
-
-
-
-
-
-
-
5
BRAVE
48
21
3
N
=
5
-
1
NEW
42
15
6
W
=
5
-
5
WORLD
72
27
9
-
-
12
-
13
BRAVE NEW WORLD
162
63
27
-
-
1+2
-
1+3
-
1+6+2
6+3
2+7
-
-
3
-
4
BRAVE NEW WORLD
9
9
9
-
-
-
-
-
-
1+5
-
-
-
-
3
-
4
-BRAVE NEW WORLD
9
9
9

 

 

B
=
2
-
-
BRAVE NEW WORLD
-
-
-
-
-
-
-
5
BRAVE
48
21
3
N
=
5
-
1
N
14
5
5
-
-
-
-
1
E
5
5
5
-
-
-
-
1
W
23
5
5
W
=
5
-
5
WORLD
72
27
9
-
-
12
-
13
BRAVE NEW WORLD
162
63
27
-
-
1+2
-
1+3
-
1+6+2
6+3
2+7
-
-
3
-
4
BRAVE NEW WORLD
9
9
9
-
-
-
-
-
-
1+5
-
-
-
-
3
-
4
BRAVE NEW WORLD
9
9
9

 

 

B
=
2
-
-
BRAVE NEW WORLD
-
-
-
-
-
-
-
5
BRAVE
48
21
3
N
=
5
-
1
5
N
5
N
-
-
-
-
1
5
E
5
E
-
-
-
-
1
5
W
5
W
W
=
5
-
5
WORLD
72
27
9
-
-
12
-
13
BRAVE NEW WORLD
162
63
27
-
-
1+2
-
1+3
-
1+6+2
6+3
2+7
-
-
3
-
4
BRAVE NEW WORLD
9
9
9
-
-
-
-
-
-
1+5
-
-
-
-
3
-
4
BRAVE NEW WORLD
9
9
9

 

 

B
=
2
-
-
BRAVE NEW WORLD
-
-
-
-
-
-
-
5
BRAVE
48
21
3
N
=
5
-
1
N
14
5
5
-
-
-
-
1
E
5
5
5
-
-
-
-
1
W
23
5
5
W
=
5
-
5
WORLD
72
27
9
-
-
12
-
13
BRAVE NEW WORLD
162
63
27
-
-
1+2
-
1+3
-
1+6+2
6+3
2+7
-
-
3
-
4
BRAVE NEW WORLD
9
9
9
-
-
-
-
-
-
1+5
-
-
-
-
3
-
4
BRAVE NEW WORLD
9
9
9

 

 

B
=
2
-
-
BRAVE NEW WORLD
-
-
-
-
-
-
-
5
BRAV
43
16
7
-
-
-
-
1
E
5
5
5
N
=
5
-
1
N
14
5
5
-
-
-
-
1
E
5
5
5
-
-
-
-
1
W
23
5
5
-
-
-
-
1
W
23
5
5
W
=
5
-
5
ORLD
72
27
9
-
-
12
-
13
BRAVE NEW WORLD
162
63
27
-
-
1+2
-
1+3
-
1+6+2
6+3
2+7
-
-
3
-
4
BRAVE NEW WORLD
9
9
9
-
-
-
-
-
-
1+5
-
-
-
-
3
-
4
BRAVE NEW WORLD
9
9
9

 

 

Brave New World: Aldous Huxley's predictions seem to be upon us ...

www.thestar.com/news/.../1246819--brave-new-world-aldous... - Canada

Nancy Wigston special to the star

24 Aug 2012 – By August he'd completed the dystopia he called Brave New World, after Miranda's line in The Tempest: “O brave new world, That has such ...

In late May 1931, the 36-year-old Huxley, overwhelmed by a “literary catastrophe,” tossed away a month’s work on his novel-in-progress, cancelled a trip to Russia with his brother Julian, and rewrote the entire thing. By August he’d completed the dystopia he called Brave New World, after Miranda's line in The Tempest: “Miranda's line in The Tempest: “O brave new world, That has such people in’t.”

 

 

A

PROMETHEUS

UNBOUND IS IS UNBOUND

PROMISE THAT I THAT PROMISE

 

 

I

ME

U AND U

ISISIS

THAT

OM 28 10 I IO 28 OM

OUT OF ZERO COMETH ONE

ZERO 64 28 1 28 64 ZERO

ONE COMETH OUT OF ZERO

DIVINE THOUGHT IS IS IS THOUGHT DIVINE

I ME EGO COSCIENCE I CONSCIENCE EGO ME I

9 9 9 9 9 9 9 9 9

I ME EGO COSCIENCE I CONSCIENCE EGO ME I

MANE MEAN AMEN NAME I NAME AMEN MEAN MANE

CHANCE SERENDIPITY COINCIDENCE ? COINCIDENCE SERENDIPITY CHANCE

WOMEN MEN WOMEN MEN GODS GODDESSES O GODDESSES GODS MEN WOMEN MEN WOMEN

 

 

The Revolution Will Not Be Televised - Wikipedia, the free ...

en.wikipedia.org/wiki/The_Revolution_Will_Not_Be_Televised

... Not Be Televised. From Wikipedia, the free encyclopedia ... "The Revolution Will Not Be Televised" is a poem and song by Gil Scott-Heron. Scott-Heron first ...

The Revolution Will Not Be Televised

From Wikipedia, the free encyclopedia

For other uses, see The Revolution Will Not Be Televised (disambiguation).

"The Revolution Will Not Be Televised"

Single by Gil Scott-Heron from the album Pieces of a Man A-side "Home Is Where the Hatred Is" Released 1971 Format 7" promotional single Recorded April 19, 1971 RCA Studios (New York City) Genre Spoken word soul, funk, proto-rap Length 3:07 Label Flying Dutchman FD-26011 Writer(s) Gil Scott-Heron Producer Bob Thiele Gil Scott-Heron singles chronology

"The Revolution Will Not Be Televised"
(1971)

"The Bottle"
(1974)

 

"The Revolution Will Not Be Televised" is a poem and song by Gil Scott-Heron. Scott-Heron first recorded it for his 1970 album Small Talk at 125th and Lenox, on which he recited the lyrics, accompanied by congas and bongo drums. A re-recorded version, with a full band, was the B-side to Scott-Heron's first single, "Home Is Where the Hatred Is", from his album Pieces of a Man (1971). It was also included on his compilation album, The Revolution Will Not Be Televised (1974). All these releases were issued on the Flying Dutchman Productions record label.

The song's title was originally a popular slogan among the 1960s protest movements in the United States.[1]

The song appears in the 1999 Denzel Washington and Norman Jewison film The Hurricane and on its soundtrack.[2]

In 2010, the New Statesman listed it as one of the “Top 20 Political Songs”.[3]

 

 

T
=
2
-
3
THE
33
15
6
R
=
9
-
10
REVOLUTION
151
52
7
W
=
5
-
4
WILL
56
20
2
N
=
5
-
3
NOT
49
13
4
B
=
2
-
2
BE
7
7
7
T
=
2
-
9
TELEVISED
101
38
2
-
-
16
-
31
First Total
397
145
28
-
-
1+6
-
3+1
Add to Reduce
3+9+7
1+4+5
2+8
-
-
7
-
4
Second Total
19
10
10
-
-
-
-
-
Reduce to Deduce
1+9
1+0
1+0
-
-
7
-
4
Third Total
10
1
1
-
-
-
-
-
Reduce to Deduce
1+0
-
-
-
-
7
-
4
Essence of Number
1
1
1

 

 

BBC Three - The Revolution Will Be Televised

www.bbc.co.uk/programmes/p00vqgx3

No moguls, politicians or bankers are safe from exposure in this satirical comedy series

 

BBC iPlayer - The Revolution Will Be Televised: Episode 2

www.bbc.co.uk/.../The_Revolution_Will_Be_Televised_Episode_2/

Satirical series featuring bite-sized comedy hits, from fictionalised characters to stunt-led sketches, which brings the corruption, greed and hypocrisy of politicians ...

 

BBC iPlayer - The Revolution Will Be Televised: Episode 1 (Signed)

www.bbc.co.uk/.../The_Revolution_Will_Be_Televised_Episode_1/

Dale Maily is at the Occupy movement in London to have a word with the hippies.

 

The Revolution Will Be Televised - BBC3 Satire - British Comedy ...

www.comedy.co.uk › Comedy › TV

An in-depth guide to the British TV satire 'The Revolution Will Be Televised' on BBC3. Heydon Prowse and Jolyon Rubinstein take on celebrities, bankers, ...

 

In the thick of it... meet TV's new pranksters - London Life - Life ...

www.standard.co.uk/.../in-the-thick-of-it-meet-tvs-new-pranksters-80...

29 Aug 2012 – He seems strangely familiar, and not solely because his satire, The Revolution Will Be Televised, debuted on BBC3 last week.

 

 

T
=
2
-
3
THE
33
15
6
R
=
9
-
10
REVOLUTION
151
52
7
W
=
5
-
4
WILL
56
20
2
B
=
2
-
2
BE
7
7
7
T
=
2
-
9
TELEVISED
101
38
2
-
-
20
-
28
First Total
348
132
24
-
-
2+0
-
2+8
Add to Reduce
3+4+8
1+3+2
2+4
-
-
2
-
10
Second Total
15
6
6
-
-
-
-
1+0
Reduce to Deduce
1+5
1+0
1+0
-
-
2
-
1
Essence of Number
6
6
6

 

 

-
-
-
-
-
MAGNA CARTA
-
-
-
M
=
4
-
5
MAGNA
36
18
9
C
=
3
-
5
CARTA
43
16
7
-
-
7
-
10
MAGNA CARTA
79
34
16
-
-
-
-
1+0
-
7+9
3+4
1+6
-
-
7
-
1
MAGNA CARTA
16
7
7
-
-
-
-
-
-
1+6
-
-
-
-
7
-
1
MAGNA CARTA
7
7
7

 

 

-
10
M
A
G
N
A
-
C
A
R
T
A
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
5
-
-
-
-
-
-
-
+
=
5
-
=
5
=
5
=
5
-
-
-
-
-
14
-
-
-
-
-
-
-
+
=
14
1+4
=
5
=
5
=
5
-
10
M
A
G
N
A
-
C
A
R
T
A
-
-
-
-
-
-
-
-
-
-
-
-
4
1
7
-
1
-
3
1
9
2
1
+
=
29
2+9
=
11
1+1
2
=
2
-
-
13
1
7
-
1
-
3
1
18
20
1
+
=
65
6+5
=
11
1+1
2
=
2
-
10
M
A
G
N
A
-
C
A
R
T
A
-
-
-
-
-
-
-
-
-
-
-
-
13
1
7
14
1
-
3
1
18
20
1
+
=
79
7+9
=
16
1+6
7
=
7
-
-
4
1
7
5
1
-
3
1
9
2
1
+
=
34
3+4
=
7
=
7
=
7
-
10
M
A
G
N
A
-
C
A
R
T
A
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
1
-
-
1
-
-
1
-
-
1
occurs
x
4
=
4
=
4
-
-
-
-
-
-
-
-
-
-
-
2
-
-
-
2
occurs
x
1
=
2
=
2
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
3
occurs
x
1
=
3
=
3
-
-
4
-
-
-
-
-
-
-
-
-
-
-
-
4
occurs
x
1
=
4
=
4
-
-
-
-
-
5
-
-
-
-
-
-
-
-
-
5
occurs
x
1
=
5
=
5
6
-
-
-
-
-
-
-
-
-
-
-
-
-
-
6
NINE
6
-
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
-
-
7
occurs
x
1
=
7
=
7
8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
EIGHT
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
-
-
-
9
occurs
x
1
=
9
=
9
14
10
M
A
G
N
A
-
C
A
R
T
A
-
-
31
-
-
10
-
10
-
15
1+4
1+0
-
-
-
-
-
-
-
-
9
-
-
-
-
3+1
-
-
1+0
-
1+0
-
1+5
5
1
M
A
G
N
A
-
C
A
R
T
A
-
-
4
-
-
1
-
1
-
6
-
-
4
1
7
5
1
-
3
1
9
2
1
-
-
-
-
-
-
-
-
-
-
5
1
M
A
G
N
A
-
C
A
R
T
A
-
-
4
-
-
1
-
1
-
6

 

 

10
M
A
G
N
A
-
C
A
R
T
A
-
-
-
-
-
-
-
-
-
-
-
-
-
-
5
-
-
-
-
-
-
-
+
=
5
-
=
5
=
5
=
5
-
-
-
-
14
-
-
-
-
-
-
-
+
=
14
1+4
=
5
=
5
=
5
10
M
A
G
N
A
-
C
A
R
T
A
-
-
-
-
-
-
-
-
-
-
-
4
1
7
-
1
-
3
1
9
2
1
+
=
29
2+9
=
11
1+1
2
=
2
-
13
1
7
-
1
-
3
1
18
20
1
+
=
65
6+5
=
11
1+1
2
=
2
10
M
A
G
N
A
-
C
A
R
T
A
-
-
-
-
-
-
-
-
-
-
-
13
1
7
14
1
-
3
1
18
20
1
+
=
79
7+9
=
16
1+6
7
=
7
-
4
1
7
5
1
-
3
1
9
2
1
+
=
34
3+4
=
7
=
7
=
7
10
M
A
G
N
A
-
C
A
R
T
A
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
1
-
-
1
-
-
1
-
-
1
occurs
x
4
=
4
=
4
-
-
-
-
-
-
-
-
-
-
2
-
-
-
2
occurs
x
1
=
2
=
2
-
-
-
-
-
-
-
3
-
-
-
-
-
-
3
occurs
x
1
=
3
=
3
-
4
-
-
-
-
-
-
-
-
-
-
-
-
4
occurs
x
1
=
4
=
4
-
-
-
-
5
-
-
-
-
-
-
-
-
-
5
occurs
x
1
=
5
=
5
-
-
-
7
-
-
-
-
-
-
-
-
-
-
7
occurs
x
1
=
7
=
7
-
-
-
-
-
-
-
-
-
9
-
-
-
-
9
occurs
x
1
=
9
=
9
10
M
A
G
N
A
-
C
A
R
T
A
-
-
31
-
-
10
-
10
-
15
1+0
-
-
-
-
-
-
-
-
9
-
-
-
-
3+1
-
-
1+0
-
1+0
-
1+5
1
M
A
G
N
A
-
C
A
R
T
A
-
-
4
-
-
1
-
1
-
6
-
4
1
7
5
1
-
3
1
9
2
1
-
-
-
-
-
-
-
-
-
-
1
M
A
G
N
A
-
C
A
R
T
A
-
-
4
-
-
1
-
1
-
6

 

 

10
M
A
G
N
A
C
A
R
T
A
-
-
-
-
-
-
-
-
-
-
-
-
-
-
5
-
-
-
-
-
-
+
=
5
-
=
5
=
5
=
5
-
-
-
-
14
-
-
-
-
-
-
+
=
14
1+4
=
5
=
5
=
5
10
M
A
G
N
A
C
A
R
T
A
-
-
-
-
-
-
-
-
-
-
-
4
1
7
-
1
3
1
9
2
1
+
=
29
2+9
=
11
1+1
2
=
2
-
13
1
7
-
1
3
1
18
20
1
+
=
65
6+5
=
11
1+1
2
=
2
10
M
A
G
N
A
C
A
R
T
A
-
-
-
-
-
-
-
-
-
-
-
13
1
7
14
1
3
1
18
20
1
+
=
79
7+9
=
16
1+6
7
=
7
-
4
1
7
5
1
3
1
9
2
1
+
=
34
3+4
=
7
=
7
=
7
10
M
A
G
N
A
C
A
R
T
A
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
1
-
1
-
-
1
-
-
1
occurs
x
4
=
4
=
4
-
-
-
-
-
-
-
-
-
2
-
-
-
2
occurs
x
1
=
2
=
2
-
-
-
-
-
-
3
-
-
-
-
-
-
3
occurs
x
1
=
3
=
3
-
4
-
-
-
-
-
-
-
-
-
-
-
4
occurs
x
1
=
4
=
4
-
-
-
-
5
-
-
-
-
-
-
-
-
5
occurs
x
1
=
5
=
5
-
-
-
7
-
-
-
-
-
-
-
-
-
7
occurs
x
1
=
7
=
7
-
-
-
-
-
-
-
-
9
-
-
-
-
9
occurs
x
1
=
9
=
9
10
M
A
G
N
A
C
A
R
T
A
-
-
31
-
-
10
-
10
-
15
1+0
-
-
-
-
-
-
-
9
-
-
-
-
3+1
-
-
1+0
-
1+0
-
1+5
1
M
A
G
N
A
C
A
R
T
A
-
-
4
-
-
1
-
1
-
6
-
4
1
7
5
1
3
1
9
2
1
-
-
-
-
-
-
-
-
-
-
1
M
A
G
N
A
C
A
R
T
A
-
-
4
-
-
1
-
1
-
6

 


MAGNA CARTA THE GREAT CHARTER

 

Magna Carta - Wikipedia, the free encyclopedia

en.wikipedia.org/wiki/Magna_Carta

Magna Carta, also called Magna Carta Libertatum or The Great Charter of the Liberties of England, is an Angevin charter, originally issued in Latin in the year ...

Habeas Corpus Act 1679 - Charter of Liberties - Magna Carta (disambiguation)

Magna Carta

From Wikipedia, the free encyclopedia

This article is about the charter originally issued on 15 June 1215, and later modified. For other uses, see Magna Carta (disambiguation).

"Great Charter" redirects here. For the Irish law, see Great Charter of Ireland.

Magna Carta

One of only four surviving exemplifications of the 1215 text, Cotton MS. Augustus II. 106, property of the British Library

Created 1215 Location Various copies

Author(s) Barons of King John of England

Part of the Politics series on Monarchism

Magna Carta, also called Magna Carta Libertatum or The Great Charter of the Liberties of England, is an Angevin charter, originally issued in Latin in the year 1215, translated into vernacular-French as early as 1219,[1] and reissued later in the 13th century in modified versions. The later versions excluded the most direct challenges to the monarch's authority that had been present in the 1215 charter. The charter first passed into law in 1225; the 1297 version, with the long title (originally in Latin) "The Great Charter of the Liberties of England, and of the Liberties of the Forest," still remains on the statute books of England and Wales.

The 1215 charter required King John of England to proclaim certain liberties and accept that his will was not arbitrary, for example by explicitly accepting that no "freeman" (in the sense of non-serf) could be punished except through the law of the land, a right which is still in existence today.

Magna Carta was the first document forced onto a King of England by a group of his subjects, the feudal barons, in an attempt to limit his powers by law and protect their privileges. It was preceded and directly influenced by the Charter of Liberties in 1100, in which King Henry I had specified particular areas wherein his powers would be limited.

Despite its recognised importance, by the second half of the 19th century nearly all of its clauses had been repealed in their original form. Three clauses currently remain part of the law of England and Wales, however, and it is generally considered part of the uncodified constitution. Lord Denning described it as "the greatest constitutional document of all times – the foundation of the freedom of the individual against the arbitrary authority of the despot".[2] In a 2005 speech, Lord Woolf described it as "first of a series of instruments that now are recognised as having a special constitutional status",[3] the others being the Habeas Corpus Act (1679), the Petition of Right (1628), the Bill of Rights (1689), and the Act of Settlement (1701).

The charter was an important part of the extensive historical process that led to the rule of constitutional law in the English speaking world. Magna Carta was important in the colonization of American colonies as England's legal system was used as a model for many of the colonies as they were developing their own legal systems.

It was Magna Carta, over other early concessions by the monarch, which survived to become a "sacred text".[4] In practice, Magna Carta in the medieval period did not generally limit the power of kings, but by the time of the English Civil War it had become an important symbol for those who wished to show that the King was bound by the law. It influenced the early settlers in New England[5] and inspired later constitutional documents, including the United States Constitution.[6]

 

 

M
=
4
-
5
MAGNA
36
18
9
C
=
3
-
5
CARTA
43
16
7
L
=
3
-
10
LIBERTATUM
121
40
4
-
-
10
-
20
-
200
74
20
-
-
-
-
-
-
-
-
-
T
=
2
-
3
THE
33
15
6
G
=
7
-
5
GREAT
51
24
6
C
=
3
-
7
CHARTER
73
37
1
O
=
6
-
2
OF
21
12
3
L
=
3
-
9
LIBERTIES
99
45
9
-
-
21
-
26
-
277
133
25
-
-
-
-
-
-
-
-
-
-
-
31
-
46
-
477
207
45
-
-
3+1
-
4+6
-
4+7+7
2+0+7
4+5
-
-
4
-
10
-
18
9
9
-
-
-
-
1+0
-
1+8
-
-
-
-
4
-
1
-
9
9
9

 

 

-
-
-
-
-
MAGNA CARTA
-
-
-
M
=
4
-
5
MAGNA
36
18
9
C
=
3
-
5
CARTA
43
16
7
-
-
7
-
10
MAGNA CARTA
79
34
16
-
-
-
-
1+0
-
7+9
3+4
1+6
-
-
7
-
1
MAGNA CARTA
16
7
7
-
-
-
-
-
-
1+6
-
-
-
-
7
-
1
MAGNA CARTA
7
7
7

 

 

C
=
3
-
-
CALCULUS
-
-
-
-
-
3
-
1
C
3
3
3
-
-
-
-
1
A
1
1
1
-
-
3
-
1
L
12
3
3
-
-
3
-
1
C
3
3
3
-
-
3
-
1
U
21
3
3
-
-
3
-
1
L
12
3
3
-
-
3
-
1
U
21
3
3
-
-
-
-
1
S
19
10
1
C
=
3
-
8
CALCULUS
92
29
20
-
-
-
-
-
-
9+2
2+9
2+0
C
=
3
-
8
CALCULUS
11
11
2
-
-
-
-
-
-
1+1
1+1
-
C
=
3
-
8
CALCULUS
2
2
2

 

 

C
=
3
-
-
CREATORS
-
-
-
-
-
-
-
1
R
18
9
9
-
-
-
-
1
E
5
5
5
-
-
-
-
1
A
1
1
1
-
-
-
-
1
C
3
3
3
-
-
-
-
1
T
20
2
2
-
-
-
-
1
O
15
6
6
-
-
-
-
1
R
18
9
9
-
-
-
-
1
S
19
10
1
R
=
9
-
8
REACTORS
99
45
36
-
-
-
-
-
-
9+9
4+5
3+6
C
=
3
-
8
CREATORS
18
9
9
-
-
-
-
-
-
1+8
-
-
C
=
3
-
8
CREATORS
9
9
9

 

 

C
=
3
-
8
CREATORS
99
45
36
C
=
3
-
8
REACTORS
99
45
36

 

CREATION REACTION

REACTION CREATION

 

CREATED REACTED

REACTED CREATED

 

CREATING REACTING

REACTING CREATING

 

C
=
3
-
-
REACTORS
-
-
-
-
-
-
-
1
C
3
3
3
-
-
-
-
1
R
18
9
9
-
-
-
-
1
E
5
5
5
-
-
-
-
1
A
1
1
1
-
-
-
-
1
T
20
2
2
-
-
-
-
1
O
15
6
6
-
-
-
-
1
R
18
9
9
-
-
-
-
1
S
19
10
1
C
=
3
-
8
CREATORS
99
45
36
-
-
-
-
-
-
9+9
4+5
3+6
C
=
3
-
8
REACTORS
18
9
9
-
-
-
-
-
-
1+8
-
-
C
=
3
-
8
REACTORS
9
9
9

 

 

NAME NAM E MAN E NAM E MAN EMAN

WOMEN W OMEN W NEMO W WOMEN

ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE

1 2 3 4 5 6 7 8 9 5FIVE5 9 8 7 6 5 4 3 2 1

NINE EIGHT SEVEN SIX FIVE FOUR THREE TWO ONE

 

 

T
=
2
-
3
THE
33
15
6
H
=
8
-
5
HEART
52
25
7
O
=
6
-
2
OF
21
12
3
T
=
2
-
3
THE
33
15
6
M
=
4
-
6
MATTER
77
23
6
B
-
22
-
19
First Total
216
90
27
-
-
2+2
-
1+9
Add to Reduce
2+1+6
9+0
2+7
-
-
4
-
10
Second Total
9
9
9
-
-
-
-
1+0
Reduce to Deduce
-
-
-
-
-
4
-
1
Essence of Number
9
9
9

 

 

7
ARRIVED
67
13
4
6
A
1
1
1
4
R
18
9
9
-
R
18
9
9
1
I
9
9
9
-
V+E
27
9
9
4
D
4
4
4
7
ARRIVED
77
41
41
-
-
7+7
4+1
4+1
7
ARRIVED
14
5
5
-
-
1+4
-
-
7
ARRIVED
5
5
5

 

 

-
WISE
-
-
-
1
W
23
5
5
1
I
9
9
9
1
S
28
10
1
1
E
5
5
5
4
WISE
56
20
11
-
-
5+6
2+0
1+1
4
WISE
11
2
2
-
-
1+1
-
-
4
WISE
2
2
2

 

 

-
WISE
-
-
-
1
W
23
5
5
2
IS
28
10
1
1
E
5
5
5
4
WISE
56
20
11
-
-
5+6
2+0
1+1
4
WISE
11
2
2
-
-
1+1
-
-
4
WISE
2
2
2

 

 

-
WISE
-
-
-
1
W
23
5
5
-
IS
-
-
-
1
E
5
5
5
-
WISE
-
-
-

 

 

-
WISDOM
-
-
-
1
W
23
5
5
-
IS
-
-
-
3
D+O+M
32
14
5
-
WISDOM
-
-
-

 

 

-
WISDOM
-
-
-
1
W
23
5
5
2
IS
28
10
1
1
D+O+M
32
14
5
4
WISDOM
83
29
11
-
-
8+3
2+9
1+1
4
WISDOM
11
11
2
-
-
1+1
1+1
-
4
WISDOM
2
2
2

 

 

-
WISDOM
-
-
-
1
W
23
5
5
1
I
9
9
9
1
S
19
10
1
1
D
4
4
4
1
O
15
6
6
1
M
13
4
4
4
WISDOM
83
29
11
-
-
8+3
2+9
1+1
4
WISDOM
11
11
2
-
-
1+1
1+1
-
4
WISDOM
2
2
2

 

 

-
-
-
-
-
POWER
-
-
-
-
-
-
-
3
P+O+W
54
18
9
-
-
-
-
1
E
5
5
5
-
-
-
-
1
R
18
9
9
P
=
7
-
5
POWER
77
32
23
-
-
-
-
-
-
7+7
3+2
2+3
-
-
7
-
5
POWER
14
5
5
-
-
-
-
-
-
1+4
-
-
-
-
7
-
5
POWER
5
5
5

 

 

-
-
-
-
-
HEAVEN
-
-
-
-
-
-
-
3
H+E+A
14
14
5
-
-
-
-
2
V+E
27
9
9
-
-
-
-
1
N
14
5
5
H
=
8
-
6
 HEAVEN
55
28
28
-
-
-
-
-
-
5+5
2+8
2+8
H
=
8
-
6
 HEAVEN
10
5
5
-
-
-
-
-
-
1+0
-
-
H
=
8
-
5
HEAVEN
1
5
5

 

 

-
-
-
-
-
HEAVEN
-
-
-
-
-
-
-
1
H
8
8
8
-
-
-
-
1
E
5
5
5
-
-
-
-
2
A+V
23
5
5
-
-
-
-
1
E
5
5
5
-
-
-
-
1
N
14
5
5
H
=
8
-
6
 HEAVEN
55
28
28
-
-
-
-
-
-
5+5
2+8
2+8
H
=
8
-
6
 HEAVEN
10
5
5
-
-
-
-
-
-
1+0
-
-
H
=
8
-
5
HEAVEN
1
5
5

 

 

F
=
6
-
-
FULCRUM
-
-
-
-
-
-
-
1
F
6
6
6
-
-
-
-
1
U
21
3
3
-
-
-
-
1
L
12
3
3
-
-
-
-
1
C
3
3
3
-
-
-
-
1
R
18
18
9
-
-
-
-
1
U
21
3
3
-
-
-
-
1
M
13
4
4
F
=
6
-
7
FULCRUM
76
40
31
-
-
-
-
-
-
7+6
5+4
3+1
F
=
6
-
3
FULCRUM
13
4
4
-
-
-
-
-
-
1+3
-
-
F
=
6
-
3
FULCRUM
4
4
4

 

 

T
=
2
-
-
THE
33
15
6
F
=
6
-
-
FULCRUM
-
-
-
-
-
-
-
1
F
6
6
6
-
-
-
-
1
U
21
3
3
-
-
-
-
1
L
12
3
3
-
-
-
-
1
C
3
3
3
-
-
-
-
1
R
18
18
9
-
-
-
-
1
U
21
3
3
-
-
-
-
1
M
13
4
4
F
=
6
-
7
FULCRUM
109
55
37
-
-
-
-
-
-
1+0+9
5+5
3+7
F
=
6
-
3
FULCRUM
10
10
10
-
-
-
-
-
-
1+0
1+0
1+0
F
=
6
-
3
FULCRUM
1
1
1

 

 

T
=
2
-
3
THE
33
15
6
T
=
2
-
7
TIPPING
91
46
1
P
=
7
-
5
POINT
74
29
2
-
-
11
-
15
First Total
198
90
24
-
-
1+1
-
1+5
Add to Reduce
1+9+8
9+0
2+4
-
-
2
-
6
Second Total
18
9
9
-
-
-
-
-
Reduce to Deduce
1+8
-
-
-
-
2
-
6
Essence of Number
9
9
9

 

 

B
=
2
-
-
BALANCING
-
-
-
-
-
-
-
1
B
2
2
2
-
-
-
-
1
A
1
1
1
-
-
-
-
1
L
12
3
3
-
-
-
-
1
A
1
1
1
-
-
-
-
1
N
14
5
5
-
-
-
-
1
C
3
3
3
-
-
-
-
1
I
9
9
9
-
-
-
-
1
N
14
5
5
-
-
-
-
1
G
7
7
7
B
=
2
-
9
BALANCING
63
36
36
-
-
-
-
-
-
6+3
3+6
3+6
B
=
2
-
9
BALANCING
9
9
9

 

 

THE

HOLY BIBLE

Scofield Reference

GENESIS

C 11V 1-9

The Tower of Babel


1 Now the whole earth had one language and the same words.

2 And as people migrated from the east, they found a plain in the land of Shinar and settled there.

3 And they said to one another, “Come, let us make bricks, and burn them thoroughly.” And they had brick for stone, and bitumen for mortar.

4 Then they said, “Come, let us build ourselves a city and a tower with its top in the heavens, and let us make a name for ourselves, lest we be dispersed over the face of the whole earth.”

5 And the Lord came down to see the city and the tower, which the children of man had built.

6 And the Lord said, “Behold, they are one people, and they have all one language, and this is only the beginning of what they will do. And nothing that they propose to do will now be impossible for them.

7 Come, let us go down and there confuse their language, so that they may not understand one another's speech.”

8 So the Lord dispersed them from there over the face of all the earth, and they left off building the city.

9 Therefore its name was called Babel, because there the Lord confused [1] the language of all the earth. And from there the Lord dispersed them over the face of all the earth.

 

 

T
=
2
-
3
THE
33
15
6
T
=
2
-
5
TOWER
81
27
9
O
=
6
-
2
OF
21
12
3
T
=
2
-
5
BABEL
22
13
4
-
-
12
-
15
First Total
157
67
22
-
-
1+2
-
1+5
Add to Reduce
1+5+7
6+7
2+2
-
-
3
-
6
Second Total
13
13
4
-
-
-
-
-
Reduce to Deduce
1+3
1+3
-
-
-
3
-
6
Essence of Number
4
4
4

 

 

THE

TOWER OF BABBLE

 

 

B
=
2
-
4
BABY
30
12
3
B
=
2
-
6
BABBLE
24
15
6
B
=
2
-
5
BABEL
22
13
4
B
=
2
-
7
BABYLON
71
26
8
B
=
2
-
9
BABYLONIA
81
36
9

 

 

GODS

SIGNS AND SYMBOLS GODS SYMBOLS AND SIGNS

LETTERS AND NUMBERS GODS NUMBERS AND LETTERS

LAND ENGAGE U LEARN LANGUAGE LEARN U ENGAGE LAND

 

 

L
=
3
-
-
LEARN
-
-
-
-
-
-
-
1
N
14
5
5
-
-
-
-
4
REAL
36
18
9
L
=
3
-
5
LEARN
50
23
14
-
-
-
-
-
-
5+0
2+3
1+4
L
=
3
-
5
LEARN
5
5
5

 

 

L
=
3
-
-
LEARNED
-
-
-
-
-
-
-
4
REAL
36
18
9
-
-
-
-
1
N
14
5
5
-
-
-
-
2
ED
9
9
9
L
=
3
-
7
LEARNED
59
32
23
-
-
-
-
-
-
5+9
3+2
2+3
L
=
3
-
7
LEARNED
14
5
5
-
-
-
-
-
-
1+4
-
-
L
=
3
-
7
LEARNED
5
5
5

 

 

Fingerprints Of The Gods

Graham Hancock 1995

Page 98

"An artificial language"

"Another possible legacy of Tiahuanaco, and of the Viracochas, lay embedded in the language spoken by the local Aymara Indians - a language regarded by some specialists as the oldest in the world.

In the 1980s Ivan Guzman de Rojas,a Bolivian computer scientist, accidentally demonstrated that Aymara might be not only very ancient but , significantly , that it might be a made - up "language - something deliberately and skilfully designed. Of particular note was the seemingly artificial character of its syntax, which was rigidly structured and unambiguous to an extent thought inconceivable in normal "organic" speech.This synthetic and highly organized structure meant that Aymara could easily be transformed into a computer algorithm to be used to translate one language into another:" The Aymara Algorithm is used as a bridge language. The language of an original document is translated into Aymara and then into any number of other languages.Was it just coincidence that an apparently artificial language governed by
a computer - friendly syntax should be spoken today in the environs of Tiahuanaco? Or could Aymara be a legacy of the high learning that legend attributed to the Viracochas?

AYMARA 5 AYMARA

 

 

I

INCA

SON OF THE SUN

 

 

ENUMA ELISH - Babylonian Creation Myth - The continued story www.stenudd.com/myth/enumaelish/enumaelish-


The word used for man is lullu, meaning a first, primitive man. The same word is used about the savage Enkidu in the Gilgamesh epic. Since Qingu is found ...

I hereby name it Babylon, home of the great gods.

The word used in the text is written phonetically, ba-ab-i-li, contrary to tradition, maybe to allow for the etymological explanation of the name as the ‘gate of the gods’.
Then he decides to create man, to serve the gods with offerings, so that they can be at leisure. The word used for man is lullu, meaning a first, primitive man. The same word is used about the savage Enkidu in the Gilgamesh epic. Since Qingu is found guilty of the war between the gods, his blood is used to create mankind. Here, it is unclear if Marduk or Ea creates mankind. Later in the text, Ea is specified as the creator of man. Finally, the gods praise Marduk, and give him fifty names that represent different aspects of his powers and sovereignty.
The text ends with instructions on how it should be passed on from generation to generation, and the command to worship Marduk, king of the gods.

ENUMA ELISH
The Babylonian Creation Myth

 

"The word used for man is lullu"

LULLU 33333 LULLU

"The word used for man is lullu"

 

-
-
-
-
-
LULLU
-
-
-
L
3
L
-
1
L
12
3
3
U
3
U
-
1
U
21
3
3
L
3
L
-
1
L
12
3
3
L
3
L
-
1
L
12
3
3
U
3
U
-
1
U
21
3
3
-
15
-
-
6
LULLU
78
15
15
-
1+5
-
-
-
-
7+8
1+5
1+5
-
6
-
-
6
LULLU
15
6
6
-
-
-
-
-
-
1+5
-
-
-
6
-
-
6
LULLU
6
3
3

 

 

-
5
L
U
L
L
U
-
-
-
-
-
-
-
-
-
-
-
-
3
3
3
3
3
+
=
15
1+5
=
6
=
6
=
6
-
-
12
21
12
12
21
+
=
78
7+8
=
15
1+5
6
=
6
-
5
L
U
L
L
U
-
-
-
-
-
-
-
-
-
-
-
-
3
3
3
3
3
+
=
15
1+5
=
6
=
6
=
6
-
-
12
21
12
12
21
+
=
78
7+8
=
15
1+5
6
=
6
-
5
L
U
L
L
U
-
-
-
-
-
-
-
-
-
-
-
-
12
21
12
12
21
+
=
78
7+8
=
15
1+5
6
=
6
-
-
3
3
3
3
3
+
=
15
1+5
=
6
=
6
=
6
-
5
L
U
L
L
U
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
ONE
1
-
-
-
-
-
2
-
-
-
-
-
-
-
-
2
TWO
2
-
-
-
-
-
-
-
3
3
3
3
3
-
-
3
occurs
x
5
=
15
1+5
6
4
-
-
-
-
-
-
-
-
4
FOUR
4
-
-
-
-
-
5
-
-
-
-
-
-
-
-
5
FIVE
5
-
-
-
-
-
6
-
-
-
-
-
-
-
-
6
SIX
6
-
-
-
-
-
7
-
-
-
-
-
-
-
-
7
SEVEN
7
-
-
-
-
-
8
-
-
-
-
-
-
-
-
8
EIGHT
8
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
NINE
9
-
-
-
-
-
42
5
L
U
L
L
U
-
-
3
-
-
5
-
15
-
6
4+2
-
3
3
3
3
3
-
-
-
-
-
-
-
1+5
-
-
6
5
L
U
L
L
U
-
-
3
-
-
5
-
6
-
6
-
-
3
3
3
3
3
-
-
-
-
-
-
-
-
-
-
6
5
L
U
L
L
U
-
-
3
-
-
5
-
6
-
6

 

 

5
L
U
L
L
U
-
-
-
-
-
-
-
-
-
-
-
3
3
3
3
3
+
=
15
1+5
=
6
=
6
=
6
-
12
21
12
12
21
+
=
78
7+8
=
15
1+5
6
=
6
5
L
U
L
L
U
-
-
-
-
-
-
-
-
-
-
-
3
3
3
3
3
+
=
15
1+5
=
6
=
6
=
6
-
12
21
12
12
21
+
=
78
7+8
=
15
1+5
6
=
6
5
L
U
L
L
U
-
-
-
-
-
-
-
-
-
-
-
12
21
12
12
21
+
=
78
7+8
=
15
1+5
6
=
6
-
3
3
3
3
3
+
=
15
1+5
=
6
=
6
=
6
5
L
U
L
L
U
-
-
-
-
-
-
-
-
-
-
-
3
3
3
3
3
-
-
3
occurs
x
5
=
15
1+5
6
5
L
U
L
L
U
-
-
3
-
-
5
-
15
-
6
-
3
3
3
3
3
-
-
-
-
-
-
-
1+5
-
-
5
L
U
L
L
U
-
-
3
-
-
5
-
6
-
6
-
3
3
3
3
3
-
-
-
-
-
-
-
-
-
-
5
L
U
L
L
U
-
-
3
-
-
5
-
6
-
6

 

 

Ace of Wands Episode Guide - "Seven Serpents, Sulphur And Salt"

www.aceofwands.net/episodes/ep2-1.html

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When the phone is answered, he says his name is Mr. Christopher, and he must talk to ... The strange man hides as Lulli walks back into the office and finds Mr. .... explains that when Lulli broke her circle, the ancient spirits entered her mind, ...

 

In Tarot’s flat, he and Sam are practising a new set, one to be enhanced by clouds of coloured gas, which at the moment are engulfing tarot as her emerges from a magic cabinet. The cans producing the gas are far more powerful than expected and tarot, coughing in the fumes, tells Sam to cut down the amount on the next test to a quarter of a can. Together they select a different colour: Satan Scarlet!

A nervous man hurriedly makes his may through the streets of Bloomsbury, clutching something close to him beneath his coat. It is clear that he is worried about being followed.

Lulli is minding the store for Mr. Sweet at his bookshop when the nervous man in the suit enters, asking hurriedly for the owner. Mr. Sweet is out delivering books until noon, but has left a telephone number, and the man asks to call him, now, pleading with Lulli to help him. When he says that it is a private matter, Lulli indicates that he can use the telephone in the rear office. The man enters, insisting she close the door. First he secretes a parchment in one of the books then goes to the phone. When the phone is answered, he says his name is Mr. Christopher, and he must talk to Mr. Sweet. However, before Mr. Sweet can be brought to the phone, a gust of wind invades the office and a cadaverous figure with white gloves appears. He demands the paper from Mr. Christopher for his master, and when Christopher screams down the phone for Mr. Sweet, the figure points his gloved hand at the man and the harsh wind spits again. As Christopher gasps "Seven Serpents …" he falls, and the receiver is left hanging with Mr. Sweet’s voice asking if the man is still there. The strange man hides as Lulli walks back into the office and finds Mr. Christopher’s body. There is a livid red mark of a snake across his face.

Sam clowns around with Tarot’s magicians cape at the flat when Tarot goes into a trance and senses that Lulli is in danger. By now, Sam knows the signs of telepathic danger and the two go to get Sam’s BMW motorbike. Minutes later they pull up outside Mr. Sweet’s bookshop.

Lulli explains to Tarot what has happened, saying that she heard a roaring wind in the back room, only for an instant. At this moment Mr. Sweet arrives, concerned about the phone call. He explains that the man was an acquaintance, John Christopher, whom Tarot knows as the author of "The Inviolability of Magical Sciences", "The Causes of Visions" and "Profane and Mystical Schools". Mr. Sweet agrees that he was one of the most eminent authorities in Europe and had met him in Cornwall last year. From the look of the body, and with Mr. Sweet confirming the wind sound, Tarot knows they could be face to face with the supernatural. "If you’re saying what I think you’re saying …" says Sam, "Thank you very much. Goodnight ladies and gentlemen. Exits right with skates on." Of course, Lulli help win him over, and Tarot finds a cane dropped by the dead man. The engraving on it is "Corpus Spiritus Alibar etum Arcanum" and when Mr. Sweet reads this, the cane starts to move by itself. Although its power is dying with its master, it manages to point to some books before falling still. They start searching the books and Lulli finds the sliver of parchment bearing the design of a serpent. When Mr. Sweet recalls that Mr. Christopher said "Seven Serpents …", Tarot estimates the piece is a seventh section of a circle, forming a map. Mr. Sweet believes the piece if fourteen century Flemish, and as Sam and Tarot realise, whoever killed Christopher will be back to get it. Lulli is given the segment to photograph and keep safe, and Mr. Sweet must find out all he can about the map. Meanwhile Sam and Tarot will stay behind at the shop.

The sightless eyes of glass inserted in to many stuffed animals gaze down around the musty taxidermist’s as a small and scruffy being, Luko, listens to the angry tale of failure from the avuncular and sinister Mr. Stabs. He should not have eliminated Christopher without finding the location of the serpent – and without it they are lost. Mr. Stabs does not need to use the Power to search for the map as it must be in the office, amongst a sea of paper, even though Luko searched after Lulli entered. Mr. Stabs says they will return to the bookshop that night. "And remember Luko, in our world, the natural sequel to failure is oblivion."

At Tarot’s flat, Mr. Sweet watches as the eighth photograph Lulli takes of the segment also fails to come out. The plates, developer and camera are all fine, so it seems the parchment does not want to be photographed. The only solution, Mr. Sweet says, is for Lulli to draw it exactly. Now he must leave and start his enquiries.

Mr. Sweet rings the bell of a house, from which come the strains of a man singing hymns very loudly. The doomful bell brings the figure of Mr. Postle shambling to the door. He is, if anything, scruffier than Luko, and is delighted to see Mr. Sweet, who shows him Lulli’s drawing. Postle is amazed: "Where in heaven’s name did you come by this?"

That night, Luko and Stabs enter the office at the rear of the bookshop and find the body of Christopher gone, speculating that the fight might have caused amnesia. Stabs chants one of his rhymes, his glove held out: "Hand of Stabs, search and find, the sacred serpent. Lift my mind. Power to power. One to seven. The sacred serpent lies dark hidden." Suddenly Luko is attacked by Sam as he and Tarot enter the room. Stabs rounds on Tarot: "Hand of Stabs, turn this fool, into a fish without a pool!" Tarot falls to the floor, gasping for air like a fish out of water. Stabs turns on Sam and again the wind howls: "Hand of Stabs, another job. Turn this ape into a dog!" Sam crouches on the floor barking and both Luko and Stabs quickly depart with the empty book. Tarot comes out of his hypnotic state first, amazed at Stabs’ power. He tells Sam that they have just encountered Mr. Stabs, and the hissing runt was his familiar Luko.

Back at the flat, Tarot describes the strange attack and Sam says he is hungry. Lulli says she it out of dog biscuits! Sam has checked and finds that Mr. Sweet’s book has gone, so Tarot suggests sending Stabs the bill when they find him.

At the taxidermist’s, Stabs is furious to find the book empty and swears vengeance on Tarot, whose name Luko recalls hearing spoken in awe by Polandi. Stabs decides to summon her: "Hand of Stabs, your power extend, the wild Polandi to retend. Seek her out, no matter where, bid her haste to find me here!" The beautiful female figure of Polandi appears in the wind and Stabs asks her about Tarot. She explains he is a being of rare accomplishment, and maybe more than mortal. "Either he is, or he is not!" snaps Stabs, who which Polandi replies "Tarot defies black and white. He is a rainbow of greys." In her worldly occupation as a journalist, Polandi has interviewed Tarot, and felt that although a conjuror, he may have the Power. She leaves to find out where Tarot lives for Stabs.

Sam is talking to Ozzie the owl when he sees Mr. Sweet arrive with someone who looks like they’re from the local doss house. On the intercom, Mr. Sweet says they are on their way up to the flat, and on arriving introduces them to his old friend Charles Treadmoss Postle, an authority on the history of Magic. Postle insists that all who have touched the paper must be present and be exorcised by invocation. He asks Sam to draw four circles on the floor of the rehearsal area, and tells them each to stand in one of them. The map is places in the centre of the circles, with Postle being careful not to touch it. Her warns them not to leave the circles, and starts tootling a little tune on his pipe. Then he starts to call on the spirits, finally chanting "Seven Serpents, Sulphur and Salt" over and over again, calling for the nameless slaves of illusion to deliver the mortals from the age of dark mystery. At the peak of power, Lulli suddenly lets out a scream and steps out of her protective circle.

 

 

L
=
6
-
-
LULLI
-
-
-
-
-
-
-
1
L
12
3
3
-
-
-
-
1
U
21
3
3
-
-
-
-
1
L
12
3
3
-
-
-
-
1
L
12
3
3
-
-
-
-
1
I
9
9
9
L
=
3
4
5
LULLI
66
21
21
-
-
-
-
-
-
6+6
2+1
2+1
L
=
3
-
5
LULLI
12
3
3
-
-
-
-
-
-
1+2
2+1
2+1
L
=
3
-
5
LULLI
3
3
3

 

 

Plutarch: On the E at Delphi

penelope.uchicago.edu/misctracts/plutarchE.html

ON THE 'E'* AT DELPHI. Browne's Miscellany Tract On Oracles. (In the Pronaos of the temple at Delphi the visitor was confronted by certain inscriptions ...

 

 

APPENDIX IV The Meaning of the E at Delphi - Biblioteca Pleyades

www.bibliotecapleyades.net/universo/.../siriusmystery_appendix04.ht...

The Meaning of the E at Delphi. Plutarch wrote a fascinating essay entitled 'The E at Delphi',1 actually in the form of a dialogue, featuring Plutarch himself and ...

 

 

The Mysterious E at Delphi: A Solution - JStor

www.jstor.org/stable/20180844

by K Berman - 1975 - Cited by 3 - Related articles
THE MYSTERIOUS E AT DELPHI: A SOLUTION. The question of the meaning of the E in the temple of Apollo at Delphi has been debated since Plutarch.

 

 

Plutarch's Morals: Theosophical Essays: On the E at Delphi

www.sacred-texts.com/cla/plu/pte/pte07.htm

Plutarch's Morals: Theosophical Essays, tr. by Charles William King, [1908], full text etext at sacred-texts.com.

 

 

Delphi - Wikipedia, the free encyclopedia

en.wikipedia.org/wiki/Delphi

Additionally, according to Plutarch's essay on the meaning of the "E at Delphi"--the only literary source for the inscription---there was also inscribed at the temple ...

Pythia - Delphi (disambiguation) - List of oracular statements ... - Delphic Sibyl

 

 

The Mysterious E at Delphi (article) by David Arthur Walters on ...

www.authorsden.com › History › Articles

5 Dec 2006 – The Mysterious E and The Egg at Delphi. Zeus sent two golden eagles, one from the East, the other from the West. Their meeting located the ...

 

 

Plutarch: Moralia,Volume V,Isis and Osiris. The E at Delphi. The ...

www.amazon.com › Books › History › Ancient › Greece

The E at Delphi. The Oracles at Delphi No Longer Given in Verse. The Obsolescence of Oracles. (Loeb Classical Library No. 306) [Plutarch,Frank Cole Babbitt] ...

 

 

Varieties of Unreligious Experience: The E at Delphi

vunex.blogspot.com/2007/03/e-at-delphi.html

25 Mar 2007 – William Nickerson Bates ('The E of the Temple at Delphi', American Journal of Archaeology, 1925) notes that Plutarch clearly has no idea of the ...

 

[PDF]
"E" at Delphi - Kathodos

www.kathodos.com/delphi.pdf

File Format: PDF/Adobe Acrobat - Quick View

The “E” at Delphi. The essential procedures of iniriarnry rites, by which the death of an old man and the rebirth of a new man are effected, and the conditions of ...

 

E - of the E-symbol Engraven Over the Gate of Apollos Temple at ...

www.scribd.com/.../E-of-the-E-symbol-Engraven-Over-the-Gate-of-...

20 Jan 2011 – E - of the E-symbol Engraven Over the Gate of Apollos Temple at Delphi - Free download as PDF File (.pdf), text file (.txt) or read online for free.

 

 

12
THE E AT DELPHI
113
59
5
-
-
-
-
-
-
-
-
-
-
8
PLUTARCH
99
36
9
-
-
-
-
-
-
-
-
-
-
2
DE
9
9
9
5
ISIDE
46
28
1
2
ET
25
7
7
7
OSIRIDE
79
43
7
16
DE ISIDE ET OSIRIDE
159
87
24
1+6
-
1+5+9
8+7
2+4
7
DE ISIDE ET OSIRIDE
15
15
6
-
-
1+5
1+5
-
7
DE ISIDE ET OSIRIDE
6
6
6

 

 

-
-
-
-
-
THE E AT DELPHI
-
-
-
T
=
2
-
3
THE
33
15
6
E
=
5
-
1
E
5
5
5
A
=
1
-
2
AT
21
3
3
D
=
4
-
6
DELPHI
54
36
9
4
4
12
4
12
THE E AT DELPHI
113
59
23
-
-
1+2
-
1+2
-
1+1+3
5+9
2+3
-
-
3
-
3
THE E AT DELPHI
5
14
5
-
-
-
-
-
-
-
1+4
-
-
-
3
-
3
THE E AT DELPHI
5
5
5

 

 

-
-
-
-
-
THE R IN EVOLUTION
-
-
-
T
=
2
-
3
THE
33
15
6
R
=
9
-
1
R
18
9
9
I
=
9
-
2
IN
23
14
5
E
=
5
-
9
EVOLUTION
133
43
7
4
4
25
4
15
THE R IN EVOLUTION
207
81
27
-
-
2+5
-
1+5
-
1+1+3
8+1
2+7
-
-
7
-
6
THE R IN EVOLUTION
9
9
9

 

 

-
15
T
H
E
-
R
-
I
N
-
E
V
O
L
U
T
I
O
N
-
-
-
-
-
-
-
-
-
-
--
-
-
8
-
-
-
-
9
5
-
-
-
6
-
-
-
9
6
5
+
=
48
4+8
=
12
1+2
3
=
3
-
-
-
8
-
-
-
-
9
14
-
-
-
15
-
-
-
9
15
14
+
=
84
8+4
=
12
1+2
3
=
3
-
15
T
H
E
-
R
-
I
N
-
E
V
O
L
U
T
I
O
N
-
-
-
-
-
-
-
-
-
-
-
-
2
-
5
-
9
-
-
-
-
5
4
-
3
3
2
-
-
-
+
=
33
3+3
=
6
=
6
=
6
-
-
20
-
5
-
18
-
-
-
-
5
22
-
12
21
20
-
-
-
+
=
123
1+2+3
=
6
=
6
=
6
-
15
T
H
E
-
R
-
I
N
-
E
V
O
L
U
T
I
O
N
-
-
-
-
-
-
-
-
-
-
-
-
20
8
5
-
18
-
9
14
-
5
22
15
12
21
20
9
15
14
+
=
207
2+0+7
=
9
=
9
=
9
-
-
2
8
5
-
9
-
9
5
-
5
4
6
3
3
2
9
6
5
+
=
81
8+1
=
9
=
9
=
9
-
15
T
H
E
-
R
-
I
N
-
E
V
O
L
U
T
I
O
N
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
ONE
1
-
-
-
-
-
-
-
2
-
-
-
-
-
-
-
-
-
1
-
-
-
2
-
-
-
-
-
2
occurs
x
2
=
4
=
4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
3
3
-
-
-
-
-
-
3
occurs
x
2
=
6
1+2
6
-
-
-
-
-
-
-
-
-
-
-
5
4
-
-
-
-
-
-
-
-
-
4
occurs
x
1
=
4
=
4
-
-
-
-
5
-
5
-
-
5
-
5
-
5
-
-
-
-
5
5
-
-
5
occurs
x
4
=
20
2+0
2
-
-
-
-
6
-
-
-
3
2
-
6
-
6
-
-
-
3
6
2
-
-
6
occurs
x
2
=
12
1+2
3
7
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
7
SEVEN
7
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
occurs
x
1
=
8
=
8
-
5
-
-
-
-
9
-
9
-
-
-
-
-
9
-
-
9
-
-
-
-
9
occurs
x
3
=
27
2+7
9
8
15
T
H
E
-
R
-
I
N
-
E
V
O
L
U
T
I
O
N
-
-
37
-
-
15
-
81
-
36
-
1+5
-
-
-
-
9
-
9
-
-
-
-
-
-
-
-
9
-
-
-
-
3+7
-
-
1+5
-
8+1
-
3+6
8
6
T
H
E
-
R
-
I
N
-
E
V
O
L
U
T
I
O
N
-
-
10
-
-
6
-
9
-
9
-
-
2
8
5
-
9
-
9
5
-
5
4
6
3
3
2
9
6
5
-
-
1+0
-
-
-
-
-
-
-
8
6
T
H
E
-
R
-
I
N
-
E
V
O
L
U
T
I
O
N
-
-
1
-
-
6
-
9
-
9

 

 

-
15
T
H
E
-
R
-
I
N
-
E
V
O
L
U
T
I
O
N
-
-
-
-
-
-
-
-
-
-
-
-
-
8
-
-
-
-
9
5
-
-
-
6
-
-
-
9
6
5
+
=
48
4+8
=
12
1+2
3
=
3
-
-
-
8
-
-
-
-
9
14
-
-
-
15
-
-
-
9
15
14
+
=
84
8+4
=
12
1+2
3
=
3
-
15
T
H
E
-
R
-
I
N
-
E
V
O
L
U
T
I
O
N
-
-
-
-
-
-
-
-
-
-
-
-
2
-
5
-
9
-
-
-
-
5
4
-
3
3
2
-
-
-
+
=
33
3+3
=
6
=
6
=
6
-
-
20
-
5
-
18
-
-
-
-
5
22
-
12
21
20
-
-
-
+
=
123
1+2+3
=
6
=
6
=
6
-
15
T
H
E
-
R
-
I
N
-
E
V
O
L
U
T
I
O
N
-
-
-
-
-
-
-
-
-
-
-
-
20
8
5
-
18
-
9
14
-
5
22
15
12
21
20
9
15
14
+
=
207
2+0+7
=
9
=
9
=
9
-
-
2
8
5
-
9
-
9
5
-
5
4
6
3
3
2
9
6
5
+
=
81
8+1
=
9
=
9
=
9
-
15
T
H
E
-
R
-
I
N
-
E
V
O
L
U
T
I
O
N
-
-
-
-
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
-
-
-
1
-
-
-
2
-
-
-
-
-
2
occurs
x
2
=
4
=
4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
3
3
-
-
-
-
-
-
3
occurs
x
2
=
6
1+2
6
-
-
-
-
-
-
-
-
-
-
-
5
4
-
-
-
-
-
-
-
-
-
4
occurs
x
1
=
4
=
4
-
-
-
-
5
-
5
-
-
5
-
5
-
5
-
-
-
-
5
5
-
-
5
occurs
x
4
=
20
2+0
2
-
-
-
-
6
-
-
-
3
2
-
6
-
6
-
-
-
3
6
2
-
-
6
occurs
x
2
=
12
1+2
3
-
-
-
8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
occurs
x
1
=
8
=
8
-
5
-
-
-
-
9
-
9
-
-
-
-
-
9
-
-
9
-
-
-
-
9
occurs
x
3
=
27
2+7
9
8
15
T
H
E
-
R
-
I
N
-
E
V
O
L
U
T
I
O
N
-
-
37
-
-
15
-
81
-
36
-
1+5
-
-
-
-
9
-
9
-
-
-
-
-
-
-
-
9
-
-
-
-
3+7
-
-
1+5
-
8+1
-
3+6
8
6
T
H
E
-
R
-
I
N
-
E
V
O
L
U
T
I
O
N
-
-
10
-
-
6
-
9
-
9
-
-
2
8
5
-
9
-
9
5
-
5
4
6
3
3
2
9
6
5
-
-
1+0
-
-
-
-
-
-
-
8
6
T
H
E
-
R
-
I
N
-
E
V
O
L
U
T
I
O
N
-
-
1
-
-
6
-
9
-
9

 

 

T
=
2
-
3
THE
33
15
6
R
=
9
-
1
R
18
9
9
I
=
9
-
2
IN
23
14
5
E
=
5
-
9
EVOLUTION
133
43
7
-
-
25
-
15
Add to Reduce
207
81
27
-
-
2+5
-
1+5
Reduce to Deduce
2+0+7
8+1
2+7
-
-
7
-
6
Essence of Number
9
9
9

 

 

S
=
1
-
6
SACRED
50
23
5
-
-
-
-
-
THE R IN EVOLUTION
-
-
-
T
=
2
-
3
THE
33
15
6
R
=
9
-
1
R
18
9
9
I
=
9
-
2
IN
23
14
5
E
=
5
-
9
EVOLUTION
133
43
7
4
4
25
4
15
THE R IN EVOLUTION
257
104
32
-
-
2+5
-
1+5
-
2+5+7
1+0+4
3+2
-
-
7
-
6
THE R IN EVOLUTION
14
5
5
-
-
-
-
-
-
1+4
-
-
-
-
7
-
6
THE R IN EVOLUTION
5
5
5

 

 

THE SIRIUS MYSTERY

Robert K.G.Temple 1976

Page 82

The Sacred Fifty

"We must return to the treatise 'The Virgin of the World'. This treatise is quite explicit in saying that Isis and Osiris were sent to help the Earth by giving primitive mankind the arts of civilization:
And Horus thereon said:

'How was it, mother, then, that Earth received God's Efflux?' And Isis said:

'I may not tell the story of (this) birth; for it is not permitted to describe the origin of thy descent, O Horus (son) of mighty power, lest afterwards the way-of-birth of the immortal gods should be known unto men - except so far that God the Monarch, the universal Orderer and Architect, sent for a little while thy mighty sire Osiris, and the mightiest goddess Isis, that they might help the world, for all things needed them.
'Tis they who filled life full of life. 'Tis they who caused the savagery of mutual slaughtering of men to cease. 'Tis they who hallowed precincts to the Gods their ancestors and spots for holy rites. 'Tis they who gave to men laws, food and shelter.'

"Page 73

A Fairy Tale

'I INVOKE THEE, LADY ISIS, WITH WHOM THE GOOD DAIMON DOTH UNITE,

HE WHO IS LORD IN THE PERFECT BLACK.'

 

 

THE SIRIUS MYSTERY

Robert K.G.Temple 1976

Page 74

"Mead quotes an Egyptian magic papyrus, this being an uncontested Egyptian document which he compares to a passage in the Trismegistic literature: 'I invoke thee, Lady Isis, with whom the Good Daimon doth unite, He who is Lord in the perfect black. '37
We know that Isis is identified with Sirius A, and here we may have a / Page 74 / description of her star-companion 'who is Lord in the perfect black', namely the invisible companion with whom she is united, Sirius B.
Mead, of course, had no inkling of the Sirius question. But he cited this magic papyrus in order to shed comparative light on some extraordinary passages in a Trismegistic treatise he translated which has the title 'The Virgin of the World'. In his comments on the magic papyrus Mead says: 'It is natural to make the Agathodaimon ("the Good Daimon") of the Papyrus refer to Osiris; for indeed it is one of his most frequent designations. Moreover, it is precisely Osiris who is pre-eminently connected with the so-called "under­world", the unseen world, the "mysterious dark". He is lord there. . . and indeed one of the ancient mystery-sayings was precisely, "Osiris is a dark God." ,
'The Virgin of the World' is an extraordinary Trismegistic treatise in the form of a dialogue between the hierophant (high priest) as spokesman for Isis and the neophyte who represents Horus. Thus the priest instructing the initiate is portrayed as Isis instructing her son Horus.
The treatise begins by claiming it is 'her holiest discourse' which 'so speaking Isis doth pour forth'. There is, throughout, a strong emphasis on the hierarchical principle of lower and higher beings in the universe - that earthly mortals are presided over at intervals by other, higher, beings who interfere in Earth's affairs when things here become hopeless, etc. Isis says in the treatise: 'It needs must, therefore, be the less should give place to the greater mysteries.' What she is to disclose to Horus is a great mystery. Mead describes it as the mystery practised by the arch-hierophant. It was the degree (here 'degree' is in the sense of 'degree' in the Masonic 'mysteries', which are hopelessly garbled and watered-down versions of genuine mysteries of earlier times) 'called the "Dark Mystery" or "Black Rite". It was a rite performed only for those who were judged worthy of it after long probation in lower degrees, something of a far more sacred character, apparently, than the instruction in the mysteries enacted in the light.'
Mead adds: 'I would suggest, therefore, that we have here a reference to the most esoteric institution of the Isiac tradition. . .', Isiac meaning of course 'Isis-tradition', and not to be confused with the Book of Isaiah in the Bible (so that perhaps it is best for us not to use the word-form 'Isiac').
It is in attempting to explain the mysterious 'Black Rite' of Isis at the highest degree of the Egyptian mysteries that Mead cited the magic papyrus which I have already quoted. He explains the 'Black Rite' as being connected with Osiris being a 'dark god' who is 'Lord of the perfect black' which is 'the unseen world, the mysterious black'.
This treatise 'The Virgin of the World' describes a personage called Hermes who seems to represent a race of beings who taught earthly mankind the arts of civilization after which: 'And thus, with charge unto his kinsmen of the Gods to keep sure watch, he mounted to the Stars'.
According to this treatise mankind have been a troublesome lot requiring scrutiny and, at rare intervals of crisis, intervention.
After Hermes left Earth to return to the stars there was or were in Egypt someone or some people designated as 'Tat' (Thoth) who were initiates into the celestial mysteries."

Page 77

"Bearing these books in mind (and I am sure they are there waiting under­ground like a time bomb for us), it is interesting to read this passage in 'The Virgin of the World' following shortly upon that previously quoted:
The sacred symbols of the cosmic elements were hid away hard by the secrets of Osiris. Hermes, ere he returned to Heaven, invoked a spell on them, and spake these words: . . . 'O holy books, who have been made by my immortal hands, by incorruption's magic spells. . . (at this point there is a lacuna as the text is hopeless) . . . free from decay throughout eternity remain and incorrupt from time! Become unseeable, unfindable, for every one whose foot shall tread the plains of this land, until old Heaven doth bring forth meet instruments for you, whom the Creator shall call souls.'
Thus spake he; and, laying spells on them by means of his own works, he shut them safe away in their own zones. And long enough the time has been since they were hid away.
In the treatise the highest objective of ignorant men searching for the truth
is described as: '(Men) will seek out. . . the inner nature of the holy spaces which no foot may tread, and will chase after them into the height, desiring to observe the nature of the motion of the Heaven.
'These are as yet moderate things. For nothing more remains than Earth's remotest realms; nay, in their daring they will track out Night, the farthest Night of all.'..."

Page 82

"We must note Stecchini's remarks about Delphi as follows :38
The god of Delphi, Apollo, whose name means 'the stone', was identified with an object, the omphalos, 'navel', which has been found. It consisted of an ovoidal stone. . . . The omphalos of Delphi was similar to the object which represented the god Amon in Thebes, the 'navel' of Egypt. In 1966 I presented to the annual meeting of the Archaeological Institute of America a paper in which I maintained that historical accounts, myths, and legends, and some monuments of Delphi, indicate that the oracle was established there by the Pharaohs of the Ethiopian Dynasty.

 

 


Sirius - Wikipedia, the free encyclopedia

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Sirius is the brightest star in the night sky. With a visual apparent magnitude of −1.46, it is almost twice as bright as Canopus, the next brightest star. The name ...

Sirius Satellite Radio - The Sirius Mystery - Mitsubishi Sirius engine - Sirius in fiction

Sirius

From Wikipedia, the free encyclopedia

"Sirius B" redirects here. For other uses of Sirius B, see Sirius B (disambiguation). For other uses of Sirius, see Sirius (disambiguation).

Sirius A / B

The position of Sirius (circled).

Observation data
Epoch J2000.0 Equinox J2000.0 (ICRS)

Constellation

Canis Major

Pronunciation

/ˈsɪriəs/[1]

Right ascension

06h 45m 08.9173s[2][note 1]

Declination

−16° 42′ 58.017″[2][note 1]

Apparent magnitude (V)

−1.47 (A)[2] / 8.30 (B)[3]

Characteristics

Spectral type

A1V (A)[2] / DA2 (B)[3]

U−B color index

−0.05 (A)[4] / −1.04 (B)[3]

B−V color index

0.01 (A)[2] / −0.03 (B)[3]

Astrometry

Radial velocity (Rv)

−7.6[2] km/s

Proper motion (μ)

RA: −546.05[2][note 1] mas/yr
Dec.: −1223.14[2][note 1] mas/yr

Parallax (π)

379.21 ± 1.58[2][5] mas

Distance

8.60 ± 0.04 ly
(2.64 ± 0.01 pc)

Absolute magnitude (MV)

1.42 (A)[note 2] / 11.18 (B)[3]

Orbit[6]

Companion

α CMa B

Period (P)

50.090 ± 0.055 yr

Semimajor axis (a)

7.50 ± 0.04"

Eccentricity (e)

0.5923 ± 0.0019

Inclination (i)

136.53 ± 0.43°

Longitude of the node (Ω)

44.57 ± 0.44°

Periastron epoch (T)

1894.130 ± 0.015

Argument of periastron (ω)
(secondary)

147.27 ± 0.54°

Details

α CMa A

Mass

2.02[7] M☉

Radius

1.711[7] R☉

Luminosity

25.4[7] L☉

Surface gravity (log g)

4.33[8]

Temperature

9,940[8] K

Metallicity [Fe/H]

0.50[9] dex

Rotation

16 km/s[10]

Age

2–3 × 108[7] years

α CMa B

Mass

0.978[7] M☉

Radius

0.0084 ± 3%[11] R☉

Luminosity

0.026[note 3] L☉

Surface gravity (log g)

8.57[11]

Temperature

25,200[7] K

Other designations

System: Dog Star, Aschere, Canicula, Al Shira, Sothis,[12] Alhabor,[13] Mrgavyadha, Lubdhaka,[14] Tenrōsei,[15] α Canis Majoris (α CMa), 9 Canis Majoris (9 CMa), HD 48915, HR 2491, BD −16°1591, GCTP 1577.00 A/B, GJ 244 A/B, LHS 219, ADS 5423, LTT 2638, HIP 32349.
B: EGGR 49, WD 0642-166.[2][16][17]

Sirius is the brightest star in the night sky. With a visual apparent magnitude of −1.46, it is almost twice as bright as Canopus, the next brightest star. The name "Sirius" is derived from the Ancient Greek: Σείριος Seirios ("glowing" or "scorcher"). The star has the Bayer designation Alpha Canis Majoris (α CMa). What the naked eye perceives as a single star is actually a binary star system, consisting of a white main sequence star of spectral type A1V, termed Sirius A, and a faint white dwarf companion of spectral type DA2, called Sirius B. The distance separating Sirius A from its companion varies between 8.1 and 31.5 AU.[18]

Sirius appears bright because of both its intrinsic luminosity and its proximity to Earth. At a distance of 2.6 parsecs (8.6 ly), as determined by the Hipparcos astrometry satellite,[5][19][20] the Sirius system is one of Earth's near neighbors; for Northern-hemisphere observers between 30 degrees and 73 degrees of latitude (including almost all of Europe and North America), it is the closest star (after the Sun) that can be seen with a naked eye. Sirius is gradually moving closer to the Solar System, so it will slightly increase in brightness over the next 60,000 years. After that time its distance will begin to recede, but it will continue to be the brightest star in the Earth's sky for the next 210,000 years.[21]

Sirius A is about twice as massive as the Sun and has an absolute visual magnitude of 1.42. It is 25 times more luminous than the Sun[7] but has a significantly lower luminosity than other bright stars such as Canopus or Rigel. The system is between 200 and 300 million years old.[7] It was originally composed of two bright bluish stars. The more massive of these, Sirius B, consumed its resources and became a red giant before shedding its outer layers and collapsing into its current state as a white dwarf around 120 million years ago.[7]

Sirius is also known colloquially as the "Dog Star", reflecting its prominence in its constellation, Canis Major (Greater Dog).[12] The heliacal rising of Sirius marked the flooding of the Nile in Ancient Egypt and the "dog days" of summer for the ancient Greeks, while to the Polynesians it marked winter and was an important star for navigation around the Pacific Ocean.

Contents
[hide] 1 Observational history 1.1 Kinematics
1.2 Discovery of a companion
1.3 Red controversy

2 Visibility
3 System 3.1 Sirius A
3.2 Sirius B
3.3 Sirius star cluster

4 Etymology and cultural significance 4.1 Dogon
4.2 Serer religion
4.3 Modern legacy

5 See also
6 Notes
7 References 7.1 Cited texts

8 External links

[edit] Observational history

Hieroglyph of
Sirius/Sopdet

Sirius, known in ancient Egypt as Sopdet (Greek: Σῶθις = Sothis), is recorded in the earliest astronomical records. During the era of the Middle Kingdom, Egyptians based their calendar on the heliacal rising of Sirius, namely the day it becomes visible just before sunrise after moving far enough away from the glare of the Sun. This occurred just before the annual flooding of the Nile and the summer solstice,[22] after a 70-day absence from the skies.[23] The hieroglyph for Sothis features a star and a triangle. Sothis was identified with the great goddess Isis, who formed a part of a triad with her husband Osiris and their son Horus, while the 70-day period symbolised the passing of Isis and Osiris through the duat (Egyptian underworld).[23]

The ancient Greeks observed that the appearance of Sirius heralded the hot and dry summer, and feared that it caused plants to wilt, men to weaken, and women to become aroused.[24] Due to its brightness, Sirius would have been noted to twinkle more in the unsettled weather conditions of early summer. To Greek observers, this signified certain emanations which caused its malignant influence. Anyone suffering its effects was said to be astroboletos (ἀστροβόλητος) or "star-struck". It was described as "burning" or "flaming" in literature.[25] The season following the star's appearance came to be known as the Dog Days of summer.[26] The inhabitants of the island of Ceos in the Aegean Sea would offer sacrifices to Sirius and Zeus to bring cooling breezes, and would await the reappearance of the star in summer. If it rose clear, it would portend good fortune; if it was misty or faint then it foretold (or emanated) pestilence. Coins retrieved from the island from the 3rd century BC feature dogs or stars with emanating rays, highlighting Sirius' importance.[25] The Romans celebrated the heliacal setting of Sirius around April 25, sacrificing a dog, along with incense, wine, and a sheep, to the goddess Robigo so that the star's emanations would not cause wheat rust on wheat crops that year.[27]

Ptolemy of Alexandria mapped the stars in Books VII and VIII of his Almagest, in which he used Sirius as the location for the globe's central meridian. He curiously depicted it as one of six red-coloured stars (see the Red controversy section below). The other five are class M and K stars, such as Arcturus and Betelgeuse.[28]

Bright stars were important to the ancient Polynesians for navigation between the many islands and atolls of the Pacific Ocean. Low on the horizon, they acted as stellar compasses to assist mariners in charting courses to particular destinations. They also served as latitude markers; the declination of Sirius matches the latitude of the archipelago of Fiji at 17°S and thus passes directly over the islands each night.[29] Sirius served as the body of a "Great Bird" constellation called Manu, with Canopus as the southern wingtip and Procyon the northern wingtip, which divided the Polynesian night sky into two hemispheres.[30] Just as the appearance of Sirius in the morning sky marked summer in Greece, so it marked the chilly onset of winter for the Māori, whose name Takurua described both the star and the season. Its culmination at the winter solstice was marked by celebration in Hawaii, where it was known as Ka'ulua, "Queen of Heaven". Many other Polynesian names have been recorded, including Tau-ua in the Marquesas Islands, Rehua in New Zealand, Aa and Hoku-Kauopae in Hawaii,[31] and Ta'urua-fau-papa "Festivity of original high chiefs" and Ta'urua-e-hiti-i-te-tara-te-feiai "Festivity who rises with prayers and religious ceremonies" in Tahiti.[32].

The indigenous Boorong people of northwestern Victoria named Sirius as Warepil.[33]

[edit] Kinematics

In 1718, Edmond Halley discovered the proper motion of the hitherto presumed "fixed" stars[34] after comparing contemporary astrometric measurements with those given in Ptolemy's Almagest. The bright stars Aldebaran, Arcturus and Sirius were noted to have moved significantly, the last of which having progressed 30 arc minutes (about the diameter of the moon) southwards in 1,800 years.[35]

In 1868, Sirius became the first star to have its velocity measured. Sir William Huggins examined the spectrum of this star and observed a noticeable red shift. He concluded that Sirius was receding from the Solar System at about 40 km/s.[36][37] Compared to the modern value of −7.6 km/s,[2] this both was an overestimate and had the wrong sign; the minus means it is approaching the Sun. However, it is notable for introducing the study of celestial radial velocities.

[edit] Discovery of a companion

A simulated image of Sirius A and B using Celestia
In 1844 the German astronomer Friedrich Bessel deduced from changes in the proper motion of Sirius that it had an unseen companion.[38] Nearly two decades later, on January 31, 1862, American telescope-maker and astronomer Alvan Graham Clark first observed the faint companion, which is now called Sirius B, or affectionately "the Pup".[39] This happened during testing of an 18.5-inch (470 mm) aperture great refractor telescope for Dearborn Observatory, which was the largest refracting telescope lens in existence at the time, and the largest telescope in America.[40]

The visible star is now sometimes known as Sirius A. Since 1894, some apparent orbital irregularities in the Sirius system have been observed, suggesting a third very small companion star, but this has never been definitely confirmed. The best fit to the data indicates a six-year orbit around Sirius A and a mass of only 0.06 solar masses. This star would be five to ten magnitudes fainter than the white dwarf Sirius B, which would account for the difficulty of observing it.[41] Observations published in 2008 were unable to detect either a third star or a planet. An apparent "third star" observed in the 1920s is now confirmed as a background object.[42]

In 1915, Walter Sydney Adams, using a 60-inch (1.5 m) reflector at Mount Wilson Observatory, observed the spectrum of Sirius B and determined that it was a faint whitish star.[43] This led astronomers to conclude that it was a white dwarf, the second to be discovered.[44] The diameter of Sirius A was first measured by Robert Hanbury Brown and Richard Q. Twiss in 1959 at Jodrell Bank using their stellar intensity interferometer.[45] In 2005, using the Hubble Space Telescope, astronomers determined that Sirius B has nearly the diameter of the Earth, 12,000 kilometers (7,500 mi), with a mass that is 98% of the Sun.[46][47][48][49]

[edit] Red controversy

Around 150 AD, the Greek astronomer of the Roman period Claudius Ptolemy described Sirius as reddish, along with five other stars, Betelgeuse, Antares, Aldebaran, Arcturus and Pollux, all of which are clearly of orange or red hue.[50] The discrepancy was first noted by amateur astronomer Thomas Barker, squire of Lyndon Hall in Rutland, who prepared a paper and spoke at a meeting of the Royal Society in London in 1760.[51] The existence of other stars changing in brightness gave credence to the idea that some may change in colour too; Sir John Herschel noted this in 1839, possibly influenced by witnessing Eta Carinae two years earlier.[52] Thomas Jefferson Jackson See resurrected discussion on red Sirius with the publication of several papers in 1892, and a final summary in 1926.[53] He cited not only Ptolemy but also the poet Aratus, the orator Cicero, and general Germanicus as colouring the star red, though acknowledging that none of the latter three authors were astronomers, the last two merely translating Aratus' poem Phaenomena.[54] Seneca, too, had described Sirius as being of a deeper red colour than Mars.[55] However, not all ancient observers saw Sirius as red. The 1st century AD poet Marcus Manilius described it as "sea-blue", as did the 4th century Avienus.[56] It is the standard star for the color white in ancient China, and multiple records from the 2nd century BC up to the 7th century AD all describe Sirius as white in hue.[57][58]

In 1985, German astronomers Wolfhard Schlosser and Werner Bergmann published an account of an 8th century Lombardic manuscript, which contains De cursu stellarum ratio by St. Gregory of Tours. The Latin text taught readers how to determine the times of nighttime prayers from positions of the stars, and Sirius is described within as rubeola — "reddish". The authors proposed this was further evidence Sirius B had been a red giant at the time.[59] However, other scholars replied that it was likely St. Gregory had been referring to Arcturus instead.[60][61]

The possibility that stellar evolution of either Sirius A or Sirius B could be responsible for this discrepancy has been rejected by astronomers on the grounds that the timescale of thousands of years is too short and that there is no sign of the nebulosity in the system that would be expected had such a change taken place.[55] An interaction with a third star, to date undiscovered, has also been proposed as a possibility for a red appearance.[62] Alternative explanations are either that the description as red is a poetic metaphor for ill fortune, or that the dramatic scintillations of the star when it was observed rising left the viewer with the impression that it was red. To the naked eye, it often appears to be flashing with red, white and blue hues when near the horizon.[55]

[edit] Visibility

The image of Sirius A and Sirius B taken by the Hubble Space Telescope. The white dwarf can be seen to the lower left.[63] The diffraction spikes and concentric rings are instrumental effects.
With an apparent magnitude of −1.46, Sirius is the brightest star in the night sky, almost twice the brightness of the second brightest star, Canopus.[64] However, it is not as bright as the Moon, Venus, or Jupiter. At times, Mercury and Mars are also brighter than Sirius.[65] Sirius can be seen from almost every inhabited region of the Earth's surface, with only those north of 73 degrees unable to see it. However, it does not rise very high when viewed from some northern cities, reaching only 13° above the horizon from Saint Petersburg.[66] Sirius, along with Procyon and Betelgeuse, forms one of the three vertices of the Winter Triangle to observers in the Northern Hemisphere.[67] Due to its declination of roughly −17°,[2] Sirius is a circumpolar star from latitudes south of 73° S. From the Southern Hemisphere in early July, Sirius can be seen in both the evening where it sets after the Sun, and in the morning where it rises before the Sun.[68] Due to precession (and slightly proper motion), Sirius will move further south. From AD 9000 Sirius won't be visible anymore from northern and central Europe and in AD 14000 (when Vega is close to the North Pole) its declination will be -67º and thus will be circumpolar throughout South Africa and in most parts of Australia.

Sirius can even be observed in daylight with the naked eye under the right conditions. Ideally, the sky should be very clear, with the observer at a high altitude, the star passing overhead, and the Sun low down on the horizon.[69] These observing conditions are more easily met in the southern hemisphere, due to the southerly declination of Sirius.

The orbital motion of the Sirius binary system brings the two stars to a minimum angular separation of 3 arcseconds and a maximum of 11 arcseconds. At the closest approach, it is an observational challenge to distinguish the white dwarf from its more luminous companion, requiring a telescope with at least 300 mm (12 in) aperture and excellent seeing conditions. A periastron occurred in 1994[note 4] and the pair have since been moving apart, making them easier to separate with a telescope.[70]

At a distance of 2.6 parsecs (8.6 ly), the Sirius system contains two of the eight nearest stars to the Solar System[71] and is the fifth closest stellar system to ours.[71] This proximity is the main reason for its brightness, as with other near stars such as Alpha Centauri and in stark contrast to distant, highly luminous supergiants such as Canopus, Rigel or Betelgeuse.[72] However, it is still around 25 times more luminous than the Sun.[7] The closest large neighbouring star to Sirius is Procyon, 1.61 parsecs (5.24 ly) away.[73] The Voyager 2 spacecraft, launched in 1977 to study the four Jovian planets in the Solar System, is expected to pass within 4.3 light-years (1.3 pc) of Sirius in approximately 296,000 years.[74]

[edit] System

A Chandra X-ray Observatory image of the Sirius star system, where the spike-like pattern is due to the support structure for the transmission grating. The bright source is Sirius B. Credit: NASA/SAO/CXC.
Sirius is a binary star system consisting of two white stars orbiting each other with a separation of about 20 astronomical units (3.0×109 km; 1.9×109 mi)[note 5] (roughly the distance between the Sun and Uranus) and a period of 50.1 years. The brighter component, termed Sirius A, is a main-sequence star of spectral type A1V, with an estimated surface temperature of 9,940 K.[8] Its companion, Sirius B, is a star that has already evolved off the main sequence and become a white dwarf. Currently 10,000 times less luminous in the visual spectrum, Sirius B was once the more massive of the two.[75] The age of the system has been estimated at around 230 million years. Early in its lifespan it was thought to have been two bluish white stars orbiting each other in an elliptical orbit every 9.1 years.[75] The system emits a higher than expected level of infrared radiation, as measured by IRAS space-based observatory. This may be an indication of dust in the system, and is considered somewhat unusual for a binary star.[73][76] The Chandra X-ray Observatory image shows Sirius B outshining its bright partner as it is a brighter X-ray source.[77]

[edit] Sirius A

 

An artist's impression of Sirius A and Sirius B. Sirius A is the larger of the two stars.
Sirius A has a mass double that of the Sun.[7][78] The radius of this star has been measured by an astronomical interferometer, giving an estimated angular diameter of 5.936±0.016 mas. The projected rotational velocity is a relatively low 16 km/s,[10] which does not produce any significant flattening of its disk.[79] This is at marked variance with the similar-sized Vega, which rotates at a much faster 274 km/s and bulges prominently around its equator.[80] A weak magnetic field has been detected on the surface of Sirius A.[81]

Stellar models suggest that the star formed during the collapsing of a molecular cloud, and that after 10 million years, its internal energy generation was derived entirely from nuclear reactions. The core became convective and utilized the CNO cycle for energy generation.[79] It is predicted that Sirius A will have completely exhausted the store of hydrogen at its core within a billion (109) years of its formation. At this point it will pass through a red giant stage, then settle down to become a white dwarf.

Sirius A is classed as an Am star because the spectrum shows deep metallic absorption lines,[82] indicating an enhancement in elements heavier than helium, such as iron.[73][79] When compared to the Sun, the proportion of iron in the atmosphere of Sirius A relative to hydrogen is given by ,[9] which is equivalent to 100.5, meaning it has 316% of the proportion of iron in the Sun's atmosphere. The high surface content of metallic elements is unlikely to be true of the entire star, rather the iron-peak and heavy metals are radiatively levitated towards the surface.[79]

[edit] Sirius B

The orbit of Sirius B around A as seen from Earth (slanted ellipse) and as seen face-on (wide horizontal ellipse).
With a mass nearly equal to the Sun's, Sirius B is one of the more massive white dwarfs known (0.98 solar masses[83]); it is almost double the 0.5–0.6 solar-mass average. Yet that same mass is packed into a volume roughly equal to the Earth's.[83] The current surface temperature is 25,200 K.[7] However, since there is no internal heat source, Sirius B will steadily cool as the remaining heat is radiated into space over a period of more than two billion years.[84]

A white dwarf forms only after the star has evolved from the main sequence and then passed through a red giant stage. This occurred when Sirius B was less than half its current age, around 120 million years ago. The original star had an estimated 5 solar masses[7] and was a B-type star (roughly B4-5)[85][86] when it still was on the main sequence. While it passed through the red giant stage, Sirius B may have enriched the metallicity of its companion.

This star is primarily composed of a carbon–oxygen mixture that was generated by helium fusion in the progenitor star.[7] This is overlaid by an envelope of lighter elements, with the materials segregated by mass because of the high surface gravity.[87] Hence the outer atmosphere of Sirius B is now almost pure hydrogen—the element with the lowest mass—and no other elements are seen in this star's spectrum.[88]

[edit] Sirius star cluster

In 1909, Ejnar Hertzsprung was the first to suggest that Sirius was a member of the Ursa Major Moving Group, based on his observations of the system's movements across the sky. The Ursa Major Group is a set of 220 stars that share a common motion through space and were once formed as members of an open cluster, which has since become gravitationally unbound.[89] However, analyses in 2003 and 2005 found Sirius's membership in the group to be questionable: the Ursa Major Group has an estimated age of 500±100 million years, while Sirius, with metallicity similar to the Sun's, has an age that is only half this, making it too young to belong to the group.[7][90][91] Sirius may instead be a member of the proposed Sirius Supercluster, along with other scattered stars such as Beta Aurigae, Alpha Coronae Borealis, Beta Crateris, Beta Eridani and Beta Serpentis.[92] This is one of three large clusters located within 500 light-years (150 pc) of the Sun. The other two are the Hyades and the Pleiades, and each of these clusters consists of hundreds of stars.[93]

[edit] Etymology and cultural significance

See also: Winter triangle

The most commonly used proper name of this star comes from the Latin Sīrius, from the Ancient Greek Σείριος (Seirios, "glowing" or "scorcher"),[94] although the Greek word itself may have been imported from elsewhere before the Archaic period,[95] one authority suggesting a link with the Egyptian god Osiris.[96] The name's earliest recorded use dates from the 7th century BC in Hesiod's poetic work Works and Days.[95] Sirius has over 50 other designations and names attached to it.[64] In Geoffrey Chaucer's essay Treatise on the Astrolabe, it bears the name Alhabor, and is depicted by a hound's head. This name is widely used on medieval astrolabes from Western Europe.[13] In Sanskrit it is known as Mrgavyadha "deer hunter", or Lubdhaka "hunter". As Mrgavyadha, the star represents Rudra (Shiva).[97][98] The star is referred as Makarajyoti in Malayalam and has religious significance to the pilgrim center Sabarimala.[citation needed] In Scandinavia, the star has been known as Lokabrenna ("burning done by Loki", or "Loki's torch").[99] In the astrology of the Middle Ages, Sirius was a Behenian fixed star,[100] associated with beryl and juniper. Its astrological symbol was listed by Heinrich Cornelius Agrippa.[101]

Many cultures have historically attached special significance to Sirius, particularly in relation to dogs. Indeed, it is often colloquially called the "Dog Star" as the brightest star of Canis Major, the "Great Dog" constellation.

It was classically depicted as Orion's dog. The Ancient Greeks thought that Sirius's emanations could affect dogs adversely, making them behave abnormally during the "dog days," the hottest days of the summer. The Romans knew these days as dies caniculares, and the star Sirius was called Canicula, "little dog." The excessive panting of dogs in hot weather was thought to place them at risk of desiccation and disease. In extreme cases, a foaming dog might have rabies, which could infect and kill humans whom they had bitten.[25] Homer, in the Iliad, describes the approach of Achilles toward Troy in these words:

Sirius rises late in the dark, liquid sky
On summer nights, star of stars,
Orion's Dog they call it, brightest
Of all, but an evil portent, bringing heat
And fevers to suffering humanity.[102]



In Iranian mythology, especially in Persian mythology and in Zoroastrianism, the ancient religion of Persia, Sirius appears as Tishtrya and is revered as a divinity. Beside passages in the sacred texts of the Avesta, the Avestan language Tishtrya followed by the version Tir in Middle and New Persian is also depicted in the Persian epic Shahnameh of Ferdowsi. Due to the concept of the yazatas, powers which are "worthy of worship", Tishtrya is a divinity of rain and fertility and an antagonist of apaosha, the demon of drought. In this struggle, Tishtrya is beautifully depicted as a white horse.[103][104][105][106]

In Chinese astronomy the star is known as the star of the "celestial wolf" (Chinese and Japanese: 天狼; ; Chinese romanization: Tiānláng; Japanese romanization: Tenrō;[107] in the Mansion of Jǐng (井宿). Farther afield, many nations among the indigenous peoples of North America also associated Sirius with canines; the Seri and Tohono O'odham of the southwest note the star as a dog that follows mountain sheep, while the Blackfoot called it "Dog-face". The Cherokee paired Sirius with Antares as a dog-star guardian of either end of the "Path of Souls". The Pawnee of Nebraska had several associations; the Wolf (Skidi) tribe knew it as the "Wolf Star", while other branches knew it as the "Coyote Star". Further north, the Alaskan Inuit of the Bering Strait called it "Moon Dog".[108]

Several cultures also associated the star with a bow and arrows. The Ancient Chinese visualized a large bow and arrow across the southern sky, formed by the constellations of Puppis and Canis Major. In this, the arrow tip is pointed at the wolf Sirius. A similar association is depicted at the Temple of Hathor in Dendera, where the goddess Satet has drawn her arrow at Hathor (Sirius). Known as "Tir", the star was portrayed as the arrow itself in later Persian culture.[109]

Sirius is mentioned in Surah, An-Najm ("The Star"), of the Qur'an, where it is given the name الشِّعْرَى (transliteration: aš-ši‘rā or ash-shira; the leader).[110] The verse is: "وأنَّهُ هُوَ رَبُّ الشِّعْرَى", "That He is the Lord of Sirius (the Mighty Star)." (An-Najm:49)[111] Ibn Kathir said in his commentary "Ibn 'Abbas, Mujahid, Qatada and Ibn Zayd said about Ash-Shi`ra that it is the bright star, named Mirzam Al-Jawza' (Sirius), which a group of Arabs used to worship."[112] The alternate name Aschere, used by Johann Bayer, is derived from this.[12]

In Theosophy, it is believed the Seven Stars of the Pleiades transmit the spiritual energy of the Seven Rays from the Galactic Logos to the Seven Stars of the Great Bear, then to Sirius. From there is it sent via the Sun to the god of Earth (Sanat Kumara), and finally through the seven Masters of the Seven Rays to the human race.[113]

[edit] Dogon

See also: Nommo

The Dogon people are an ethnic group in Mali, West Africa, reported to have traditional astronomical knowledge about Sirius that would normally be considered impossible without the use of telescopes. According to Marcel Griaule's books Conversations with Ogotemmêli and The Pale Fox they knew about the fifty-year orbital period of Sirius and its companion prior to western astronomers. They also refer to a third star accompanying Sirius A and B. Robert Temple's 1976 book The Sirius Mystery, credits them with knowledge of the four Galilean moons of Jupiter and the rings of Saturn. This has been the subject of controversy and speculation. According to a 1978 Skeptical Inquirer article it is possibly the result of cultural contamination.[114] Some have suggested the contaminators to have been the ethnographers themselves.[115][116] Others see this explanation as being too simplistic.[117]

Yoonir, symbol of the Universe in Serer religion.[118][119]
[edit] Serer religion

Main articles: Serer religion and Saltigue

In the religion of the Serer people of Senegal, the Gambia and Mauritania, Sirius is called Yoonir from the Serer language (and some of the Cangin language speakers, who are all ethnically Serers). The star Sirius is one of the most important and sacred stars in Serer religious cosmology and symbolism. The Serer high priests and priestesses, (Saltigues, the hereditary "rain priests"[120]) chart Yoonir in order to forecast rain fall and enable Serer farmers to start planting seeds. In Serer religious cosmology, it is the symbol of the universe.[118][119]

[edit] Modern legacy

See also: Sirius in fiction

Sirius is frequently a subject used in science fiction and related popular culture,[121] and even the subject of poetry.[122] Sirius is featured on the coat of arms of Macquarie University, and is the name of its alumnae journal.[123] The name of the North American satellite radio company, Satellite CD Radio, Inc., was changed to Sirius Satellite Radio in November 1999, being named after "the brightest star in the night sky".[124] Composer Karlheinz Stockhausen has been claimed to have said on several occasions that he came from a planet in the Sirius system.[125][126] Astronomer Noah Brosch has speculated that the name of the character Sirius Black from the Harry Potter stories might have been inspired by "Sirius B", and notes that the wizard has the ability to transform into a dog.[122] In the BBC Doctor Who series, the Doctor reveals the star actually consists of two smaller ones.

Sirius is one of the 27 stars on the flag of Brazil, where it represents the state of Mato Grosso.[127]

Seven ships of Great Britain's Royal Navy have been called HMS Sirius since the 18th century, with the first being the flagship of the First Fleet to Australia in 1788.[128] The Royal Australian Navy subsequently named a vessel HMAS Sirius in honor of the flagship.[129] American vessels include the USNS Sirius as well as a monoplane model—the Lockheed Sirius, the first of which was flown by Charles Lindbergh.[130] The name was also adopted by Mitsubishi Motors for the Mitsubishi Sirius engine in 1980.[131]

[edit] See also

Star portal

List of brightest stars
List of nearest stars
Sothic cycle

[edit] Notes

1.^ a b c d Astrometric data, mirrored by SIMBAD from the Hipparcos catalogue, pertains to the center of mass of the Sirius system. See §2.3.4, Volume 1, The Hipparcos and Tycho Catalogues, European Space Agency, 1997, and the entry for Sirius in the Hipparcos catalogue (CDS ID I/239.)
2.^ For apparent magnitude m and parallax π, the absolute magnitude Mv of Sirius A is given by: See: Tayler, Roger John (1994). The Stars: Their Structure and Evolution. Cambridge University Press. p. 16. ISBN 0-521-45885-4.
3.^ Bolometric luminosity of Sirius B calculated from L=4πR2σTeff4. (This simplifies to Ls=(Rs)^2*(Ts)^4, where Ls, Rs and Ts are Luminosity, Radius and Temperature all relative to solar values) See: Tayler, Roger John (1994). The Stars: Their Structure and Evolution. Cambridge University Press. p. 16. ISBN 0-521-45885-4.
4.^ Two full 50.09-year orbits following the periastron epoch of 1894.13 gives a date of 1994.31.
5.^ 1 light year = 63,241 AU; semi-major axis = distance × tan(subtended angle) = 8.6 × 63,241 × tan(7.56″) = 19.9 A.U., approximately

[edit] References

1.^ "Sirius". Dictionary.com Unabridged (v 1.1). Random House, Inc. Retrieved 2008-04-06.
2.^ a b c d e f g h i j k l Database entry for Sirius A, SIMBAD. Accessed online October 20, 2007.
3.^ a b c d e McCook, G. P.; Sion, E. M.. "Entry for WD 0642-166". A Catalogue of Spectroscopically Identified White Dwarfs (August 2006 version). CDS. ID III/235A.)
4.^ Hoffleit, D.; Warren, Jr., W. H. (1991). "Entry for HR 2491". Bright Star Catalogue, 5th Revised Ed. (Preliminary Version). CDS. ID V/50.
5.^ a b van Leeuwen, F. (November 2007), "Validation of the new Hipparcos reduction", Astronomy and Astrophysics 474 (2): 653–664, arXiv:0708.1752, Bibcode 2007A&A...474..653V, doi:10.1051/0004-6361:20078357
6.^ van den Bos, W. H. (1960). "The Orbit of Sirius". Journal des Observateurs 43: 145–151. Bibcode 1960JO.....43..145V.
7.^ a b c d e f g h i j k l m n o Liebert, J.; Young, P. A.; Arnett, D.; Holberg, J. B.; Williams, K. A. (2005). "The Age and Progenitor Mass of Sirius B". The Astrophysical Journal 630 (1): L69–L72. arXiv:astro-ph/0507523. Bibcode 2005ApJ...630L..69L. doi:10.1086/462419.
8.^ a b c Adelman, Saul J. (July 8–13, 2004). "The Physical Properties of normal A stars". Proceedings of the International Astronomical Union. Poprad, Slovakia: Cambridge University Press. pp. 1–11. Bibcode 2004IAUS..224....1A.
9.^ a b Qiu, H. M.; Zhao, G.; Chen, Y. Q.; Li, Z. W. (2001). "The Abundance Patterns of Sirius and Vega". The Astrophysical Journal 548 (2): 953–965. Bibcode 2001ApJ...548..953Q. doi:10.1086/319000.
10.^ a b Royer, F.; M. Gerbaldi, R. Faraggiana, and A. E. Gómez (2002). "Rotational velocities of A-type stars. I. Measurement of v sin i in the southern hemisphere". Astronomy and Astrophysics 381 (1): 105–121. arXiv:astro-ph/0110490. Bibcode 2002A&A...381..105R. doi:10.1051/0004-6361:20011422.
11.^ a b Holberg, J. B.; Barstow, M. A.; Bruhweiler, F. C.; Cruise, A. M.; Penny, A. J. (1998). "Sirius B: A New, More Accurate View". The Astrophysical Journal 497 (2): 935–942. Bibcode 1998ApJ...497..935H. doi:10.1086/305489.
12.^ a b c Hinckley, Richard Allen (1899). Star-names and Their Meanings. New York: G. E. Stechert. p. 117–25.
13.^ a b Gingerich, Owen (1987). "Zoomorphic Astrolabes and the Introduction of Arabic Star Names into Europe". Annals of the New York Academy of Sciences 500: 89–104. doi:10.1111/j.1749-6632.1987.tb37197.x. edit
14.^ Singh, Nagendra Kumar (2002). Encyclopaedia of Hinduism, A Continuing Series. Anmol Publications PVT. LTD. p. 794. ISBN 81-7488-168-9.
15.^ Spahn, Mark; Hadamitzky, Wolfgang; Fujie-Winter, Kimiko (1996). The Kanji dictionary. Tuttle Publishing. p. 724. ISBN 0-8048-2058-9.
16.^ Database entry for Sirius B, SIMBAD. Accessed on line October 23, 2007.
17.^ van Altena, W. F.; Lee, J. T.; Hoffleit, E. D. (1995). The general catalogue of trigonometric parallaxes (4th ed.). Yale University Observatory. (CDS ID I/238A.
18.^ Schaaf, Fred (2008). The Brightest Stars. Hoboken, New Jersey: John Wiley & Sons. p. 94. ISBN 0-471-70410-5. Retrieved 2010-07-23.
19.^ Perryman, M. A. C.; Lindegren, L.; Kovalevsky, J.; et al. (July 1997), "The Hipparcos Catalogue", Astronomy and Astrophysics 323: L49–L52, Bibcode 1997A&A...323L..49P
20.^ Perryman, Michael (2010), The Making of History's Greatest Star Map, Heidelberg: Springer-Verlag, doi:10.1007/978-3-642-11602-5
21.^ Sky and Telescope, April 1998 (p60), based on computations from Hipparcos data.
22.^ Wendorf, Fred; Schild, Romuald (2001) (Google Book Search preview). Holocene Settlement of the Egyptian Sahara: Volume 1, The Archaeology of Nabta Plain. Springer. p. 500. ISBN 0-306-46612-0. Retrieved 2008-05-16.
23.^ a b (Holberg 2007, pp. 4–5)
24.^ (Holberg 2007, p. 19)
25.^ a b c (Holberg 2007, p. 20)
26.^ (Holberg 2007, pp. 16–17)
27.^ Ovid. Fasti IV, lines 901–942.
28.^ (Holberg 2007, p. 32)
29.^ (Holberg 2007, p. 25)
30.^ (Holberg 2007, pp. 25–26)
31.^ (Holberg 2007, p. 26)
32.^ Henry, Teuira (1907). "Tahitian Astronomy: Birth of Heavenly Bodies". The Journal of the Polynesian Society 16 (2): 101–04. JSTOR 20700813.
33.^ Hamacher, Duane W.; Frew, David J. (2010). "An Aboriginal Australian Record of the Great Eruption of Eta Carinae". Journal of Astronomical History & Heritage 13 (3): 220–34.
34.^ Aitken, R. G. (1942). "Edmund Halley and Stellar Proper Motions". Astronomical Society of the Pacific Leaflets 4: 103–112. Bibcode 1942ASPL....4..103A.
35.^ (Holberg 2007, pp.41–42)
36.^ Daintith, John; Mitchell, Sarah; Tootill, Elizabeth; Gjertsen, D. (1994). Biographical Encyclopedia of Scientists. CRC Press. p. 442. ISBN 0-7503-0287-9.
37.^ Huggins, W. (1868). "Further observations on the spectra of some of the stars and nebulae, with an attempt to determine therefrom whether these bodies are moving towards or from the Earth, also observations on the spectra of the Sun and of Comet II". Philosophical Transactions of the Royal Society of London 158 (0): 529–564. doi:10.1098/rstl.1868.0022.
38.^ Bessel, F. W.; communicated by Herschel, J. F. W. (December 1844). "On the Variations of the Proper Motions of Procyon and Sirius". Monthly Notices of the Royal Astronomical Society 6: 136–141. Bibcode 1844MNRAS...6..136..
39.^ Flammarion, Camille (August 1877). "The Companion of Sirius". The Astronomical Register 15 (176): 186–189. Bibcode 1877AReg...15..186F.
40.^ Craig, John; Gravatt, William; Slater, Thomas; Rennie, George. "The Craig Telescope". craig-telescope.co.uk. Retrieved 2011-03-01.
41.^ Benest, D.; Duvent, J. L.; Duvent (July 1995). "Is Sirius a triple star?". Astronomy and Astrophysics 299: 621–628. Bibcode 1995A&A...299..621B. – For the instability of an orbit around Sirius B, see §3.2.
42.^ Bonnet-Bidaud, J. M.; Pantin, E. (October 2008). "ADONIS high contrast infrared imaging of Sirius-B". Astronomy and Astrophysics 489 (2): 651–655. arXiv:0809.4871. Bibcode 2008A&A...489..651B. doi:10.1051/0004-6361:20078937.
43.^ Adams, W. S. (December 1915). "The Spectrum of the Companion of Sirius". Publications of the Astronomical Society of the Pacific 27 (161): 236–237. Bibcode 1915PASP...27..236A. doi:10.1086/122440.
44.^ Holberg, J. B. (2005). "How Degenerate Stars Came to be Known as White Dwarfs". Bulletin of the American Astronomical Society 37 (2): 1503. Bibcode 2005AAS...20720501H.
45.^ Brown, R. Hanbury; Twiss, R. Q. (1958). "Interferometry of the Intensity Fluctuations in Light. IV. A Test of an Intensity Interferometer on Sirius A". Proceedings of the Royal Society of London 248 (1253): 222–237. Bibcode 1958RSPSA.248..222B. doi:10.1098/rspa.1958.0240.
46.^ Brown, Dwayne; Weaver, Donna (2005-12-13). "Astronomers Use Hubble to "Weigh" Dog Star's Companion". NASA. Retrieved 2007-10-13.
47.^ McGourty, Christine (2005-12-14). "Hubble finds mass of white dwarf". BBC News. Retrieved 2007-10-13.
48.^ Bond, Peter (2005-12-14). "Astronomers Use Hubble to 'Weigh' Dog Star's Companion". Royal Astronomical Society. Retrieved 2006-08-04.
49.^ Barstow, M. A.; Bond, Howard E.; Holberg, J. B.; Burleigh, M. R.; Hubeny, I.; Koester, D. (2005). "Hubble Space Telescope spectroscopy of the Balmer lines in Sirius B". Monthly Notices of the Royal Astronomical Society 362 (4): 1134–1142. arXiv:astro-ph/0506600. Bibcode 2005MNRAS.362.1134B. doi:10.1111/j.1365-2966.2005.09359.x.
50.^ (Holberg 2007, p. 157)
51.^ Ceragioli, R. C. (1995). "The Debate Concerning 'Red' Sirius". Journal for the History of Astronomy 26 (3): 187–226. Bibcode 1995JHA....26..187C.
52.^ (Holberg 2007, p. 158)
53.^ (Holberg 2007, p. 161)
54.^ (Holberg 2007, p. 162)
55.^ a b c Whittet, D. C. B. (1999). "A physical interpretation of the 'red Sirius' anomaly". Monthly Notices of the Royal Astronomical Society 310 (2): 355–359. Bibcode 1999MNRAS.310..355W. doi:10.1046/j.1365-8711.1999.02975.x.
56.^ (Holberg 2007, p. 163)
57.^ 江晓原 (1992). "中国古籍中天狼星颜色之记载" (in Chinese). Ť�文学报 33 (4).
58.^ Jiang, Xiao-Yuan (April 1993). "The colour of Sirius as recorded in ancient Chinese texts". Chinese Astronomy and Astrophysics 17 (2): 223–228. Bibcode 1993ChA&A..17..223J. doi:10.1016/0275-1062(93)90073-X.
59.^ Schlosser, W.; Bergmann, W. (November 1985). "An early-medieval account on the red colour of Sirius and its astrophysical implications". Nature 318 (318): 45–46. Bibcode 1985Natur.318...45S. doi:10.1038/318045a0.
60.^ McCluskey, S. C. (January 1987). "The colour of Sirius in the sixth century". Nature 318 (325): 87. Bibcode 1987Natur.325...87M. doi:10.1038/325087a0.
61.^ van Gent, R. H. (January 1987). "The colour of Sirius in the sixth century". Nature 318 (325): 87–89. Bibcode 1987Natur.325...87V. doi:10.1038/325087b0.
62.^ Kuchner, Marc J.; Brown, Michael E. (2000). "A Search for Exozodiacal Dust and Faint Companions Near Sirius, Procyon, and Altair with the NICMOS Coronagraph". Publications of the Astronomical Society of the Pacific 112 (772): 827–832. arXiv:astro-ph/0002043. Bibcode 2000PASP..112..827K. doi:10.1086/316581.
63.^ "The Dog Star, Sirius, and its Tiny Companion". Hubble News Desk. 2005-12-13. Retrieved 2006-08-04.
64.^ a b (Holberg 2007, p. xi)
65.^ Espenak, Fred. "Mars Ephemeris". Twelve Year Planetary Ephemeris: 1995–2006, NASA Reference Publication 1349.
66.^ (Holberg 2007, p. 82)
67.^ Darling, David. "Winter Triangle". The Internet Encyclopedia of Science. Retrieved 2007-10-20.
68.^ "Stories from the Stars". Stargazers Astronomy Shop. 2000. Retrieved 2008-12-17.
69.^ Henshaw, C. (1984). "On the Visibility of Sirius in Daylight". Journal of the British Astronomical Association 94 (5): 221–222. Bibcode 1984JBAA...94..221H.
70.^ Mullaney, James (March 2008). "Orion's Splendid Double Stars: Pretty Doubles in Orion's Vicinity". Sky & Telescope. Retrieved 2008-02-01.
71.^ a b Henry, Todd J. (2006-07-01). "The One Hundred Nearest Star Systems". RECONS. Retrieved 2006-08-04.
72.^ "The Brightest Stars". Royal Astronomical Society of New Zealand. Retrieved 2007-12-14.
73.^ a b c "Sirius 2". SolStation. Retrieved 2006-08-04.
74.^ Angrum, Andrea (2005-08-25). "Interstellar Mission". NASA/JPL. Retrieved 2007-05-07.
75.^ a b (Holberg 2007, p. 214)
76.^ Backman, D. E. (June 30 – July 11, 1986). "IRAS observations of nearby main sequence stars and modeling of excess infrared emission". Proceedings, 6th Topical Meetings and Workshop on Cosmic Dust and Space Debris. Toulouse, France: COSPAR and IAF. Bibcode 1986AdSpR...6...43B. ISSN 0273-1177.
77.^ Brosch, p. 126.
78.^ Bragança, Pedro (2003-07-15). "The 10 Brightest Stars". SPACE.com. Archived from the original on 2009-06-16. Retrieved 2006-08-04.
79.^ a b c d Kervella, P.; Thevenin, F.; Morel, P.; Borde, P.; Di Folco, E. (2003). "The interferometric diameter and internal structure of Sirius A". Astronomy and Astrophysics 407 (2): 681–688. arXiv:astro-ph/0306604. Bibcode 2003A&A...408..681K. doi:10.1051/0004-6361:20030994.
80.^ Aufdenberg, J.P.; Ridgway, S.T. et al. (2006). "First results from the CHARA Array: VII. Long-Baseline Interferometric Measurements of Vega Consistent with a Pole-On, Rapidly Rotating Star?" (PDF). Astrophysical Journal 645 (1): 664–675. arXiv:astro-ph/0603327. Bibcode 2006ApJ...645..664A. doi:10.1086/504149. Retrieved 2007-11-09.
81.^ Petit, P.; et al. (August 2011). "Detection of a weak surface magnetic field on Sirius A: are all tepid stars magnetic ?". Astronomy and Astrophysics 532: L13. arXiv:1106.5363. Bibcode 2011A&A...532L..13P. doi:10.1051/0004-6361/201117573.
82.^ Aurière, M.; et al. (November 2010). "No detection of large-scale magnetic fields at the surfaces of Am and HgMn stars". Astronomy and Astrophysics 523: A40. arXiv:1008.3086. Bibcode 2010A&A...523A..40A. doi:10.1051/0004-6361/201014848.
83.^ a b "Astronomers Use Hubble to "Weigh" Dog Star's Companion". University of Leicester. 2005-12-01. Retrieved 2009-12-13.
84.^ Imamura, James N. (1995-10-02). "Cooling of White Dwarfs". University of Oregon. Archived from the original on December 15, 2006. Retrieved 2007-01-03.
85.^ Siess, Lionel (2000). "Computation of Isochrones". Institut d'Astronomie et d'Astrophysique, Université libre de Bruxelles. Retrieved 2007-03-24.[dead link]
86.^ Palla, Francesco (May 16–20, 2005). "Stellar evolution before the ZAMS". Proceedings of the international Astronomical Union 227. Italy: Cambridge University Press. pp. 196–205. Bibcode 976IAUS...73...75P.
87.^ Koester, D.; Chanmugam, G. (1990). "Physics of white dwarf stars". Reports on Progress in Physics 53 (7): 837–915. Bibcode 1990RPPh...53..837K. doi:10.1088/0034-4885/53/7/001.
88.^ Holberg, J. B.; Barstow; Burleigh; Kruk; Hubeny; Koester; Barstow, M. A.; Burleigh, M. R.; Kruk, J. W.; Hubeny, I.; Koester, D. (2004). "FUSE observations of Sirius B". Bulletin of the American Astronomical Society 36: 1514. Bibcode 2004AAS...20510303H.
89.^ Frommert, Hartmut; Kronberg, Christine (April 26, 2003). "The Ursa Major Moving Cluster, Collinder 285". SEDS. Retrieved 2007-11-22.
90.^ King, Jeremy R.; Villarreal, Adam R.; Soderblom, David R.; Gulliver, Austin F.; Adelman, Saul J. (2003). "Stellar Kinematic Groups. II. A Reexamination of the Membership, Activity, and Age of the Ursa Major Group". Astronomical Journal 125 (4): 1980–2017. Bibcode 2003AJ....125.1980K. doi:10.1086/368241.
91.^ Croswell, Ken (July 27, 2005). "The life and times of Sirius B". Astronomy, online. Retrieved 2007-10-19.
92.^ Eggen, Olin J. (1992). "The Sirius supercluster in the FK5". Astronomical Journal 104 (4): 1493–1504. Bibcode 1992AJ....104.1493E. doi:10.1086/116334.
93.^ Olano, C. A. (2001). "The Origin of the Local System of Gas and Stars". The Astronomical Journal 121 (1): 295–308. Bibcode 2001AJ....121..295O. doi:10.1086/318011.
94.^ Liddell, Henry G.; Scott, Robert (1980). Greek-English Lexicon (Abridged ed.). Oxford: Oxford University Press. ISBN 0-19-910207-4.
95.^ a b (Holberg 2007, pp. 15–16)
96.^ Brosch, p. 21.
97.^ Kak, Subhash. "Indic ideas in the Greco-Roman world". IndiaStar Review of Books. Retrieved 2010-07-23.
98.^ "Shri Shri Shiva Mahadeva".
99.^ Rydberg, Viktor (1889). Rasmus Björn Anderson. ed. Teutonic mythology. 1. S. Sonnenschein & co.
100.^ Tyson, Donald; Freake, James (1993). Three Books of Occult Philosophy. Llewellyn Worldwide. ISBN 0-87542-832-0.
101.^ Agrippa, Heinrich Cornelius (1533). De Occulta Philosophia. ISBN 90-04-09421-0.
102.^ Homer (1997). Iliad. Trans. Stanley Lombardo. Indianapolis: Hackett. ISBN 978-0-87220-352-5. 22.33–37.
103.^ Doostkhah, Jalil (1996). Avesta. Kohantarin Sorōdhāye Irāniān. Tehran: Morvarid Publications. ISBN 964-6026-17-6.
104.^ West, E. W. (1895-1910). Pahlavi Texts. Routledge Curzon, 2004. ISBN 0-7007-1544-4.
105.^ Razi, Hashem (2002). Encyclopaedia of Ancient Iran. Tehran: Sokhan Publications. ISBN 964-372-027-6.
106.^ Ferdowsi, A.. Shahnameh e Ferdowsi. Bank Melli Iran Publications, 2003. ISBN 964-93135-3-2.
107.^ (Holberg 2007, p. 22)
108.^ (Holberg 2007, p. 23)
109.^ (Holberg 2007, p. 24)
110.^ Staff (2007). "Sirius". Britannica Online Encyclopedia. Retrieved 2007-09-10.
111.^ "An-Najm (The Star), Surah 53". Translations of the Qur'an. University of Southern California, Center for Muslim-Jewish Engagement. 2007. Retrieved 2009-08-08.
112.^ "Tafsir Ibn Kathir". 2012-07-09.
113.^ Baker, Douglas (1977). The Seven Rays: Key to the Mysteries. Wellingborough, Herts.: Aquarian Press. ISBN 0-87728-377-X.
114.^ Ridpath, Ian (1978). "Investigating the Sirius "Mystery"". Committee for Skeptical Inquiry. Archived from the original on 2003-02-17. Retrieved 2007-06-26.
115.^ de Montellano, Bernard R. Ortiz. "The Dogon Revisited". Retrieved 2007-10-13.
116.^ Coppens, Philip. "Dogon Shame". Retrieved 2007-10-13.
117.^ Apter, Andrew (1999). "Griaule's Legacy: Rethinking "la parole claire" in Dogon Studies" (PDF). Cahiers d'Études africaines 45 (1): 95–129. Retrieved 2008-04-16.
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119.^ a b Clémentine Faïk-Nzuji Madiya, Canadian Museum of Civilization, Canadian Centre for Folk Culture Studies, International Centre for African Language, Literature and Tradition (Louvain, Belgium). ISBN 0-660-15965-1. pp 5, 27, 115
120.^ Galvan, Dennis Charles, "The State Must be our Master of Fire : How Peasants Craft Culturally Sustainable Development in Senegal", Berkeley, University of California Press, (2004), pp 86-135, ISBN 978-0-520-23591-5.
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122.^ a b Brosch, p. 33.
123.^ "About Macquarie University—Naming of the University". Macquarie University official website. Macquarie University. 2007. Retrieved 2007-12-27.
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[edit] Cited texts
Brosch, Noah (2008). Sirius Matters. Springer. ISBN 1-4020-8318-1
Holberg, J.B. (2007). Sirius: Brightest Diamond in the Night Sky. Chichester, UK: Praxis Publishing. ISBN 0-387-48941-X

[edit] External links

Look up dog days in Wiktionary, the free dictionary.

Wikimedia Commons has media related to: Sirius

Professor Kaler's webpage on Sirius
Astronomy Picture of the Day of Sirius B in x-ray
Discussion on Dogon issue
Sirius time
Barker, Tho.; Stukeley, W. (1760). "Remarks on the Mutations of the Stars". Philosophical Transactions 51 (0): 498–504. doi:10.1098/rstl.1759.0049. JSTOR 105393.

 

 

Who then is it?
Those above their braziers-it is.
The image of the Eye of Re, together
With the image of the Eye of Horus
From Chapter 17, The Egyptian Book of the Dead

 

 

ORPHEUS

Orpheus - Wikipedia, the free encyclopedia

en.wikipedia.org/wiki/Orpheus

Orpheus was a legendary musician, poet, and prophet in ancient Greek religion and myth. The major stories about him are centered on his ability to charm all ...

Black Orpheus - Eurydice - Orpheus (disambiguation) - Abattoir Blues/The Lyre of ...

Orpheus

From Wikipedia, the free encyclopedia
search

For other uses, see Orpheus (disambiguation).

Roman mosaic depicting Orpheus, wearing a Phrygian cap and surrounded by the beasts charmed by the music of his lyre.
Orpheus ( /ˈɔrfiːəs/ or /ˈɔrfjuːs/; Ancient Greek: Ὀρφεύς) was a legendary musician, poet, and prophet in ancient Greek religion and myth. The major stories about him are centered on his ability to charm all living things and even stones with his music, his attempt to retrieve his wife, Eurydice, from the underworld, and his death at the hands of those who could not hear his divine music. As an archetype of the inspired singer, Orpheus is one of the most significant figures in the reception of classical mythology in Western culture, portrayed or alluded to in countless forms of art and popular culture including poetry, opera, and painting.[1]

For the Greeks, Orpheus was a founder and prophet of the so-called "Orphic" mysteries. He was credited with the composition of the Orphic Hymns, a collection of which survives.[2] Shrines containing purported relics of Orpheus were regarded as oracles. Some ancient Greek sources note Orpheus's Thracian origins.[3]

 

Myth of Orpheus and Eurydice

www.vcu.edu/engweb/webtexts/eurydice/eurydicemyth.html

The story of Orpheus and Eurydice, as told by Apollonius of Rhodes, Virgil and Ovid (and retold by Edith Hamilton in Mythology). Orpheus: "On his mother's side ...

The story of Orpheus and Eurydice,
as told by Apollonius of Rhodes, Virgil and Ovid
(and retold by Edith Hamilton in Mythology)
Orpheus: "On his mother's side he was more than mortal. He was the son of one of the Muses and a Tracian prince. His mother gave him the gift of music and Thrace where he grew up fostered it. The Thracians were the most musical of the peoples of Greece. But Orpheus had no rival there or anywhere except the gods alone. There was no limit to his power when he played and sang. No one and nothing could resist him.

In the deep still woods upon the Thracian mountains
Orpheus with his singing lyre led the trees,
Led the wild beasts of the wilderness.
Everything animate and inanimate followed him. He moved the rocks on the hillside and turned the courses of the rivers....
When he first met and how he wooed the maiden he loved, Euridice, we are not told, but it is clear that no maiden he wanted could have resisted the power of his song. They were married, but their joy was brief. Directly after the wedding, as the bride walked in a meadow with her bridesmaids, a viper stung her and she died. Orpheus' grief was overwhelming. He could not endure it. He determined to go down to the world of death and try to bring Eurydice back. He said to himself,

With my song
I will charm Demeter's daughter,
I will charm the Lord of the Dead,
Moving their hearts with my melody.
I will bear her away from Hades.
He dared more than any other man ever dared for his love. He took the fearsome journey to the underworld. There he struck his lyre, and at the sound all that vast multitude were charmed to stillness....
O Gods who rule the dark and silent world,
To you all born of a woman needs must come.
All lovely things at last go down to you.
You are the debtor who is always paid.
A little while we tarry up on earth.
Then we are yours forever and forever.
But I seek one who came to you too soon.
The bud was plucked before the flower bloomed.
I tried to bear my loss. I could not bear it.
Love was too strong a god, O King, you know
If that old tale men tell is true, how once
The flowers saw the rape of Proserpine,
Then weave again for sweet Eurydice
Life's pattern that was taken from the loom
Too quick. See, I ask a little thing,
Only that you will lend, not give, her to me.
She shall be yours when her years' span is full.
No one under the spell of his voice could refuse him anything. He
Drew iron tears down Pluto's cheek,
and made Hell grant what Love did seek.
They summoned Eurydice and gave her to him, but upon one condition: that he would not look back at her as she followed him, until they had reached the upper world. So the two passed through the great doors of Hades to the path which would take them out of the darkness, climbing up and up. He knew that she must be just behind him, but he longed unutterably to give one glance to make sure. But now they were almost there, the blackness was turning gray; now he had stepped out joyfully into the daylight. Then he turned to her. It was too soon; she was still in the cavern. He saw her in the dim light, and he held out his arms to clasp her; but on the instant she was gone. She had slipped back into the darkness. All he heard was one faint word, "Farewell."
Desperately he tried to rush after her and follow her down, but he was not allowed. The gods would not consent to his entering the world of the dead a second time, while he was still alive. He was forced to return to the earth alone, in utter desolation. Then he forsook the company of men. He wandered through the wild solitudes of Thrace, comfortless except for his lyre, playing, always playing, and the rocks and the rivers and the trees heard him gladly, his only companions. But at last a band of Maenads [women] came upon him....They slew the gentle musician, tearing him limb from limb, borne along past the river's mouth on to the Lesbian shore; nor had it suffered any change from the sea when the Muses found it and buried it in the sanctuary of the island. His limbs they gathered and placed in a tomb at the foot of Mount Olympus, and there to this day the nightingales sing more sweetly than anywhere else. "

--------------------------------------------------------------------------------

Here is another version, taken from Thomas Bulfinch and retold by Juliana Podd in Encyclopedia Mythica.

Eurydice and Orpheus were young and in love. So deep was their love that they were practically inseparable. So dependent was their love that each felt they could not live without the other. These young lovers were very happy and spent their time frolicking through the meadows. One day Eurdice was gaily running through a meadow with Orpheus when she was bitten by a serpent. The poison of the sting killed her and she descended to Hades immediately.

Orpheus was son of the great Olympian god Apollo. In many ways Apollo was the god of music and Orpheus was blessed with musical talents. Orpheus was so sad about the loss of his love that he composed music to express the terrible emptiness which pervaded his every breath and movement. He was so desperate and found so little else meaningful, that he decided address Hades. As the overseer of the underworld, Hades heart had to be hard as steel, and so it was. Many approached Hades to beg for loved ones back and as many times were refused. But Orpheus' music was so sweet and so moving that it softened the steel hearted heart of Hades himself. Hades gave permission to Orpheus to bring Eurydice back to the surface of the earth to enjoy the light of day. There was only one condition--Orpheus was not to look back as he ascended. He was to trust that Eurydice was immediately behind him. It was a long way back up and just as Orpheus had almost finished that last part of the trek, he looked behind him to make sure Eurydice was still with him. At that very moment, she was snatched back because he did not trust that she was there. When you hear music which mourns lost love, it is Orpheus' spirit who guides the hand of the musicians who play it.

--------------------------------------------------------------------------------

To study text of H. D.'s "Eurydice"
Posted by Ann Woodlief for ENGLISH 384, Fall 2001

 

THE

SHADES OF HADES

 

 

F
=
6
-
-
ORPHEUS
-
-
-
-
-
-
-
1
O
15
6
6
-
-
-
-
1
R
18
9
9
-
-
-
-
2
P+H
24
6
6
-
-
-
-
3
E+U+S
45
18
9
F
=
6
-
7
ORPHEUS
102
39
30
-
-
-
-
-
-
1+0+2
3+9
3+0
F
=
6
-
7
ORPHEUS
3
12
3
-
-
-
-
-
-
1+0
1+2
-
F
=
6
-
7
ORPHEUS
3
3
3

 

 

E
=
5
-
-
EURYDICE
-
-
-
-
-
-
-
2
E+U
26
8
8
-
-
-
-
1
R
18
9
9
-
-
-
-
1
Y
25
7
7
-
-
-
-
1
I
9
9
9
-
-
-
-
1
D
4
4
4
-
-
-
-
1
I
9
9
9
-
-
-
-
2
C+E
8
8
8
E
=
5
-
8
EURYDICE
90
45
30
-
-
-
-
-
-
9+0
4+5
3+0
E
=
5
-
8
EURYDICE
93
9
9

 

 

IN

THE

BEGINNING

WAS THE WORD AND THE WORD WAS

WITH

GOD AND THE WORD WAS GOD

THE

SAME WAS IN THE BEGINNING WITH

GOD ALL THINGS WERE MADE BY GOD AND WITHOUT GOD

WAS

NOT

ANYTHING

MADE THAT WAS MADE

IN

GOD

WAS LIFE AND THE LIFE WAS

THE

LIGHT

OF

HUMANKIND

AND THE

LIGHT

SHINETH IN THE DARKNESS AND THE DARKNESS COMPREHENDED IT NOT

 

 

I

AM

ALPHA AND OMEGA

THE BEGINNING AND THE END THE FIRST AND THE LAST

I

AM

THE ROOT AND THE OFFSPRING

OF

DAVID

AND

THE BRIGHT AND MORNING STAR

AND

THE SPIRIT AND THE BRIDE SAY COME

AND

LET THEM THAT HEARETH SAY COME

AND

LET THEM THAT IS ATHIRST COME

AND

WHOSOEVER WILL LET THEM TAKE THE WATER OF LIFE FREELY

 

 

THE CHRISTOS THE

CHRIST

 

CHRISTOS SEE HERE IS THE CHRISTOS

 

OSIRIS

 

 

AMEN THE NAME THE NAME AMEN

 

 

 

ATUM 1234 ATUM

ATUM AND 1234 AND 1234 AND 1234 AND 1234 AND 1234 AND 1234 AND 1234 AND 1234 AND 1234 AND ATUM

 

 

THE HERMETICA

THE LOST WISDOM OF THE PHARAOHS

Timothy Freke & Peter Gandy

To the Memory of Giordano Bruno 1548 - 1600

Mundus Nihil Pulcherrimum

The World is a Beautiful Nothing

Page 23

"Although we have used the familiar term 'God' in the explanatory notes which accompany each chapter, we have avoided this term in the text itself. Instead we have used 'Atum - one of the ancient Egyptian names for the Supreme One God."

 

 

ATUM 1234 ATUM

 

Page 45

The Being of Atum

"Atum is Primal Mind."

Page 45

The Being of Atum

Give me your whole awareness, and concentrate your thoughts, for Knowledge of Atum's Being requires deep insight, which comes only as a gift of grace.

It is like a plunging torrent of water whose swiftness outstrips any man who strives to follow it, leaving behind not only the hearer, but even the teacher himself.

To conceive of Atum is difficult.

To define him is impossible.

The imperfect and impermanent cannot easily apprehend the eternally perfected.

Atum is whole and conconstant.

In himself he is motionless, yet he is self-moving.

He is immaculate, incorruptible and ever-lasting.

He is the Supreme Absolute Reality. He is filled with ideas which are imperceptible to the senses, and with all-embracing Knowledge.

Atum is Primal Mind.

Page 46

He is too great to be called by the name 'Atum'. He is hidden, yet obvious everywhere.

His Being is known through thought alone, yet we see his form before our eyes.

He is bodiless, yet embodied in everything. There is nothing which he is not. He has no name, because all names are his name. He is the unity in all things, so we must know him by all names and call everything 'Atum'.

He is the root and source of all. Everything has a source, except this source itself, which springs from nothing.

Atum is complete like the number one, which remains itself whether multiplied or divided, and yet generates all numbers.

Atum is the Whole which contains everything. He is One, not two.

He is All, not many.

The All is not many separate things, but the Oneness that subsumes the parts.

The All and the One are identical.

You think that things are many when you view them as separate, but when you see they all hang on the One, /Page 47/ and flow from the One, you will realise they are united­linked together, and connected by a chain of Being from the highest to the lowest, all subject to the will of Atum.

The Cosmos is one as the sun is one, the moon is one and the Earth is one.

Do you think there are many Gods? That's absurd - God is one.

Atum alone is the Creator of all that is immortal, and all that is mutable.

If that seems incredible, just consider yourself. You see, speak, hear, touch, taste, walk, think and breathe.

It is not a different you who does these various things, but one being who does them all.

To understand how Atum makes all things, consider a farmer sowing seeds; here wheat - there barley,
now planting a vine - then an apple tree.

Just as the same man plants all these seeds, so Atum sows immortality in heaven and change on Earth.

Throughout the Cosmos he disseminates Life and movement­the two great elements that comprise Atum and his creation, and so everything that is.

Page 48

Atum is called 'Father' because he begets all things, and, from his example, the wise hold begetting children the most sacred pursuit of human life. Atum works with Nature, within the laws of Necessity, causing extinction and renewal, constantly creating creation to display his wisdom.

Yet, the things that the eye can see are mere phantoms and illusions.

Only those things invisible to the eye are real. Above all are the ideas of Beauty and Goodness.

Just as the eye cannot see the Being of Atum, so it cannot see these great ideas.

They are attributes of Atum alone, and are inseparable from him.

They are so perfectly without blemish that Atum himself is in love with them.

There is nothing which Atum lacks, so nothing that he desires.

There is nothing that Atum can lose, so nothing can cause him grief. Atum is everything.

Atum makes everything, and everything is a part of Atum.

Atum, therefore, makes himself.

This is Atum's glory - he is all-creative, and this creating is his very Being.

It is impossible for him ever to stop creating­for Atum can never cease to be.

Page 49

Atum is everywhere.

Mind cannot be enclosed, because everything exists within Mind.

Nothing is so quick and powerful.

Just look at your own experience. Imagine yourself in any foreign land, and quick as your intention you will be there!

Think of the ocean - and there you are.

You have not moved as things move, but you have travelled, nevertheless.

Fly up into the heavens - you won't need wings!

Nothing can obstruct you - not the burning heat of the sun, or the swirling planets.

Pass on to the limits of creation. Do you want to break out beyond the boundaries of the Cosmos?

For your mind, even that is possible.

Can you sense what power you possess? If you can do all this, then what about your Creator?

Try and understand that Atum is Mind.

This is how he contains the Cosmos. All things are thoughts which the Creator thinks."

 

 

ZEUS SEE US SEE ZEUS

HERA HEAR US HERE HERA

PERSEPHONE

PERSEUS IS ON THE PHONE

SEE THEE THE SINGER THAT SINGS THE TONE OF THIS LOVE NOTE

 

 

S
=
1
-
3
SRI
46
19
1
K
=
2
-
8
KRISHNA'S
99
36
9
R
=
9
-
11
REMEMBERING
109
64
1
-
-
12
4
22
First Total
254
119
11
-
-
1+2
-
2+2
Add to Reduce
2+5+4
1+1+9
1+1
-
-
3
-
4
Second Total
11
11
2
8
-
-
-
-
Reduce to Deduce
1+1
1+1
-
-
-
3
-
4
Essence of Number
2
2
2

 

 

M
=
4
-
4
MANY
53
17
8
L
=
3
-
5
LIVES
67
22
4
A
=
1
-
6
ARJUNA
65
20
2
Y
=
7
-
3
YOU
61
16
7
A
=
1
-
3
AND
19
10
1
I
=
9
-
1
I
9
9
9
H
=
8
-
4
HAVE
36
18
9
K
=
3
-
5
LIVED
52
25
7
I
=
9
-
1
I
9
9
9
R
=
9
-
8
REMEMBER
79
43
7
T
=
2
-
4
THEM
46
19
1
A
=
1
-
3
ALL
25
7
7
B
=
2
-
3
BUT
43
7
7
T
=
2
-
4
THOU
64
19
1
D
=
4
-
4
DOST
58
13
4
N
=
5
-
3
NOT
49
13
4
B
-
70
4
61
First Total
735
267
87
-
-
7+0
-
6+1
Add to Reduce
7+3+5
2+6+7
8+7
-
-
7
-
7
Second Total
15
15
15
8
-
-
-
-
Reduce to Deduce
1+5
1+5
1+5
-
-
7
-
7
Essence of Number
6
6
6

 

 

FINGERPRINTS OF THE GODS

A QUEST FOR THE BEGINNING AND THE END

Graham Hancock 1995

Chapter 32

Speaking to the Unborn

Page 285

"It is understandable that a huge range of myths from all over the ancient world should describe geological catastrophes in graphic detail. Mankind survived the horror of the last Ice Age, and the most plausible source for our enduring traditions of flooding and freezing, massive volcanism and devastating earthquakes is in the tumultuous upheavals unleashed during the great meltdown of 15,000 to 8000 BC. The final retreat of the ice sheets, and the consequent 300-400 foot rise in global sea levels, took place only a few thousand years before the beginning of the historical period. It is therefore not surprising that all our early civilizations should have retained vivid memories of the vast cataclysms that had terrified their forefathers.
Much harder to explain is the peculiar but distinctive way the myths of cataclysm seem to bear the intelligent imprint of a guiding hand.l Indeed the degree of convergence between such ancient stories is frequently remarkable enough to raise the suspicion that they must all have been 'written' by the same 'author'.
Could that author have had anything to do with the wondrous deity, or superhuman, spoken of in so many of the myths we have reviewed, who appears immediately after the world has been shattered by a horrifying geological catastrophe and brings comfort and the gifts of civilization to the shocked and demoralized survivors?
White and bearded, Osiris is the Egyptian manifestation of this / Page 286 / universal figure, and it may not be an accident that one of the first acts he is remembered for in myth is the abolition of cannibalism among the primitive inhabitants of the Nile Valley.2 Viracocha, in South America, was said to have begun his civilizing mission immediately after a great flood; Quetzalcoatl, the discoverer of maize, brought the benefits of crops, mathematics, astronomy and a refined culture to Mexico after the Fourth Sun had been overwhelmed by a destroying deluge.
Could these strange myths contain a record of encounters between scattered palaeolithic tribes which survived the last Ice Age and an as yet unidentified high civilization which passed through the same epoch?
And could the myths be attempts to communicate?

A message in the bottle of time"

'Of all the other stupendous inventions,' Galileo once remarked,

what sublimity of mind must have been his who conceived how to communicate his most secret thoughts to any other person, though very distant either in time or place, speaking with those who are in the Indies, speaking to those who are not yet born, nor shall be this thousand or ten thousand years? And with no greater difficulty than the various arrangements of two dozen little signs on paper? Let this be the seal of all the admirable inventions of men.3

If the 'precessional message' identified by scholars like Santillana, von Dechend and Jane Sellers is indeed a deliberate attempt at communication by some lost civilization of antiquity, how come it wasn't just written down and left for us to find? Wouldn't that have been easier than encoding it in myths? Perhaps.
Nevertheless, suppose that whatever the message was written on got destroyed or worn away after many thousands of years? Or suppose that the language in which it was inscribed was later forgotten utterly (like the enigmatic Indus Valley script, which has been studied closely for more than half a century but has so far resisted all attempts at decoding)? It must be obvious that in such circumstances a written / Page 287 / legacy to the future would be of no value at all, because nobody would be able to make sense of it.
What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them - and the city of Teotihuacan may be the calling-card of a lost civilization written in the eternal language of mathematics.
Geodetic data, related to the exact positioning of fixed geographical points and to the shape and size of the earth, would also remain valid and recognizable for tens of thousands of years, and might be most conveniently expressed by means of cartography (or in the construction of giant geodetic monuments like the Great Pyramid of Egypt, as we shall see).
Another 'constant' in our solar system is the language of time: the great but regular intervals of time calibrated by the inch-worm creep of precessional motion. Now, or ten thousand years in the future, a message that prints out numbers like 72 or 2160 or 4320 or 25,920 should be instantly intelligible to any civilization that has evolved a modest talent for mathematics and the ability to detect and measure the almost imperceptible reverse wobble that the sun appears to make along the ecliptic against the background of the fixed stars..."

"What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them"

 

"WRITTEN IN THE ETERNAL LANGUAGE OF MATHEMATICS"

 

 

The

FULCANELLI

Phenomenon

Kenneth Rayner Johnson 1980

The Praxis

Page 190

Theoretical physics has become more and more occult, cheerfully breaking every previously sacrosanct law of nature and leaning towards such supernatural concepts as holes in space, negative mass and time flowing backwards ... The greatest physicists ... have been groping towards a synthesis of physics and parapsychology. - Arthur Koestler: The Roots of Coincidence, (Hutchinson, 1972.)

 

 

QUO VADIS

 

Quo vadis - Wikipedia, the free encyclopedia Quo vadis? is a Latin phrase meaning "Where are you going?" or "Whither goest thou?". The modern usage of the phrase refers to a legend in Christian ... en.wikipedia.org/wiki/Quo_vadis

Quo vadis? is a Latin phrase meaning "Where are you going?" or "Whither goest thou?". The modern usage of the phrase refers to a legend in Christian tradition, related in the apocryphal Acts of Peter (Vercelli Acts XXXV), in which Saint Peter meets Jesus as Peter is fleeing from likely crucifixion in Rome. Peter asks Jesus the question; Jesus' answer, "I am going to Rome to be crucified again" (Eo Romam iterum crucifigi), prompts Peter to gain the courage to continue his ministry and eventually become a martyr.

The phrase also occurs a few times in the Vulgate translation of the Bible, notably including the occurrence in John 13:36 in which Peter also asks the question of Jesus, after the latter announces he is going to where his followers cannot come.

 

 

7
WHITHER
91
46
1
5
GOEST
66
21
3
4
THOU
64
19
1
16
-
221
86
5
1+6
-
2+2+1
8+6
-
7
-
5
14
5
-
-
-
1+4
-
7
-
5
5
5

 

 

Quo Vadis. I fled by night and in the grey of dawn met on the lonely way a man I knew but could not name. He said “Good morning”, I the same ...
rtnl.org.uk/now_and_then/html/242.html

 

Quo Vadis
I fled by night and in the grey
of dawn met on the lonely way
a man I knew but could not name.
He said “Good morning”, I the same
and asked if he was going far.
He said “As far as Golgotha.”
And then I knew and the cock crew.

 

Quo vadis is a Latin phrase meaning "Where are you going?" It is used as a proverbial phrase from the Bible (John 13:36, 16:5). ... en.wikipedia.org/wiki/Quo_Vadis -

 

 

HOLY BIBLE

Scofield References

C 1 V 16

THE ACTS OF THE APOSTLES

Page 1148 (Part quoted)

"MEN AND BRETHREN THIS SCRIPTURE MUST NEEDS HAVE BEEN FULFILLED

WHICH THE HOLY GHOST BY THE MOUTH OF DAVID SPAKE"

 

 

3
THE
33
15
6
4
STAR
58
13
4
2
OF
21
12
3
5
DAVID
40
22
4
14
Add to Reduce
152
62
17
1+4
Reduce to Deduce
1+5+2
6+2
1+7
5
Essence of Number
8
8
8

 

 

CHEIRO'S BOOK OF NUMBERS

Circa 1926

Page106
"Shakespeare, that Prince of Philosophers, whose thoughts will adorn English literature for all time, laid down the well-known axiom: There is a tide in the affairs of men which if taken at the flood, leads on to fortune." The question has been asked again and again, Is there some means of knowing when the moment has come to take the tide at the flood?
My answer to this question is that the Great Architect of the Universe in His Infinite Wisdom so created all things in such harmony of design that He endowed the human mind with some part of that omnipotent knowledge which is the attribute of the Divine Mind as the Creator of all.

The question has been asked again and again, Is there some means of knowing when the moment has come to take the tide at the flood?

 

 

 THE

QUESTION

HAS BEEN ASKED AGAIN AND AGAIN

IS THERE SOME MEANS OF KNOWING WHEN THE MOMENT HAS COME TO TAKE

THE TIDE AT THE

FLOOD

 

 

8
QUO VADIS
108
36
9
6
VOX POP
108
36
9
11
SORROW
108
36
9
8
INSTINCT
108
36
9
11
DESCENDANTS
108
36
9
8
STARTING
108
36
9
9
CONSISTED
108
36
9
9
NARRATIVE
108
36
9
9
SEQUENCES
108
36
9
9
COMPLETES
108
36
9
9
AMBIGUOUS
108
36
9
7
JOURNEY
108
36
9

 

 

A
=
1
-
4
AHCF
18
18
9
J
=
1
-
4
JQLO
54
18
9
S
=
1
-
4
SZUX
90
18
9
-
-
4
-
12
Add to Reduce
162
54
27
-
-
-
-
1+2
Reduce to Deduce
1+6+2
5+4
2+7
-
-
4
-
3
Essence of Number
9
9
9

 

 

-
12
A
H
C
F
-
J
Q
L
O
-
S
Z
U
X
-
-
-
-
-
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
6
-
1
8
-
6
+
=
29
2+9
=
11
1+1
2
=
2
-
-
-
8
-
-
-
-
-
-
15
-
19
26
-
24
+
=
92
9+2
=
11
1+1
2
=
2
-
12
A
H
C
F
-
J
Q
L
O
-
S
Z
U
X
-
-
-
-
-
-
-
-
-
-
-
-
1
-
3
6
-
1
8
3
-
-
-
-
3
-
+
=
25
2+5
=
7
=
7
=
7
-
-
1
-
3
6
-
10
17
12
-
-
-
-
21
-
+
=
70
7+0
=
7
=
7
=
7
-
12
A
H
C
F
-
J
Q
L
O
-
S
Z
U
X
-
-
-
-
-
-
-
-
-
-
-
-
1
8
3
6
-
10
17
12
15
-
19
26
21
24
+
=
162
1+6+2
=
9
=
9
=
9
-
-
1
8
3
6
-
1
8
3
6
-
1
8
3
6
+
=
54
5+4
=
9
=
9
=
9
-
12
A
H
C
F
-
J
Q
L
O
-
S
Z
U
X
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
1
-
-
-
-
1
-
-
-
-
-
1
occurs
x
3
=
3
=
3
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
NINE
9
-
-
-
-
-
-
-
-
-
3
-
-
-
-
3
-
-
-
-
3
-
-
-
3
occurs
x
3
=
9
=
9
4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
4
FOUR
4
-
-
-
-
-
5
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
5
FIVE
5
-
-
-
-
-
-
-
-
-
-
6
-
-
-
-
6
-
-
-
-
6
-
-
6
occurs
x
3
=
18
1+8
9
7
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
7
SEVEN
7
-
-
-
-
-
-
-
-
8
-
-
-
-
8
-
-
-
-
8
-
-
-
-
8
occurs
x
3
=
24
2+4
6
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
NINE
9
-
-
-
-
-
27
12
A
H
C
F
-
J
Q
L
O
-
S
Z
U
X
-
-
18
-
-
12
-
54
-
27
2+7
1+2
1
8
3
6
-
1
8
3
6
-
1
8
3
6
-
-
1+8
-
-
1+2
-
5+4
-
2+7
9
3
A
H
C
F
-
J
Q
L
O
-
S
Z
U
X
-
-
9
-
-
3
-
9
-
9
-
-
1
8
3
6
-
1
8
3
6
-
1
8
3
6
-
-
-
-
-
-
-
-
-
-
9
3
A
H
C
F
-
J
Q
L
O
-
S
Z
U
X
-
-
9
-
-
3
-
9
-
9

 

 

12
A
H
C
F
-
J
Q
L
O
-
S
Z
U
X
-
-
-
-
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
6
-
1
8
-
6
+
=
29
2+9
=
11
1+1
2
=
2
-
-
8
-
-
-
-
-
-
15
-
19
26
-
24
+
=
92
9+2
=
11
1+1
2
=
2
12
A
H
C
F
-
J
Q
L
O
-
S
Z
U
X
-
-
-
-
-
-
-
-
-
-
-
1
-
3
6
-
1
8
3
-
-
-
-
3
-
+
=
25
2+5
=
7
=
7
=
7
-
1
-
3
6
-
10
17
12
-
-
-
-
21
-
+
=
70
7+0
=
7
=
7
=
7
12
A
H
C
F
-
J
Q
L
O
-
S
Z
U
X
-
-
-
-
-
-
-
-
-
-
-
1
8
3
6
-
10
17
12
15
-
19
26
21
24
+
=
162
1+6+2
=
9
=
9
=
9
-
1
8
3
6
-
1
8
3
6
-
1
8
3
6
+
=
54
5+4
=
9
=
9
=
9
12
A
H
C
F
-
J
Q
L
O
-
S
Z
U
X
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
1
-
-
-
-
1
-
-
-
-
-
1
occurs
x
3
=
3
=
3
-
-
-
3
-
-
-
-
3
-
-
-
-
3
-
-
-
3
occurs
x
3
=
9
=
9
-
-
-
-
6
-
-
-
-
6
-
-
-
-
6
-
-
6
occurs
x
3
=
18
1+8
9
-
-
8
-
-
-
-
8
-
-
-
-
8
-
-
-
-
8
occurs
x
3
=
24
2+4
6
12
A
H
C
F
-
J
Q
L
O
-
S
Z
U
X
-
-
18
-
-
12
-
54
-
27
1+2
1
8
3
6
-
1
8
3
6
-
1
8
3
6
-
-
1+8
-
-
1+2
-
5+4
-
2+7
3
A
H
C
F
-
J
Q
L
O
-
S
Z
U
X
-
-
9
-
-
3
-
9
-
9
-
1
8
3
6
-
1
8
3
6
-
1
8
3
6
-
-
-
-
-
-
-
-
-
-
3
A
H
C
F
-
J
Q
L
O
-
S
Z
U
X
-
-
9
-
-
3
-
9
-
9

 

 

-
-
-
1
8
3
6
-
-
-
1
8
3
6
-
-
-
1
8
3
6
-
-
-
-
-
-
S
S
S
S
-
-
-
S
S
S
S
-
-
-
S
S
S
S
-
-
-
-
-
-
S
S
S
S
-
-
-
S
S
S
S
-
-
-
S
S
S
S
-
-
-
-
-
-
A
H
C
F
-
-
-
1
8
3
6
-
-
-
A
H
C
F
-
-
-
-
-
-
J
Q
L
O
-
-
-
1
8
3
6
-
-
-
J
Q
L
O
-
-
-
-
-
-
S
Z
U
X
-
-
-
1
8
3
6
-
-
-
S
Z
U
X
-
-
-
-
-
-
S
S
S
S
-
-
-
S
S
S
S
-
-
-
S
S
S
S
-
-
-
-
-
-
S
S
S
S
-
-
-
S
S
S
S
-
-
-
S
S
S
S
-
-
-
-
-
-
1
8
3
6
-
-
-
1
8
3
6
-
-
-
1
8
3
6
-
-
-

 

 

KEEPER OF GENESIS

A QUEST FOR THE HIDDEN LEGACY OF MANKIND

Robert Bauval Graham Hancock 1996

Page 254

"...Is there in any sense an interstellar Rosetta Stone?

We believe there is a common language that all technical civilizations, no matter how different, must have.

That common language is science and mathematics.

The laws of Nature are the same everywhere:..."

 

 

THE LURE AND ROMANCE OF ALCHEMY.

A history of the secret link between magic and science

1990
C. J. S.Thompson

Page# 31 / 32

note 1 Julius Ruska ,Tabula Smaragdini 1926

"THE EMERALD TABLE OF HERMES: "

"True it is, without falsehood certain most true.That which is
above is like to that which is below, and that which is below is like
to that which is above, to accomplish the miracles of one thing.
And as in all things whereby contemplation of one, so in all things
arose from this one thing by a single act of adoption.
The father thereof is the Sun the mother the Moon.
The wind carried it in its womb,the earth is the source thereof.
It is the father of all works throughout the world.
The power thereof is perfect.
If it be cast on to earth, it will separate the element of earth
from that of fire, the subtle from the gross.
With great sagacity it doth ascend gently from earth to heaven.
Again it doth descend to earth and uniteth in itself from
things superior and things inferior.
Thus thou wilt possess the brightness of the world, and all
obscurity will fly far from thee.
This thing is the strong fortitude of all strength, for it over-
cometh every subtle thing and doth penetrate every solid substance.
Thus was this world created.
Hence will there be marvellous adaptations achieved of which
the manner is this.
For this reason I am called Hermes Trismegistus because I hold
three parts of the wisdom of the whole world.
That which I had to say about the operation of Sol is completed."

 

 

Freiheit - Keeping The Dream Alive lyrics. From the Original Motion Picture ... In my fantasy I remember their faces The hopes we had were much too high ... www.lyricsmode.com/lyrics/f/freiheit/keeping_the_dream_alive.html


Tonight the rain is falling
Full of memories of people and places
And while the past is calling
In my fantasy I remember their faces

The hopes we had were much too high
Way out of reach but we have to try
The game will never be over
Because we're keeping the dream alive

I hear myself recalling
Things you said to me
The night it all started
And still the rain is falling
Makes me feel the way
I felt when we parted

The hopes we had were much too high
Way out of reach but we have to try
No need to hide no need to run
'Cause all the answers come one by one
The game will never be over
Because we're keeping the dream alive

I need you
I love you

The game will never be over
Because we're keeping the dream alive

The hopes we had were much too high
Way out of reach but we have to try
No need to hide no need to run
'Cause all the answers come one by one

The hopes we had were much too high
Way out of reach but we have to try
No need to hide no need to run
'Cause all the answers come one by one

The game will never be over
Because we're keeping the dream alive

The game will never be over
Because we're keeping the dream alive

The game will never be over

Mmm mmm mmm mmm mmm mmm mmm mmm mmm.

 

 

I

SAY

IS THIS THE OTHER SIDE OF THE ROAD

?

NO ITS OVER THERE

I'VE

JUST BEEN OVER THERE AND THEY SAID ITS OVER HERE

 

 

Did Spacemen Colonise the Earth?

Robin Collyns 1974

Page 206

"FINIS"

 

 

THE MAGIC MOUNTAIN

Thomas Mann 1924

THE THUNDERBOLT

Page 715

"There is our friend, there is Hans Castorp! We recognize him at a distance, by the little beard he assumed 'while sitting at the " bad" Russian table. Like all the others, he is wet through and glowing. He is running, his feet heavy with mould, the bayonet swinging in his, hand. Look! He treads on the hand of a fallen comrade; with his hobnailed boot he treads the hand deep into the slimy, branch-strewn ground. But it is he. What, singing? As one sings, unaware, staring stark ahead, yes, thus. he spends his hurrying breath, to sing half soundlessly:

"And loving words I've carven
Upon its branches fair-"

He stumbles, No, he has flung himself down, a hell-hound is coming howling, a huge explosive shell, a disgusting sugar-loaf from the infernal regions. He lies with his face in the cool mire, legs. sprawled out, feet twisted, heels turned down. The product of a perverted science, laden with death, slopes earthward thirty paces in front of him and buries its nose in the ground; explodes inside there, with hideous expense of power, and raises up a fountain high as a house, of mud, fire, iron, molten metal, scattered fragments of humanity. Where it fell, two youths had lain, friends who in their need flung themselves down together - now they are scattered, commingled and gone.
Shame of our shadow-safety! Away! No more!-But our friend? Was he hit? He thought so, for the moment. A great clod of earth struck him on the shin, it hurt, but he smiles at it. Up he gets, and staggers on, limping on his earth-bound feet, all unconsciously singing:

"Its waving branches whiispered
A message in my ear -"

and thus, in the tumult, in the rain, in the dusk, vanishes out of our sight.
Farewell, honest Hans Castorp, farewell, Life's delicate child!
Your tale is told. We have told it to the end, and it was neither short nor long, but hermetic. We have told it for its own sake, not for yours, for you were simple. But after all, it was your story, it befell you, you must have more in you than we thought; we will not disclaim the pedagogic weakness we conceived for / Page 716 / you in the telling; which could even lead us to press a finger delicately to our eyes at the thought that we shall see you no more, hear you no more for ever.
Farewell - and if thou livest or diest! Thy prospects are poor. The desperate dance, in which thy fortunes are caught up, will last yet many a sinful year; we should not care to set a high stake on thy life by the time it ends. We even confess that it is without great concern we leave the question open. Adventures of the flesh and in the spirit, while enhancing thy simplicity, granted thee to know in the spirit what in the flesh thou scarcely couldst have done. Moments there were, when out of death, and the rebellion of the flesh, there came to thee, as thou tookest stock of thyself, a dream of love. Out of this universal feast of death, out of this extremity of fever, kindling. the rain-washed evening sky to a fiery glow, may it be that Love one day shall mount?

FINIS OPERIS

 
 
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